Nel 1985 a Città del Messico, un catastrofico terremoto seppellisce migliaia di persone. Un medico dal passato oscuro, un giornalista in cerca di fama e una famiglia in difficoltà rischiano ... Leggi tuttoNel 1985 a Città del Messico, un catastrofico terremoto seppellisce migliaia di persone. Un medico dal passato oscuro, un giornalista in cerca di fama e una famiglia in difficoltà rischiano la vita nei tentativi di salvataggio.Nel 1985 a Città del Messico, un catastrofico terremoto seppellisce migliaia di persone. Un medico dal passato oscuro, un giornalista in cerca di fama e una famiglia in difficoltà rischiano la vita nei tentativi di salvataggio.
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Reviewers say 'Every Minute Counts' is a powerful series honoring earthquake resilience, praised for authentic storytelling and historical accuracy. Virtual production is lauded as groundbreaking. However, some criticize the embellished events, sloppy script, and unrealistic portrayals, especially of the news reporter. Complaints about acting, camera work, and pacing are noted, with some finding it overly dramatic. Despite these issues, many viewers find it emotionally compelling and a significant contribution to Latin American storytelling.
Recensioni in evidenza
I highly recommend this series. It's an ambitious project tackling a difficult subject that affected most Mexicans less than 40 years ago. Everyone I know is praising the visual effects and historical accuracy in portraying the devastation. But what I loved most was how the writers fleshed out the characters, making us complicit in understanding their mindset and choices. Every turn evokes powerful emotions, and as viewers we feel drawn in to that pure human emotion, whether it be affection, desperation, claustrophobia, anger, or hope- we have a personal connection. Projects like this honor the resilience and strength of character Mexicans had during our most challenging time.
The actual earthquake lasted for more than 80 seconds. It was really long. I was expecting a lot more of the movement, and different people experiencing things. At least some imagery of the news TV show just before all went dark. But in the show was just a few seconds. Not enough to get invested in a whole series. The dialogue of the woman reporter and her crew was wooden, unrealistic and disgustingly modern. Not at all how it was on that moment: Nobody was prepared, nobody had lived through something like this. It was obvious it was written by somebody who haven't lived through any event similar, neither worked in news. I don't know of they try to portrait her as a protagonist but instead seemed an antihero. The aspect of the hospital was better done. But again, the "speeches" other doctor and similar are completely unrealistic. People just started helping without anybody giving those kind of lame words. It's a shame, because it could have been a great show.
Although this series has its values i.e. Production, and the background history it ca be denied, also has its flaws. My principal objection is that it has not to be necessary to embelish the events with such a sloppy script. The real drama we live as Mexicans back in the day it would be just enough.
I personally work as a volunteer in rescue tasks for the University, as many other Mexicans that days, and we all know that there was no such a ridiculous story of a newspaper reporter such as portayed here. I guess that for a non Mexican audience this could be easily compared with some kind of US reconstruction or representation of the Nine-Eleven events, the heroism that many saw and lived that days, and in terms of cinematic adaptation, that's make sense, there are plenty of stories that show more or less the same behaviour. But for me, is an insult that the writers take such a liberty on the portrait of characters involved. Not all what happened in that day involved class media people. For the Mexico city size and the hour of the earthquake, early in the morning, many of the people involved belong to virtually all kind of social origin, not only those who lived in affected areas. Specially many female workers in Colonia Obrera, for example, was poor women, in a very popular sector of the city, away from residential zones. Tlatelolco itself was not at the time a very nice zone to live in, just to mention two zones and kind of people not portrayed with adequacy in the series.
I remeber I was at the school, far away from the epicenter, and I was in disbelief of what news report that morning. I guess new generation of audience, millenials, need to see what happended that day in a new light. But I don't. I lived every hour, I was involved in rescue tasks, almost one month, during the emergency on which Mexico city almost stop at all every activity not involved in rescue.
So, I recommend that if yo not live those days directly, avoid the series. As usual with almost any recent Mexican production (no matter if its from Apple, Netflix or any other streaming service), it's made of bad acting and a sloppy script, not to mention a poor camera work. Its so obvious that this new Mexican producvers and filmakers doesn't know how to make the camera lens work not only as a credible whitness but also as a narrator, framing and using creative solutions for the POV.
