Tiro al piccione - Ritratto di John Le Carré

This would be of particular interest if the viewer enjoyed the authors fiction which I did. This is a remarkable movie about a remarkable author living in Cold War times.

LeCarré somehow manages to capture the colour of the paint (tobacco brown) on the walls of the meager interrogation rooms and offices in his prose, and the underlying violence is subtle and implied rather than evident. And although there are sides to take his writing never demands this of the reader.

His skill in capturing the zeitgeist of the Cold War years is his brilliance which somewhat diminishes in the post war era when he still continues to shine in a more contemporary way.

See the video, LeCarré is the star.

Getting inside the head of a spy is undoubtedly challenging; getting inside the head of a novelist who was once a spy who now writes about that enigmatic profession is nearly impossible. And that's one of the hurdles that hampers this profile of former MI5 and MI6 operative David Cornwell, better known to the world by his pen name, John le Carré (1931-2020). Based on the author's memoir of the same name, the latest from documentarian Errol Morris puts the best-selling espionage novelist under the microscope, seeking to discover who le Carré is, what factors impacted his life and writings, and how his novels mirror those influences in terms of content and themes. Through discussions of books like "The Spy Who Came in from the Cold," "Tinker, Tailor, Soldier, Spy," "Smiley's People," "A Perfect Spy" and "The Looking Glass War," backed by clips of film and television adaptations of these works, le Carré and Morris ruminate on the writer's objectives in bringing them to life, some of them personal in nature and some of them expressions of his feelings about the murky underworld he left behind and brought to life on the printed page. Much of what the author consequently discusses comes across as dark, cryptic, and characterized by rampant intrigue and betrayal, not unlike the life he left behind (as well as the dismal upbringing he underwent at the knee of his untrustworthy father, a professional swindler adept at plying his craft). The insights, to say the least, are rather depressing and disquieting. But that unsettling material is further compounded by a string of often-perplexing observations about le Carré's existential outlooks and literary intentions, some of which seemingly amount to little more than oh so much navel gazing and intellectual masturbation, overstated attempts at encapsulating his perspectives on human nature and human relations as reflected through his works. I can imagine that there's probably a market for a film like this among Anglophiles captivated by the writer's works, the spy novel genre in general and PBS/BBC television dramas, but it really didn't do much for me, especially since this offering pales in comparison to many of Morris's other better productions. Thankfully, the picture's merciful 1:32:00 runtime proved to be its saving grace (even though the picture admittedly improves once it gets past an overly long, excessively detailed prologue). Ironically, le Carré notes in the film that he sees his novels as an antidote to the James Bond books and movies, but, from where I stand, I'll take 007 over this any day.

Greetings again from the darkness. When John le Carre passed away in 2020 at the age of 80, conversations and debates raged about the best spy novelists, and what stood out was, no matter how many writers were mentioned - Ian Fleming, Tom Clancey, Robert Ludlum, Ken Follett - everyone's list included le Carre. Oscar winning documentarian Errol Morris (THE FOG OF WAR, 2003) has taken le Carre's final and most personal interview and adorned it with film clips, rare archival footage, and some dramatic effects to create a lasting tribute to a superb writer and a most interesting man.

John le Carre was a former member of MI5 (British Security Service) and MI6 (British Intelligence Service), only at the time he was David Cornwell. Adapting his now world-famous nom de plume, le Carre became a spy who wrote spy novels. Really good spy novels. Not only were many of these to become bestsellers, many were also primed to be adapted to a film version or TV series. A few of his best-known novels include: "The Spy Who Came in From the Cold", "Tinker Tailor Soldier Spy", "The Night Manager", "The Constant Gardener", and "A Perfect Spy." His recurring character George Smiley was always a favorite, and was played expertly by two Oscar winners, Sir Alec Guiness and Gary Oldman.

For anyone who hasn't read le Carre's 2016 autobiography, "The Pigeon Tunnel: Stories from My Life", Morris is kind enough to include the explanation of the title. "The Pigeon Tunnel" was the working title le Carre used for many of his books while in progress, and we do get to hear the author detail how that particular phrase happened to stick. In fact, the real treasure here is in hearing le Carre's distinctive voice spin the yarn on so many stories. Whether writing or speaking, he was a fantastic storyteller, mesmerizing the readers and listeners.

With his storytelling-on-the-fly approach, le Carre recalls his childhood and life with a seamless blend of experience, memory, and imagination ... often with the Cold War as a backdrop. We aren't always sure where the blurred line between fact and embellishment falls, but we do know we are along for the ride. When John le Carre speaks of his fascination with "betrayal", we can't help but wish he were still around to provide commentary on this modern world.

Streaming globally on AppleTV+ beginning October 20, 2023.

Fascinating, insightful, and informative. I could say more, but the "actor" says it better. However ... talking heads (with the occasional interjection from the writer/director Errol Morris in this case) often use other author's words, and this can leave the viewer feeling as if the question asked has not been answered, and sometimes avoided. Here, whilst the subject replies honestly, he also admits to a possible distortion by the hand of time, youth, and literary escapology and invention. I thoroughly enjoyed his affable demeanour, his candour and the insight it gave into the parallels between the books and his life. Any and every fan of John Le Carre's work should watch this tv film/documentary.

Did you know that "The Spy Who Came in from the Cold" by a certain David Cromwell (aka John Le Carré) sold between 12-15 million physical copies? That's before Richard Burton took on the mantle of "Lemeas" from that novel and long before Sir Alec Guinness took on the part of the forensic super-spy "George Smiley" in "Tinker Tailor Soldier Spy" and that gives us quite an indication as the phenomenal success of this writer who basically bares his soul here in a one-to-one with Errol Morris. Spurred on only sparingly by the director, we are left with what is an succinct and informative retrospective on the life of a man who might not have seemed obviously destined for literary greatness. We start with his childhood where he was largely brought up by his con-man father (after his mother got fed up of the crooks and the mistresses and fled when he was five) and follows his education through Oxford, his recruitment into and ultimately boredom of the the British Intelligence community before turning his hand to bringing all of this experience to life in over twenty published novels. This isn't a treatise on how to write a thriller. It's an enjoyably structured lesson on how a little bit of experience, an understanding of human nature and a vidid imagination can create works of fiction that enthral and captivate. He delivers this with candour, humour, a tiny bit of self-deprecation but most notably - truthfulness. You need to have your thinking cap on, too. He uses language eruditely and in a considered fashion that I could listen to all day. You won't learn much about how to write a spy story, but you will learn something of this fascinating and engaging human being. It's an Apple TV production so might get only a limited cinema release (though the BBC seem to have supplied quite a bit of archive, so perhaps they secured a tx as a quid pro quo?) and it's most definitely worth a watch if you are remotely interested in the genre, in writing - or in just listening to an interesting man.