Riepilogo
Reviewers say 'Presence' is an ambitious film with mixed reactions. Praised for its unique perspective, psychological tension, and exploration of family dynamics, it also faces criticism for pacing, plot holes, and misleading marketing. Characters and acting receive varied opinions, while the supernatural element is seen as intriguing yet underdeveloped. The twist ending garners mixed responses, making 'Presence' a flawed yet interesting blend of supernatural themes and family drama.
Recensioni in evidenza
While I appreciate Soderburgh trying something new, there were way too many missed opportunities to make this movie feel anything other than gimmicky. Don't get me wrong, it was a good attempt at a ghost story but the tone of the movie got tripped up on adding too many distracting elements. It seemed more experimental than anything else; the characters felt forced (especially the parents), the foreshadowing was over the top, and the last ten minutes undid any possible horror that I originally hoped I would find. Definitely walked away feeling disappointed but only because the events leading up to it left too many open ended questions. (One of the biggest being why they would leave their children in an obviously haunted house (this is not a spoiler, it's literally the title of the movie) and then say "make good decisions." Dumb.)
The people who generally saw this film most likely did so based on the trailer, imagery, and title of the film, all which indicate it's going to be similar to things like 'Hereditary' or 'Babadook'.
This movie is nothing like those. I wouldn't even call it scary. It's not supposed to be. The low ratings are probably from moviegoers who expected it to be, which is fair, no blame on them.
For those looking to watch a very quality movie, with a novel concept, this one might be for you. It has a lot of heart, some powerful social/relationship dynamics, and pulls you in, making you cheer internally for things to happen or not happen.
This movie is nothing like those. I wouldn't even call it scary. It's not supposed to be. The low ratings are probably from moviegoers who expected it to be, which is fair, no blame on them.
For those looking to watch a very quality movie, with a novel concept, this one might be for you. It has a lot of heart, some powerful social/relationship dynamics, and pulls you in, making you cheer internally for things to happen or not happen.
This film leaves me feeling a lot like I felt after watching Neon's Longlegs in 2024. A quirky approach to a horror story, mostly well-executed, but with a story that ends up feeling inauthentic and clumsy. Personally I'd much rather watch a film that tries to do something different, even if it doesn't quite stick the landing, than a thousand cheap jumpscare horror clones. Presence did something different so I applaud it.
Pro: genuinely chilling at times: the scene with Natalie Woolams-Torres left the hairs on my arms standing on end.
Pro: mostly good, natural scriptwriting and acting.
Pro: just the right amount of levity at just the right times to keep the audience going without getting too silly.
Con: as the plot gets into its late stages it just doesn't feel right. I'm not sure how I'd have written it instead but there must have been room for a dark, natural and believable way to take the characters where they needed to be without *that* dialogue.
Con: the audience is limited by the characters' likeability here. I think the family father seems compelling but mother, daughter and son all left me feeling a little... uninterested in their fates? In one case this is a deliberate device to drive the plot and make the ending impactful but in the other two it seems inexcusable.
Con: I'm here partly for Julia Fox and she's barely in the movie. Boo! Give me a director's cut complete with 45 minutes of freehold contract negotiations and I'll bump my review up to an 8.
Pro: genuinely chilling at times: the scene with Natalie Woolams-Torres left the hairs on my arms standing on end.
Pro: mostly good, natural scriptwriting and acting.
Pro: just the right amount of levity at just the right times to keep the audience going without getting too silly.
Con: as the plot gets into its late stages it just doesn't feel right. I'm not sure how I'd have written it instead but there must have been room for a dark, natural and believable way to take the characters where they needed to be without *that* dialogue.
Con: the audience is limited by the characters' likeability here. I think the family father seems compelling but mother, daughter and son all left me feeling a little... uninterested in their fates? In one case this is a deliberate device to drive the plot and make the ending impactful but in the other two it seems inexcusable.
Con: I'm here partly for Julia Fox and she's barely in the movie. Boo! Give me a director's cut complete with 45 minutes of freehold contract negotiations and I'll bump my review up to an 8.
I'd seen the trailers and was excited to see the film on its release . So last week we saw a secret screening/preview of it at our local cinema . Filmed from the side of the ghost/spirit and based on an empty lovely house a family of four move into. The house itself is lovely and the filming is brilliant but I have to be honest myself and mr husband were really disappointed. Lots of filming that were irrelevant. Some scenes were good and some secretive . But In my honest opinion after watching the trailer I was so disappointed with the film. The end five minutes are good and sad . But overall not as good as we hoped.
It is very intense in it's filming. There is no hiding in this film, from an actors perspective. There is no need for indepth character development, and I think that's what I liked about it. We didn't need an hour of backstory, we got just enough to help the story progress.
Lucy Liu is not the star player in this film. She plays her role convincingly. The storyline is subtle and the way it is filmed is key. There is some subtleties that won't make sense until it's all over.
It is not quite as revolutionary as some reviews have made it out to be, but it is different and I really appreciated it for that.
You are kept in suspense, but not in an exhausting way. You keep watching because you know there's an explanation but you're not teased to get there.
I enjoyed it. A nice little ghost story from a different perspective and no expectation of a commercialised series of films. Just slimmed down, basic story telling.
Recommend a watch.
Lucy Liu is not the star player in this film. She plays her role convincingly. The storyline is subtle and the way it is filmed is key. There is some subtleties that won't make sense until it's all over.
It is not quite as revolutionary as some reviews have made it out to be, but it is different and I really appreciated it for that.
You are kept in suspense, but not in an exhausting way. You keep watching because you know there's an explanation but you're not teased to get there.
I enjoyed it. A nice little ghost story from a different perspective and no expectation of a commercialised series of films. Just slimmed down, basic story telling.
Recommend a watch.
Lo sapevi?
- QuizThe film was shot in just 3 weeks, nearly entirely within one house, according to a Variety article by Stephen Rodrick.
- Curiosità sui creditiOther than the Presence, the characters and events depicted in this motion picture are fictitious.
- Colonne sonoreCome Here
Written by Dominic Fike, Sam Homaee and Jonathan Wienner
Performed by Dominic Fike
Courtesy of Sandy Bros, LLC
Under exclusive license to Columbia Records
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Presencia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.900.044 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.328.004 USD
- 26 gen 2025
- Lordo in tutto il mondo
- 11.067.375 USD
- Tempo di esecuzione
- 1h 24min(84 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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