Aggiungi una trama nella tua linguaWhen a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to ... Leggi tuttoWhen a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to get her own way - including murder.When a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to get her own way - including murder.
- Regia
- Sceneggiatura
- Star
- Premi
- 16 vittorie totali
Recensioni in evidenza
While the premise is a strong one and for the most part, the film is decent enough, there are a few problems. The dialog feels stilted at points and delivered with varying degrees of quality from the cast. While at times, the film can feel like a first draft of something that could have been a much more fleshed out narrative, there are moments where it really sticks out and leaves a lasting impression.
The first and foremost thing that stands out in the forefront is the fact that the film breaks the trope of the cycle of abuse being passed from the parents to the child in terms of the mother. The film sets up a situation where the mother could continue the abuse by taking advantage of a minor, but decides to not be like her husband and father. This is a great swerve from the traditional crutch of, "I was abused, now I will become an abuser." The second instance comes around the ¾ mark. Lily, having just murdered her mother's psychiatrist, delivers a powerful monologue about why she is who she is and the stifling despair that comes with the territory of being a survivor of abuse.
There is nothing in this film that is going to change the way you view cinema from this point forward, but it does manage to leave you thinking and has scenes that will stick with you for days after.
Broken Innocence is a very solid viewing experience at the end of the day, just something that most viewers may not revisit due to the subject matter. The film has a strong message, even if at times, it struggles to find its voice.
2. The "127 times" part with Lilly on the couch is absolutely heartbreaking. She made me feel it.
3. The end with Lilly & her mother telling her she's gonna do what she's never done before... what a mother is supposed to do for her children. Nail on the head!
This film isn't perfect by any means, but just these three parts made it worth watching, in my opinion.
The story is important and unfortunately still relevant.
From "killer" cinematography by Brandon Benz along with breakout performances from Arianna Harris and. Paul T. Taylor, your eyes will be glued to the screen the entire time. It's no wonder that Broken Innocence has been sweeping film festivals all across the country winning award after award. This is a dark subject matter that Harris handles surprisingly maturely with a presence on screen well above her years. A low-budget drama turned slasher that takes advantage of every penny. I'd highly recommend checking it out! There's a reason Chase has consistent backers when he launches campaigns for his new movies.
A solid seven.
A monster, made a monster while a monster made a monster.
I love those shots of day to night, kinda like The lost Boys.
I'll give the film a strong 7.
The film starts off as some boring! Go! No! Where!
Film. Let it sit with you for a bit then the moment might happen.
I love the look and the unpleasant lingering of characters reactions, the response between cast is uncomfortable. That's what you need in...
Lo sapevi?
- QuizOriginally titled 'A Good Girl's Guide To Murder'. The title was changed to avoid conflicts with the Netflix production of the same name.
- Citazioni
Frank McNeil: It reminds me of you. The little bird growing up.
Lilly McNeil: Not now.
Frank McNeil: Oh... oh... You're not my little girl anymore, are you, Lilly? Oh, we used to be so close.
Lilly McNeil: Let me go!
Frank McNeil: Say you like it! Say you like it!
Lilly McNeil: No!
Frank McNeil: What's wrong with you?
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 57.000 USD (previsto)
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.35 : 1