Aggiungi una trama nella tua linguaThe Moreau Family travel around the UK putting on an underground variety show for an adult audience. But behind the curtain there is something more sinister going on than simple entertainmen... Leggi tuttoThe Moreau Family travel around the UK putting on an underground variety show for an adult audience. But behind the curtain there is something more sinister going on than simple entertainment.The Moreau Family travel around the UK putting on an underground variety show for an adult audience. But behind the curtain there is something more sinister going on than simple entertainment.
- Regia
- Sceneggiatura
- Star
Kris Fisher
- Vincent
- (as Kristen Richards)
Lee Mark Jones
- The Reaper
- (as Gypsy Lee Pistolero)
Recensioni in evidenza
Was drawn into seeing 'Theatre of Fear', with a cool poster/cover, an intriguing though far from original premise and as someone with a general appreciation for the genre it fits under. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there (though there are decent to good ones as well), made me though apprehensive.
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws present in those films are here, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Theatre of Fear' is really very weak, with its infrequent decent points but with so many huge flaws and doesn't do anywhere near enough with its potential, which was quite a good deal. There is very little good here.
'Theatre of Fear' does have an eerie setting and was expecting far worse acting than what is seen here, it's not great still, somewhat over-the-top in spots, but effort to engage with what they're given to work with can be seen. The chemistry is there too and it is more natural than expected.
Going on to the negatives, the story does feel over-stretched and some of it comes over as vague and under-explained in the last third where the film especially became duller, more predictable, more senseless and less unsettled and never gaining momentum. All the characters are too sketchy and with nowhere near enough to make one be properly intrigued by them. There is still frustrating decision making going on but that aspect is definitely done much worse in other low-budget recent viewings, sorry to go on about this asset but it has become a bugbear of mine and difficult to ignore.
Sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and the effects are laughable.
Dialogue can be stilted and rambling while the pace and film drags on forever, apparent from the very start, never recovering that interest is lost fast. The ending has no build-up and just ends ridiculously. Found too many of the supposedly shocking moments not surprising or scary and the atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense. Thrills are none, thanks to stodginess and excessive over-familiarity, and found myself never invested in the drama, which tended to be dully paced and statically directed.
A lot of 'Theatre of Fear' has really dull and going nowhere plot elements and often not so convincing character motivations, while too many of the things to make you shocked are far from creative or unsettling. It all feels rather tame.
Nothing freaky or interesting, no development and too derivative, while everything is unimaginative and are more odd than scary, completely failing to show any sense of dread. There is nothing interesting or illuminating with what the film was trying to do and the drama is overwrought with no momentum and a lot of weirdness. The direction is leaden, got the sense their heart was not in it, and the music is ill-fitting. It is very amateurish visually with its low budget being all too clear, too drearily lit and shows no care in the way it's shot. In this regard only the setting stands out in a halfway decent way.
In summary, weak. 3/10 Bethany Cox
It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws present in those films are here, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Theatre of Fear' is really very weak, with its infrequent decent points but with so many huge flaws and doesn't do anywhere near enough with its potential, which was quite a good deal. There is very little good here.
'Theatre of Fear' does have an eerie setting and was expecting far worse acting than what is seen here, it's not great still, somewhat over-the-top in spots, but effort to engage with what they're given to work with can be seen. The chemistry is there too and it is more natural than expected.
Going on to the negatives, the story does feel over-stretched and some of it comes over as vague and under-explained in the last third where the film especially became duller, more predictable, more senseless and less unsettled and never gaining momentum. All the characters are too sketchy and with nowhere near enough to make one be properly intrigued by them. There is still frustrating decision making going on but that aspect is definitely done much worse in other low-budget recent viewings, sorry to go on about this asset but it has become a bugbear of mine and difficult to ignore.
Sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and the effects are laughable.
Dialogue can be stilted and rambling while the pace and film drags on forever, apparent from the very start, never recovering that interest is lost fast. The ending has no build-up and just ends ridiculously. Found too many of the supposedly shocking moments not surprising or scary and the atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense. Thrills are none, thanks to stodginess and excessive over-familiarity, and found myself never invested in the drama, which tended to be dully paced and statically directed.
A lot of 'Theatre of Fear' has really dull and going nowhere plot elements and often not so convincing character motivations, while too many of the things to make you shocked are far from creative or unsettling. It all feels rather tame.
Nothing freaky or interesting, no development and too derivative, while everything is unimaginative and are more odd than scary, completely failing to show any sense of dread. There is nothing interesting or illuminating with what the film was trying to do and the drama is overwrought with no momentum and a lot of weirdness. The direction is leaden, got the sense their heart was not in it, and the music is ill-fitting. It is very amateurish visually with its low budget being all too clear, too drearily lit and shows no care in the way it's shot. In this regard only the setting stands out in a halfway decent way.
In summary, weak. 3/10 Bethany Cox
A deceptively complex film, played as a simple story of a murderous family using their circus show as cover for killings but featuring several sub-plots with their own story arcs. The siblings squabble, the eldest acting like a truculent teenager as his sister is the favoured child, but come together when the chips are down.
The story makes excellent use of a very limited budget, although this can lead to some slightly jarring jumps in the action. A character from early on possibly uses a fake name, meaning a plot twist was not as clear as it could have been, but the end is satisfying and there is a healthy body count.
The ventriloquist did not work for me. I was uncertain whether to read it as mental illness or genuine supernatural activity, and this was the most obvious nod to earlier films. The wronged girlfriend plot tried to incorporate the ambiguity of abusive relationships but was a little too glib for me. A slight hint of incest between the two most quarrelsome siblings was kept as just that - a hint - without interfering with the plot. A pleasantly 'I wonder if that is true' routine about Hitler gave me one of my few real chuckles, although the film is not without humour.
