Sheriff: Narko Integriti

Just managed to catch this yesterday on Netflix. 20 minutes into the movie and I noticed something familiar. Serial killer and his sister works for the police force. He kills only bad guys, in this case drug related ones, a police colleague suspects him as the killer and desperately looking for evidence and waiting for him to slip up and......plastic sheets. One of the props Dexter uses for his kills.

But this Malay Dexter is hot tempered and Sheriff is the cool one instead. All in all, this movie has a good production value. Good acting by leads. I would recommend this movie if you like Polis Evo minus the comic relief.

"Tiap-tiap basah mesti ada keringnya" Not all police is good but not all criminal is bad:

As for the meth killer (Assassin's creed): I called him a real hero in this movie, technically he's more to an assassin's creed kind of dude because he fights for the truth and free will.

"Dalam negara ni kena ada orang macam aku, sya!" (The country needs someone like me, sya!)

and he's also lose faith in the law because of how corrupt they is, and they shouldn't be continuing to be alive as he believes that corrupt can be spread like a virus.

As for the sheriff (fluffy beard dude): he had a good intuition, a tactical leader, sneaky detective, and a good observer.

He knew that meth killer and the traitor of the team was among them, but he was unsure about it, but overall he was grown with pain and guilt, which is why he became a cop who arrest a cop.

(Brainrot moment: Bro knew who's the imposter)

As for Tony (Pablo Escobar): is just a dude who's trying to do his job as a drug company/production, he has protection by the corrupted cops to keep him clean and lack of evidence to make him exposed.

As for Jennifer (double agent bi**h) : I called her the real villain this time, because she doesn't just work for Tony and she's also thinking about her own well, she killed almost everyone on Tony's team and her own team just to cover-up that she's the rat of the department. But in the end she's also living with guilt because she wanted to protect her son (which sounds cliche to me)

Overall for this movie, they shown none of them were perfect, every each of them had their own dark side, and guilt to cover with, unlike for other police drama in malaysia all of them shows one side is perfect and kind whilst that among them contains a rat that works for the criminal.

My only criticise for this was the ending where sya and sheriff met the highest judge from the intro and she asks "can we ask you a question, your honour?" And he replies "no", and then three of them stands there till the screen goes pitch black. Technically the scene is just unnecessary and pointless, plus the judge knew the movie about to be ended so just refused so the movie ended quickly (Brainrot moment: bro saw the audience like Deadpool)

Sheriff is a fairly promising crime action film. This film raises themes such as power, lies, and corruption. The story in this film is actually good and a bit like films of a similar genre, but for some reason the writing is too over. The action shown in the film is good, starting from the fights to the shootings are quite exciting. The mystery drama in this film actually also adds to the excitement of this film, unfortunately when it enters the final act, it seems like too many things happen in the final minutes of the film. Although there are many plot twists at the end of the film, the killer has been revealed from the beginning, which actually could have been the biggest plot twist in this film. And in this film, the character approach is lacking even though we already know what their background is like. This film does seem to want to be a slow burn film, but there are many scenes that don't need to be included just to extend the duration of the film. In terms of cinematography, it's okay, but many scenes look too exaggerated, especially since there are also many unimportant slow-mo scenes. The special effects in this film look clean and real. The music is okay, standard for most action films. For the acting, many are not stiff, but sometimes the expressions are too over. Overall, this film is not that bad for a Malaysian film.

I had 0 expectation going in as - i had no clue about the movie existing & never watched any trailers - i was pleasantly surprised at how far our local films' quality have become. There was pretty "meh" casting (i thought they were casted because of popularity instead of quality) but whatever, just watching sub-par acting is a bit distracting for me. Cinematography-wise overall great, there were some random shots and out of place imo.

-About the actual film- It was great at how its not entirely clichéd. It kept some of the surprising elements up until the very end for me, which IS a big deal because as far as malay films go .. is a rarity. I can tell they put a lot of actual thoughts into the storyline, which i can definitely appreciate. In fact for whatever reason it sorta reminds me of a little bit of Cumberbatch's version of Sherlock + Guy Ritchie-ish.

