Hidden Hills

A really clever, creative idea. Cleaver script. Stylishly realized. The film has wonderful art direction with attention to period details in sets, props, costumes, language, style, It is a stylistic homage to comedy film making of the early 1960's. It is a great approach to satirizing attitudes of the present gay world and present attitude to all relationships. The rather stilted dialog, so appropriate to the period is delivered with complete commitment by the excellent cast making the entire premise believable. It opens with a wonderful old fashioned title sequence with a fun vocal number. The entire talented company knows how to evoke the period, and at the same time comment on what is wrong with today's attitudes. It is so refreshing to see a gay themed film, which is not only a fine comedy but that also addresses issues and attitudes of all relationships in a film that really has universal appeal.

Film Review: "Hidden Hills" Starring Ted Trent

"Hidden Hills" is a delightful film that effortlessly combines humor and thought-provoking storytelling. Directed by an emerging talent and featuring the brilliant Ted Trent, this movie offers a refreshing and enjoyable cinematic experience.

From the opening scene, "Hidden Hills" sets the tone for a comedic journey that keeps the audience engaged throughout. Ted Trent's performance as the lead character is nothing short of exceptional. His comedic timing and ability to effortlessly connect with the audience make him a true standout in the film.

What makes "Hidden Hills" truly memorable is its ability to go beyond mere laughs and delve into deeper themes. The thought-provoking elements woven into the storyline add layers of depth and substance. The film raises questions about life's purpose, human connection, and the pursuit of happiness, leaving the viewers contemplating long after the credits roll.

The screenplay is well-crafted, providing a perfect balance between humorous moments and more introspective scenes. The witty dialogue and clever one-liners keep the audience entertained while also delivering insightful messages. The supporting cast deserves praise for their impeccable performances, adding to the overall charm of the film.

Visually, "Hidden Hills" is a treat for the eyes. The picturesque setting of the hidden hills themselves serves as a backdrop that enhances the storytelling. The cinematography captures the beauty of the surroundings and complements the emotional beats of the narrative.

The film's pacing is consistent, never losing momentum and holding the audience's attention from start to finish. The humor is cleverly interwoven with the underlying themes, creating a well-rounded and engaging experience.

In conclusion, "Hidden Hills" is a must-see movie that seamlessly blends humor and thought-provoking storytelling. Ted Trent's exceptional performance, combined with a well-crafted screenplay and beautiful visuals, make this film a true gem. It will leave you entertained, uplifted, and with a renewed appreciation for the power of laughter and introspection.

Imaginatively conceived, cleverly written, competently acted, well directed, funny, colorful, and -- true to the era -- no bad language. Also no violence. A simple "boy-gets-boy" plot with a complicating "girls wants boy but that's a 'no-no'" twist. Excellent score evokes Henry Mancini. Deliberately makes fun of early 60's film characteristics such as bad rear screen, flat lighting, and split-screen phone chats. All in all, some good laughs and a message that's as important and relevant in this day of same-sex marriage as it would have been in the Sixties for mixed race relationships. Reminds one of the excellent early 60's Ossie Davis/Ruby Dee race relations comedy "Purlie Victorious" (aka "Gone are the Days.") Kudos to Executive Producer Ted Trent for the idea and the funding; and to Director/Writer Dan Steadman for bringing the idea to life. I understand this team is working on more films. Good.

My 17 year old daughter and I saw this film together. We both loved it--especially the plot concept, the costumes, the music and the sets. The plot is clever and creative. It is carried out well--through both the writing and the acting. The characters are real. I felt empathy for the situation of the two main characters. I found myself really caring at how or if their situation would resolve. I loved all the sets and period furnishings and costumes. They were so authentic and colorful. They added to the upbeat mood of the film. At times, it was quite funny. We found ourselves laughing out loud several times. It is an eye opening, feel good, fun film. Very clever!!!

The world is beautiful, strange, and upside down. Nowhere is this more evident than in Dan Steadman's retro-postmodern-screwball counter-factual comedy: the 1960s spun on the axis of an alternate universe in which things are decidedly "straightforward" but not always clear. As an exploration of the often-puzzling rules informing sexual politics and racial identity, this film is both a wildly-inventive, Topsy-Turvy critique of our culture and a sweetly resonant argument for personal freedom. Steadman's writing, like his cinematic vision, is stylized, smart, and deeply humane. With its witty direction, splendid cast, and knowing score, we discover something extraordinary hidden in the hills: the limitless possibilities for human grace and the transformative power of love. These are indeed ideas that everyone can come out and embrace!