Most of the budget seems to have gone on blood and imaginative ways to disguise the limited sets. Comparisons to Rob Zombie are inevitable, and it is to the credit of all involved that they achieved this for pocket money prices. Well worth a watch.
The story makes excellent use of a very limited budget, although this can lead to some slightly jarring jumps in the action. A character from early on possibly uses a fake name, meaning a plot twist was not as clear as it could have been, but the end is satisfying and there is a healthy body count.
The ventriloquist did not work for me. I was uncertain whether to read it as mental illness or genuine supernatural activity, and this was the most obvious nod to earlier films. The wronged girlfriend plot tried to incorporate the ambiguity of abusive relationships but was a little too glib for me. A slight hint of incest between the two most quarrelsome siblings was kept as just that - a hint - without interfering with the plot. A pleasantly 'I wonder if that is true' routine about Hitler gave me one of my few real chuckles, although the film is not without humour.
Most of the budget seems to have gone on blood and imaginative ways to disguise the limited sets. Comparisons to Rob Zombie are inevitable, and it is to the credit of all involved that they achieved this for pocket money prices. Well worth a watch.
A cult carnival consisting of a patriarch, three brothers and a sister tours Britain, but when customers go missing it attracts a no-nonsense private investigator. Havoc ensues.
Released in 2014-2015, "The Midnight Horror Show," also known as "Theatre of Fear," is a micro-budget Welsh flick obviously influenced by Rob Zombie's "House of 1000 Corpses" and "The Devil's Rejects" from the early 2000s.
The reason I watched this Indie is because I found the trailer intriguing, which turns out to be the movie's intro. The theme song by Bobby Cole is outstanding and worth the price of admission. A fuller version plays during the end credits.
Beyond the well-done opening, this is clearly a low-rent production by one-man-filmmaker Andrew Jones (producer/writer/director), which can be observed in the abysmal lack of wide angle shots. Practically every camera angle is a relative close-up, which of course saves money on locations & sets. The movie "Pathfinders: In the Company of Strangers" (2011) had the same glaring issue.
If you can look past this flaw, there's enough here to appreciate for those who can handle spare-change budget flicks. Besides the superb title song, the no-name cast rises to the challenge with Jared Morgan as the ringleader and Nathan Head as the scarred clown standing out, not to mention the alluring Shireen Ashton as Venus. (Sarah Louise Madison and Tiffany Ceri are also worth a mention on the feminine front).
There is a colorful sense of artistry and a dash of spirituality amidst the familial mayhem. The clown's subplot stands out, as does the ventriloquist's struggle with his brazen dummy, which is figurative of the battle within of which most people can relate. Meanwhile the gore is effective if that's your thang (not that it's overdone). I can't say the movie's very scary because it focuses on dramatics, but it works up some atmosphere and there are thrills to be had, plus the unexpected climax to the clown arc is shocking.
This is a hard picture to rate because the parts that work are good to outstanding, like the music, whereas the problematic parts are pretty stark.
The film runs around 1 hour, 21 minutes, and was shot in South Wales.
GRADE: C.
Released in 2014-2015, "The Midnight Horror Show," also known as "Theatre of Fear," is a micro-budget Welsh flick obviously influenced by Rob Zombie's "House of 1000 Corpses" and "The Devil's Rejects" from the early 2000s.
The reason I watched this Indie is because I found the trailer intriguing, which turns out to be the movie's intro. The theme song by Bobby Cole is outstanding and worth the price of admission. A fuller version plays during the end credits.
Beyond the well-done opening, this is clearly a low-rent production by one-man-filmmaker Andrew Jones (producer/writer/director), which can be observed in the abysmal lack of wide angle shots. Practically every camera angle is a relative close-up, which of course saves money on locations & sets. The movie "Pathfinders: In the Company of Strangers" (2011) had the same glaring issue.
If you can look past this flaw, there's enough here to appreciate for those who can handle spare-change budget flicks. Besides the superb title song, the no-name cast rises to the challenge with Jared Morgan as the ringleader and Nathan Head as the scarred clown standing out, not to mention the alluring Shireen Ashton as Venus. (Sarah Louise Madison and Tiffany Ceri are also worth a mention on the feminine front).
There is a colorful sense of artistry and a dash of spirituality amidst the familial mayhem. The clown's subplot stands out, as does the ventriloquist's struggle with his brazen dummy, which is figurative of the battle within of which most people can relate. Meanwhile the gore is effective if that's your thang (not that it's overdone). I can't say the movie's very scary because it focuses on dramatics, but it works up some atmosphere and there are thrills to be had, plus the unexpected climax to the clown arc is shocking.
This is a hard picture to rate because the parts that work are good to outstanding, like the music, whereas the problematic parts are pretty stark.
The film runs around 1 hour, 21 minutes, and was shot in South Wales.
GRADE: C.
This movie may not have the best special effects, the biggest budget or the best acting. But overall I really enjoyed it! A very original movie that was made with love. Some low budget shots may be funny but also very creepy. It really reminded me of those classic 70s horror movies like leatherface. It may not be the best movie out there, but it's definitely an interesting experience.
It certainly was. Avoid this film at all costs. It started off as if it might be OK it soon turns out to be far from OK.
Lo sapevi?
- QuizSeveral crew members appear in the opening sequence as part of the audience for The Midnight Horror Show.
- ConnessioniReferenced in Torment (2017)
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- How long is The Midnight Horror Show?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 21 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was The Midnight Horror Show (2014) officially released in Canada in English?
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