Sen Aydinlatirsin Geceyi
- 2013
- 1h 47min
Aggiungi una trama nella tua linguaCemal is a man who lives with his father in Akhisar town of Manisa and works in his own barber shop. Cemal, who seems to be at his own pace, is in trouble, and even he doesn't know what's go... Leggi tuttoCemal is a man who lives with his father in Akhisar town of Manisa and works in his own barber shop. Cemal, who seems to be at his own pace, is in trouble, and even he doesn't know what's going on. On the other hand, in this town where almost everyone knows each other, seemingly ... Leggi tuttoCemal is a man who lives with his father in Akhisar town of Manisa and works in his own barber shop. Cemal, who seems to be at his own pace, is in trouble, and even he doesn't know what's going on. On the other hand, in this town where almost everyone knows each other, seemingly ordinary people have extraordinary powers.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 8 candidature totali
- Yasemin
- (as Demet Evgar)
Recensioni in evidenza
The director have an amazing imagination and surprises the viewer with countless visual effects.
The soundtrack plays an important role in building the final product.
A must see.
As a result of Cemal living mostly in his own head, he has a series of misadventures over the period of a few weeks. The movie explains some but mostly it leaves you to fill in the gaps.
This movie is a visual poem on existence. The movie's title is a line in one of Shakespeare's sonnets, which starts:
"How can I then return in happy plight, That am debarred the benefit of rest? When day's oppression is not eas'd by night, But day by night and night by day oppress'd."
The sonnet plays a minor role in the movie, but those four lines from The Bard's poem explain the movie's nearly unexplainable plot.
This movie will be much easier to assimilate for people with a science fiction bent.
If you wanna have an evening "watching" some sonnes of Shakespeare in black&white while hearing the song Mreyte ya Mreyte in several scenes, here's your pick, don't miss!
Cemal is a very contemplative and thoughtful character. His thoughtfulness is constantly reflected as worry to himself. He doubts small things, experiences his emotions. He is a person "created from worry." These worries push him towards inquiries that will develop him as a human while also causing him to engage in behaviors he does not want and will regret. He beats the woman he loves (Yasemin). Then he reads her poetry. Cemal is confused, his actions are contradictory. Just like all of us. Even if he could see inside the walls and pass through them, he would not be able to overcome the emotional wall with Yasemin, drowned in his worries and obsessions, which have taken over his entire life.
The cinematography of the film is important in understanding the characters' inner worlds. Cemal's scenes shot with a fixed camera show his eyes and what's behind them to the audience. The poetry scene on the balcony is a nod to Romeo and Juliet. Cemal, the guilty lover trying to win his wife's heart, reads poetry to her. Light shines on his face as if it is from Yasemin, her light giving meaning to his life, he can't do it without her, but his worries are also visible on his face. Cemal stands below the balcony, looking at Yasemin as if she were a goddess. A goddess he can never reach, a goddess who will "definitely" betray him or leave him.
Don't we all have a bit of Cemal in us, after all? Cemal "lives in the church in our ribs."
Lo sapevi?
- Colonne sonoreGulmek Icin Yaratilmis
Written by Ulku Aker
Composed by Atahualpa Yupanqui
Performed by Mehmet Erdem
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Thou Gild'st the Even
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Proporzioni
- 1.78 : 1