Yes, the story is mindblowing, but what we see in this series is kind of an open disregard for the people who lived and died that days in Mexico city. As a Mexican who lived that days in the flesh, this series insult my memory, and the memory of those who died.
Some subjects would be treated with more professionalism and for people who really understand the tragedy and the pain lived by those who really lived those days, and not only write and produce some show for selling tickets or views on streaming.
I personally work as a volunteer in rescue tasks for the University, as many other Mexicans that days, and we all know that there was no such a ridiculous story of a newspaper reporter such as portayed here. I guess that for a non Mexican audience this could be easily compared with some kind of US reconstruction or representation of the Nine-Eleven events, the heroism that many saw and lived that days, and in terms of cinematic adaptation, that's make sense, there are plenty of stories that show more or less the same behaviour. But for me, is an insult that the writers take such a liberty on the portrait of characters involved. Not all what happened in that day involved class media people. For the Mexico city size and the hour of the earthquake, early in the morning, many of the people involved belong to virtually all kind of social origin, not only those who lived in affected areas. Specially many female workers in Colonia Obrera, for example, was poor women, in a very popular sector of the city, away from residential zones. Tlatelolco itself was not at the time a very nice zone to live in, just to mention two zones and kind of people not portrayed with adequacy in the series.
I remeber I was at the school, far away from the epicenter, and I was in disbelief of what news report that morning. I guess new generation of audience, millenials, need to see what happended that day in a new light. But I don't. I lived every hour, I was involved in rescue tasks, almost one month, during the emergency on which Mexico city almost stop at all every activity not involved in rescue.
So, I recommend that if yo not live those days directly, avoid the series. As usual with almost any recent Mexican production (no matter if its from Apple, Netflix or any other streaming service), it's made of bad acting and a sloppy script, not to mention a poor camera work. Its so obvious that this new Mexican producvers and filmakers doesn't know how to make the camera lens work not only as a credible whitness but also as a narrator, framing and using creative solutions for the POV.
Yes, the story is mindblowing, but what we see in this series is kind of an open disregard for the people who lived and died that days in Mexico city. As a Mexican who lived that days in the flesh, this series insult my memory, and the memory of those who died.
Some subjects would be treated with more professionalism and for people who really understand the tragedy and the pain lived by those who really lived those days, and not only write and produce some show for selling tickets or views on streaming.
10capi_r
The earthquake of 85 is a landmark event in Mexican history. To put it in perspective, It's our version of 9/11. It was about time someone depicted this event with all the glory its heroes deserve. Because unlike 9/11, the police and firemen were absolutely useless. It was up to the people to save themselves. I loved how the writing clearly made this a point of emphasis throughout the show. Practically our entire history is made up of our people rising up to the challenge of the times DESPITE the government. I can't wait to see where this team takes the story next. Even if you are not Mexican, I heavily recommend this show.
Loved the drama, the production and everything about the tv series. I highly recommend it, and I have to say, it's a monumental achievement. The series does a brilliant job honoring the resilience and courage of those who lived through the 1985 Mexico City earthquake. From the first episode, the storytelling gripped me, blending deeply personal narratives with the collective trauma and heroism of the time. Each character felt authentic, their struggles and triumphs making the tragedy feel all too real.
The use of virtual production to recreate the city's devastation is nothing short of groundbreaking. It transported me directly into the heart of the chaos, and the attention to detail showed incredible respect for the historical context. Director Jorge Michel Grau deserves immense credit for unearthing untold stories that resonate so powerfully. The balance between human vulnerability and strength is masterful.
Congratulations to the entire team for setting a new benchmark in Latin American storytelling.
The use of virtual production to recreate the city's devastation is nothing short of groundbreaking. It transported me directly into the heart of the chaos, and the attention to detail showed incredible respect for the historical context. Director Jorge Michel Grau deserves immense credit for unearthing untold stories that resonate so powerfully. The balance between human vulnerability and strength is masterful.
Congratulations to the entire team for setting a new benchmark in Latin American storytelling.
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