Sometimes i also feel like they try to fit in everything into 1 darn film, its giving *too many chefs in the kitchen*. So it ended up as "ok whats the point of that, totally unnecessary". Somehow it also makes me feel it was rushed and all over the place.

-About the casting- Ngl there were a lot of "stars" in the film to the point of like they're competing for the lime light. At one point i thought Syafiq was the lead but the title is Sheriff but this other person has more screen time. Buts and buts. I see what theyre doing towards the end you (theyd definitely franchising the heck out of this and i hope theyd get better instead of only chasing the fame and $) BUT ANYWAY - i like the Sheriff character (its a love-hate situation) the way Zul brings it to life, yesss. I feel like he mightve improv-ed the dialogues maybe? He just looks natural and not forcing it too much to the point of blergh shut up. The girls~ uh sorry but it couldve just been anyone. Syafiq was ok but his face is too flawless the entire time i was thinking -mannn thats A LOT of makeup- so i was somewhat distracted hahaha. Aaron is just being aaron oh well. But oh i also appreciate they brought in some veteran actors imo as a gesture of respect idk.

In the vast landscape of cinema, there are rare gems that transcend the boundaries of storytelling, captivating audiences with their profound narrative, impeccable performances, and masterful direction. "Narko Integriti" emerges as one such cinematic masterpiece, a tour de force that not only entertains but also enlightens, leaving an indelible mark on the soul of every viewer.

From the opening sequence to the closing credits, "Narko Integriti" plunges its audience into a riveting journey through the intricate web of morality, justice, and human resilience. Directed by the visionary filmmaker, Syafiq Yusof, this film transcends the conventional boundaries of the crime genre, offering a poignant exploration of the human condition in the face of adversity.

At the heart of "Narko Integriti" lies its exceptional cast, whose performances elevate the film to unparalleled heights.

Zul Ariffin delivers a tour de force performance as DSP Sheriff, a conflicted protagonist torn between his duty as a law enforcer and his moral compass. With every nuanced expression and subtle gesture, Syafiq Kyle as Inspektor Nazri immerses the audience in the turmoil of his character's inner struggle, eliciting empathy and admiration in equal measure.

Complementing Zul Arifin is an ensemble cast that shines with brilliance in their respective roles. From the charismatic antagonist portrayed by Elizabeth Tan to the supporting characters who add depth and dimension to the narrative, each actor brings a unique energy to the screen, enriching the cinematic experience with their unparalleled talent.

However, it is not merely the performances that distinguish "Narko Integriti" but also its thought-provoking narrative and meticulous craftsmanship. Syafiq Yusof demonstrates a keen understanding of pacing and rhythm, effortlessly weaving together multiple narrative threads to create a seamless tapestry of intrigue and suspense. The screenplay, penned by Yusof Haslam, Nazifdin Nasrudin & Syafiq Yusof, is decent in storytelling, deftly balancing moments of tension with poignant reflections on morality and justice.

Furthermore, "Narko Integriti" is a visual feast for the senses, thanks to the breathtaking cinematography and evocative production design. From the gritty urban landscapes to the opulent interiors of the criminal underworld, each frame is imbued with a sense of authenticity and visual splendor, transporting the audience into the heart of the narrative.

Beyond its technical brilliance, "Narko Integriti" also serves as a powerful commentary on contemporary issues, challenging societal norms and confronting uncomfortable truths with unflinching honesty. Through its gripping narrative and multidimensional characters, the film invites viewers to reflect on the complexities of morality and the enduring struggle between right and wrong in an imperfect world.

In conclusion, "Narko Integriti" is not merely a movie but an experience-a journey into the depths of the human psyche, guided by the steady hand of a master storyteller. With its exceptional performances, compelling narrative, and profound thematic resonance, this film transcends the boundaries of genre and emerges as a timeless classic-a cinematic masterpiece deserving of every accolade and acclaim. In a landscape oversaturated with mediocrity, "Narko Integriti" stands as a beacon of excellence, reminding us of the transformative power of cinema to inspire, provoke, and enlighten.