L'ultimo lupo

Mongols believes in Eternity of Blue sky and idolizing ourselves us like descendants of Wolf and Deer. Just watched a movie 10 mins ago. Feeling is not excited. We Mongolians never built a castle for sheep.Trying to climb a wall, to kill and then skip away was our history. Sorry, but we let them build Great Wall. If they sending message they saved Le dernier Loup, again sorry. Mongol made history before Mao and it will continue. The movie about a wolf is made best with Grey Liam Neeson, by the way, he made also best movie against rulers with his role in Schindler's list. Watch Grey and compare it Le dernier loup. Sorry I should comment and have al right. Last wolf may be make money but not a best foreign movie to be honored Oscar and Canne.

Sorry to say again sorry. Predators were always hunting a weaks, eating babies and surviving though.., survived around here at least 40,000 years. But we didn't aware why we still existed in a land of plenty dinosaur skeleton.

-Wolf Totem (2015) movie review: -Wolf Totem is a Chinese film, made by the French director of Troy, based on the novel (based on a true story) following two Chinese students staying in a modern (1960s) nomadic group of Mongols who raise horses and sheep. They live in a somewhat dangerous area inhabited by Mongolian wolves, so when a corporate residential manager decides to essentially steal food from the smartest species of wolf on the planet, the wolves are forces to get into a turf was with the Mongolian shepherds. It is like the set-up for The Last Samurai if the samurai were the wolves.

-This ambitious endeavor paid off with a massive visual appeal, fantastic production value, and an incredibly emotional story. It was quite a great film.

-I'll go ahead and say this, if you don't like animal deaths or tragedy that might come with said true events surrounding the decline of two impressive races, Mongolians and Mongolian wolves, you will not enjoy this film. However, the story is well told and filled with smart writing to drive the point home and beyond. You will get more that you bargained for.

-The film takes a short while to really pick up, but it has a good pace for most of the film.

-The acting is very good. I do not know any of the actors or wolf actors in it, but the actors did a compelling job and the wolves were so much better than just having stock footage of wolves.

-The characters offered a lot to the story. Each character represents a human trait in a way. The main character, Chen Zhen, offers the hope in humanity and the attempt to see the best during dire situations. His best friend character is more of the ambitions, progressive look at those people who just don't care. There is the village leader, who represents the old ways and greatness of tradition. And of course, the sorta-villain who represents everything wrong with change and industrialization.

-The music is the best thing about it. James Horner composes one of his best, most beautiful, and most heart-string-pulling scores. It was actually how I found this film in the first place.

-Again, the design on the film is visually stunning. Very good practical effects, cinematography, and impressively good wolf training. Fun fact: This project was turned down by every major Chinese director because they thought it too difficult to train Mongolian wolves.

-It is an emotionally draining film and the true story makes it even harder to enjoy, but it is truly a compelling, well made, beautiful film that I think is totally worth checking out! -Wolf Totem does not have a rating, but it has a PG-13 amount of violence and language, so I would say PG-13. Makes sense.

It saddens me that this film will not receive a wider audience. With an English title of "Wolf Totem" very few outside of France or China will be tempted to see it, but it is their loss.

Wolf Totem manages to bring to the big screen the majesty and mystery of wolves. But it is much more than a National Geographic or Animal Planet documentary. (Although those in themselves would be a great success.) It also invites us into the world of Inner Mongolia and tells a compelling tale of human love and loss. This is not Le Renard et L'infant (The Fox and the Child). It succeeds in telling a much grander tale. The acting is all very believable and unlike the usual over-the-top soap opera-esque fare available in most Chinese cinema.

But come for the wolves. I could howl their praises all night long.

I know the name of Jean-Jacques Annaud from The Bear, a movie that made his name a lot more memorable to me than The Name of the Rose, another movie I loved and that he directed. In The Bear, the main character was a little bear cub and any humans in the film were mere secondary characters. The things that film did with animals was nothing short of miraculous.

In this Chinese-French coproduction, there are a lot of wolves and talk about wolves and people getting angry about wolves or loving them, but they are not the main characters. Relegated to the subject of a conversation, wolves play a minor part in this film that doesn't seem to know what it wants to be. It shows a little bit of Chinese Cultural Revolution, but not enough to be of any relevance or warrant the wrath of Chinese authorities. It shows the free way of the Mongols living in the steppes, but it doesn't go in depth. It shows some beautiful wolves, but most of the time they just look pretty and don't do much. It shows men in love with women, but it never goes into romance territory. It shows city boys being schooled in the ways of the steppe, but it doesn't really make anything of it.

The acting was good and so was the direction, I guess. The wide views of the green steppe were beautiful (until the mosquitoes arrived). Yet most of the time is seemed like a fairy tale, lacking a truth that I am not aware of, but that felt like it should be different.

It is not that I didn't like the film, but after two hours of going back and forth between genres, alternating between hating the Communist director who doesn't understand the life of the land and hating just about everybody else for their pretentious stupidity, I was actually bored.

Based on a novel written by Jiang Rong, the story takes place in Mongolia, with sublime landscapes of the Eurasian steppes and describes the daily life of the natives. One of them will adopt a wolf-cub while the wild wolves regularly ravage either the flocks of sheep or the herds of horses.

It is excellently filmed and the film is similar to a naive and contemplative tale for children.