VALUTAZIONE IMDb
4,3/10
3993
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA misery-esque tale of a man who wakes up in bed after an accident, suffering from memory loss. He begins to suspect that his wife isn't really his real wife and soon finds himself a prisone... Leggi tuttoA misery-esque tale of a man who wakes up in bed after an accident, suffering from memory loss. He begins to suspect that his wife isn't really his real wife and soon finds himself a prisoner in the house.A misery-esque tale of a man who wakes up in bed after an accident, suffering from memory loss. He begins to suspect that his wife isn't really his real wife and soon finds himself a prisoner in the house.
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- Sceneggiatura
- Star
Recensioni in evidenza
I was originally drawn to this film because the trailer was reminiscent of Steven King's "Misery, unfortunately, the trailer is the best thing about the film. This movie is so slow, and possibly feels even slower, because of the nonstop piano music that is used to drive the nonexistent tension. I have always wanted to watch a slasher film where the serial killer is a female, but Kate Bosworth completely missed the mark. Her clean and polished look, combined with her random "Snapple facts" are absolutely ridiculous. I painstakingly watched the rest of the movie hoping that the story would eventually bring some clarity, but the resolution is just as forgettable as the previous hour and a half.
It's an excellent movie to watch when you have a dinner and a movie date with your partner; for the movie doesn't really demand your continuing focus, so you can take a sip, share a bite and perhaps make out a bit and guess what? You haven't missed a thing, the movie is rolling on its own groggy pace, still at pretty much where you left off. But the joke aside, this is a fine thriller/soft horror by Polish. Great filmography, splendid staging, suggestive lighting and good acting by all. Suspense at every turn without the need of road signs, you know it is crawling in on you, Closer at every tick!! There are cross worlds of movies you feel like you're in, as in Reiner's Misery, as in Amenâbar's The Other's. Miss Bosworth's costume and mannerism is very much of Nicole Kidmans, the cool tempered eerie you-know-something-not-quite-right-but-can't-take-my- eyes-off-her beauty who makes sure the sun stays out and darkness creeps in, along with the door knockers. Later on you see Kate's trivia quipping character transform from Nicole Kidman's loving care into Katie Bates' kind of loving. The ending is quite abrupt and not to the expectation you might've dreamt up to that point but hey, still is a good flick when you're multi tasking. Keep your eyes peeled my friends..
The plot of the movie was interesting. The storyline was awful, so badly written. The characters weren't well-developed nor very interesting. The dialogues between the 2 main characters were so silly and boring. Actually, the first part of the movie (the first 30 minutes) were so boring and uninteresting. The second part of the movie was kinda intense. There were too many plot holes and the ending was so stupid. Overall, it wasn't a nice movie that I won't watch it ever again. The acting was just nice. Also, it wasn't very scary, because the kills were done off-screen. The opening scene of the movie was kinda promising, but eventually it was just a silly movie.
This isn't as absolutely bad as some reviewers are making it out to be. To call it the worst movie ever made just shows that a person hasn't watched a lot of movies. Having said that - no, it's not especially good either. There are a few cringe-worthy moments contained within its hour and a half (but, yes, it did seem longer) but for the most part it just kind of meanders slowly along, with very little emotion or passion being shown by either Kate Bosworth or Wes Bentley, who both seemed to have little interest in what they were doing.
They play a married couple (I don't remember any names being used for them.) As the movie opens they're in a car driving down a highway, and there's a young girl (their daughter, you assume) in the backseat. Suddenly there's a horrible accident and the next thing you know the man wakes up in a dim, sparsely furnished bedroom, remembering nothing and being looked after by the woman. From there it, well, just kind of meanders slowly along. You know that something isn't right. Something's off; something's weird. I took a guess as to what was happening - and I was wrong. The eventual revelation of what was going on did catch me by surprise, and that gains the movie a couple of points from me. The ending, however, is bizarre. I have to admit that I just didn't really understand how the movie ended.
Bosworth's performance was a kind of combination of Nicole Kidman (the look especially) and eventually it blends in some of Kathy Bates' character from Misery. Bentley himself just never picked up any steam in his performance as far as I was concerned.
This isn't as horrible as some people make it out to be. But it is weird - which is compelling for a while, but in the end you leave it disappointed. (4/10)
They play a married couple (I don't remember any names being used for them.) As the movie opens they're in a car driving down a highway, and there's a young girl (their daughter, you assume) in the backseat. Suddenly there's a horrible accident and the next thing you know the man wakes up in a dim, sparsely furnished bedroom, remembering nothing and being looked after by the woman. From there it, well, just kind of meanders slowly along. You know that something isn't right. Something's off; something's weird. I took a guess as to what was happening - and I was wrong. The eventual revelation of what was going on did catch me by surprise, and that gains the movie a couple of points from me. The ending, however, is bizarre. I have to admit that I just didn't really understand how the movie ended.
Bosworth's performance was a kind of combination of Nicole Kidman (the look especially) and eventually it blends in some of Kathy Bates' character from Misery. Bentley himself just never picked up any steam in his performance as far as I was concerned.
This isn't as horrible as some people make it out to be. But it is weird - which is compelling for a while, but in the end you leave it disappointed. (4/10)
I'd have to say that most reviews here are spot on (as ever) apart from the obvious 'shill' (who even kindly reminds us it's on Amazon!) The film struggles throughout. Struggles for pace, coherence, atmosphere and most of all any scrape of originality. Even Nicole Kidman clone Kate Bosworth again shows she can't act for toffee as do the rest of the cast with alarming consistency. The film yearns to be Misery or any decent film of the Psycho Stalker genre but falls so far short it is funny. Bosworth's inaudible mutterings attempt to give a semblance of coherence to the dreadfully thin plot, the only convincing performance was the one from the cat who, in fairness delivered his 'miaows' with sublime skill and is the highlight of this dreary, poorly produced mumblefest.
Lo sapevi?
- QuizThere are no names given to the main characters, therefore you never have to remember them. You could say it's a nod to the title of the movie.
- BlooperYou can tell the woman is not wearing a slip under the skirt of her suit when she is pouring the soup. Women of that era always wore slips under dresses and skirts.
- ConnessioniReferenced in Chelsea Lately: Episodio #7.164 (2013)
- Colonne sonoreIt's Only Make Believe
Written by Conway Twitty (as Harold L. Jenkins) (BMI) and Jack Nance (BMI)
Published by Sony/ATV Tree Publishing (BMI)
Performed by Conway Twitty
Courtesy of Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Unconscious
- Luoghi delle riprese
- Contea di Los Angeles, California, Stati Uniti(actress told me)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo in tutto il mondo
- 61.192 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Proporzioni
- 2.39:1
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