Anora, una giovane prostituta di Brooklyn, incontra e sposa impulsivamente il figlio di un oligarca. Quando la notizia raggiunge la Russia, la sua favola è minacciata dai genitori del ragazz... Leggi tuttoAnora, una giovane prostituta di Brooklyn, incontra e sposa impulsivamente il figlio di un oligarca. Quando la notizia raggiunge la Russia, la sua favola è minacciata dai genitori del ragazzo, che vogliono annullare il matrimonio.Anora, una giovane prostituta di Brooklyn, incontra e sposa impulsivamente il figlio di un oligarca. Quando la notizia raggiunge la Russia, la sua favola è minacciata dai genitori del ragazzo, che vogliono annullare il matrimonio.
- Regia
- Sceneggiatura
- Star
- Vincitore di 5 Oscar
- 152 vittorie e 269 candidature totali
Luna Sofía Miranda
- Lulu
- (as Luna Sofia Miranda)
Riepilogo
Reviewers say 'Anora' delves into class disparity and human relationships with a dark comedic approach, though pacing and predictability are common criticisms. Mikey Madison's portrayal of Anora is widely praised for authenticity and vulnerability. The film's examination of sex work garners attention, though some feel it lacks depth. 'Anora' is a mixed bag, offering strong performances and resonant themes, but hindered by pacing and character development issues.
Recensioni in evidenza
Anora was extremely disappointing, with a third-class and cheap feel throughout. It lacked quality in every aspect, making it a complete waste of time!
Watching Anora was an incredibly disappointing experience. The entire production felt cheap and lacked any sense of quality or effort. From start to finish, it seemed like the creators were more focused on cutting corners than delivering something meaningful or engaging. The storyline was predictable and uninspired, failing to hold my attention or evoke any emotional response. The characters lacked depth, making it impossible to connect with them or care about their journey. To make matters worse, the visuals and overall aesthetic felt outdated and amateurish, adding to the sense of a third-rate production. It's clear that very little thought went into creating a cohesive or impactful experience for the audience. I wouldn't recommend this movie to anyone-it's truly a waste of time and energy. If you're looking for something entertaining or thought-provoking, this is definitely not it!
Watching Anora was an incredibly disappointing experience. The entire production felt cheap and lacked any sense of quality or effort. From start to finish, it seemed like the creators were more focused on cutting corners than delivering something meaningful or engaging. The storyline was predictable and uninspired, failing to hold my attention or evoke any emotional response. The characters lacked depth, making it impossible to connect with them or care about their journey. To make matters worse, the visuals and overall aesthetic felt outdated and amateurish, adding to the sense of a third-rate production. It's clear that very little thought went into creating a cohesive or impactful experience for the audience. I wouldn't recommend this movie to anyone-it's truly a waste of time and energy. If you're looking for something entertaining or thought-provoking, this is definitely not it!
Way too much of this movie's two hours is taken up with watching a fairly repulsive young couple -- an overprivileged Russian billionaire's sex-and-drug-crazed son and the brassy "sex worker" of the title -- getting it on in various ways and settings. They're both incredibly shallow, stupid, and greedy, though at least you get the sense that she hasn't enjoyed the easy life that he's had. Despite her occupation, she retains a certain believable naïveté.
That's the boring part of the movie. It goes on far too long.
The dumbest part involves the boy's three improbably clownish Russian handlers, who, in what's obviously meant to be a funny scene, behave like actors in a slapstick comedy. It doesn't work at all.
If you don't bail out at that point (as I was tempted to do), you'll find the final portion somewhat more satisfying.
That's the boring part of the movie. It goes on far too long.
The dumbest part involves the boy's three improbably clownish Russian handlers, who, in what's obviously meant to be a funny scene, behave like actors in a slapstick comedy. It doesn't work at all.
If you don't bail out at that point (as I was tempted to do), you'll find the final portion somewhat more satisfying.
Mediocre. As simple as that. How can a movie, not necessarily stylized, but constraint by budgetary issues, full of clichés and lacking in originality both in the screenplay storyline and its characters, with average acting by all cast, become such an industry darling? There's no redeeming qualities that would lead ANORA to get such high scores by both moviegoers and, especially, critics.
The main character's journey brings her and us back to where the story began. She learns nothing and we are left wondering what could make it a special show. It is not by any standards, except for the current need to reward what is not considered mainstream.
The main character's journey brings her and us back to where the story began. She learns nothing and we are left wondering what could make it a special show. It is not by any standards, except for the current need to reward what is not considered mainstream.
I don't understand at all how this got 5 Oscar's this year. I'm watching for the first time as it has now hit streaming and I was left very confused. It was slow in the first half, picked up a little in the second and then the last half went back to being slow. A lot of scenes were super drawn out, there was no need for the film to be as long as it was. We got absolutely no back story on Anora at all which is what I was waiting for. Don't get me wrong, Mikey Madison isn't a bad actress but I was waiting for more. For the most part she just cursed, showed her body and screamed a lot. I didn't really see a performance worth best actress, even though her performance wasn't terrible. The script also wasn't that good, there were a lot of pieces that were overly repetitive and the characters were pretty much one dimensional. I guess the audience is left to use our imagination but I wish we were given more for the runtime.
The first 40 minutes can be quite misleading, likely catching viewers off guard if they enter with the expectation of a romantic narrative.
Once the first act concludes and the second act kicks in, there's a striking shift in both tone and style that I honestly did not see coming.
The comedy is genuinely entertaining, with moments that will have you laughing out loud. Despite serious circumstances, the absurdity of the situations elicits laughter and chuckles.
They have certainly nailed the dark comedy sides of the story.
However, I found the dramatic elements to be less impactful than I had anticipated, leaving me puzzled by the overwhelmingly positive feedback it has garnered from all around.
While Mikey Madison delivered an impressive performance, and fully deserves every praise coming along her way, her character needed more depth to properly flourish. It feels as if the writing intentionally held back on details, leaving the job of contemplation solely to the audience.
I wish that weren't the case.
Once the first act concludes and the second act kicks in, there's a striking shift in both tone and style that I honestly did not see coming.
The comedy is genuinely entertaining, with moments that will have you laughing out loud. Despite serious circumstances, the absurdity of the situations elicits laughter and chuckles.
They have certainly nailed the dark comedy sides of the story.
However, I found the dramatic elements to be less impactful than I had anticipated, leaving me puzzled by the overwhelmingly positive feedback it has garnered from all around.
While Mikey Madison delivered an impressive performance, and fully deserves every praise coming along her way, her character needed more depth to properly flourish. It feels as if the writing intentionally held back on details, leaving the job of contemplation solely to the audience.
I wish that weren't the case.
Catching Up With 'Anora' Star Mikey Madison
Lo sapevi?
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- ConnessioniFeatured in WatchMojo: Top 10 Best Movies of 2024 (2024)
- Colonne sonoreGreatest Day - Robin Schulz Rework
Performed by Take That, Robin Schulz, and Calum Scott
Written by Gary Barlow, Howard Donald, Jason Orange, and Mark Owen
Courtesy of Polydor Ltd. (UK) under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Анора
- Luoghi delle riprese
- Mill Basin, Brooklyn, New York, New York, Stati Uniti(Vanya's mansion scenes.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.474.295 USD
- Fine settimana di apertura Stati Uniti e Canada
- 550.503 USD
- 20 ott 2024
- Lordo in tutto il mondo
- 57.265.984 USD
- Tempo di esecuzione
- 2h 19min(139 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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