Aggiungi una trama nella tua linguaFor the minister's son, Brandon, this is a summer of awakening and acceptance of his homosexuality. For his father, this is a challenge to his roots in the bible.For the minister's son, Brandon, this is a summer of awakening and acceptance of his homosexuality. For his father, this is a challenge to his roots in the bible.For the minister's son, Brandon, this is a summer of awakening and acceptance of his homosexuality. For his father, this is a challenge to his roots in the bible.
Marguerite Sundberg
- Lorri
- (as Marguerite Mitchell)
Recensioni in evidenza
This is worst, most disjointed mish mosh I have ever seen. Every time when the storyline begins to get interesting and you think there may hope for this film it takes off on some tangent unrelated to the story.
I found this earnest effort difficult to sit trough. The pacing, the amateurish performances, the clichés, all made me want to go watch something else. The direction was tedious and the acting was on a level with high school drama. The father, in particular, was a cartoon depiction of a fundamentalist Christian. I only gave it a three because it contained one scene in an acting class where Matthew Shepard is portrayed in what seems to be purgatory and that scene was touching. The rest of it was painful to behold, and not in a good way.
If you want to watch an excellent movie that explores the conflict of religion and coming out, watch "Prayers for Bobby."
If you want to watch an excellent movie that explores the conflict of religion and coming out, watch "Prayers for Bobby."
The basic plot of this film, such as it is, involves two young men (high school students? college students? like most everything else, it is not made clear) who are in love; one of them is the son of a local preacher, who grows increasingly unhinged over the prospect of his son being gay. Meanwhile, there is a seemingly unrelated plot involving a cruise line putting together a gay-themed cruise on the Erie Canal.
This movie is a completely disjointed mess. It jumps from scene to scene with no rhyme or reason; characters aren't introduced so much as they just show up. One scene in the movie has two Asian break dancers auditioning for... something? And they are never seen again. Acting is local community theater quality, as you would expect. And the ending, without giving away plot details, seems like it was shot to be a promotion for the Upstate New York Tourism Board or something.
Dropped in the middle of the movie, causing it to grind to a screeching halt, is a ten minute "play" about Matthew Shepard and Tyler Clementi. This is cited as a high point of the movie by others, but it's incredibly portentous, overly long, and doesn't fit in with the rest of the story (as much as anything else fits in to the story at least).
Also, there are too many characters in the movie to keep track of, especially since so many of them are so one-dimensional and either disappear from the narrative after one or two scenes or completely change their one character trait. Robert Altman this ain't.
I'm giving this two stars because there is at least a decent acoustic cover of "Take Me Home Tonight" by Eddie Money towards the beginning. Otherwise, this is just a complete mess of a film and should not be watched without copious amounts of alcohol and snark.
This movie is a completely disjointed mess. It jumps from scene to scene with no rhyme or reason; characters aren't introduced so much as they just show up. One scene in the movie has two Asian break dancers auditioning for... something? And they are never seen again. Acting is local community theater quality, as you would expect. And the ending, without giving away plot details, seems like it was shot to be a promotion for the Upstate New York Tourism Board or something.
Dropped in the middle of the movie, causing it to grind to a screeching halt, is a ten minute "play" about Matthew Shepard and Tyler Clementi. This is cited as a high point of the movie by others, but it's incredibly portentous, overly long, and doesn't fit in with the rest of the story (as much as anything else fits in to the story at least).
Also, there are too many characters in the movie to keep track of, especially since so many of them are so one-dimensional and either disappear from the narrative after one or two scenes or completely change their one character trait. Robert Altman this ain't.
I'm giving this two stars because there is at least a decent acoustic cover of "Take Me Home Tonight" by Eddie Money towards the beginning. Otherwise, this is just a complete mess of a film and should not be watched without copious amounts of alcohol and snark.
This had to be someone's elementary school project. There is no other explanation for this disjointed talentless mess. No redeeming value in the script, the acting or the music. 100% dreadful. I can only hope that the script writer, the film editor and all the actors were on drugs so at least there is some excuse for this abomination. The Godzilla movies were serious art compared to this POS. Entire segments of this film like the Matthew Shephard and Asian breakdancers sequences had no discernible relationship to the film. The scene transitions were nonsensical. Probably the worst film I ever suffered through.
Lo sapevi?
- BlooperNo one bothers to explain how Logan, being held on theft and suspected drug possession, gets out of jail.
- ConnessioniReferences Toy Story - Il mondo dei giocattoli (1995)
- Colonne sonoreSheep May Safely Graze
Composed by Johann Sebastian Bach
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Dettagli
- Paese di origine
- Siti ufficiali
- Lingua
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000 USD (previsto)
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Proporzioni
- 16:9 HD
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