Recensioni di Metacritic

Ultimately, we witness an acting community’s evolution throughout the film.

I wish we got to see more of the big show at the end of the movie, but that’s almost beside the point — all that matters is that, somehow, someway, it goes on.

The film gets across the weird weight of lockdown, a time of tension and anxiety but also an opportunity for creative growth none of us saw coming.

The questing duo has trusted ‘GTA’ and its trigger-happy denizens: they just need to trust the audience a little bit more that this new world can be enjoyed without the same old beats.

This is an irreplicable experience that speaks volumes about following your dreams despite the challenges that await. The reward will always be worthwhile, even if it’s just about the friends you make and NPC cops you massacre along the way.

What initially seems like too absurd and comedic a conceit to work for a full 90 minutes ends up being one of the more human and successful works of art inspired by the COVID lockdowns.

Sam Crane and Pinny Grylls’ feature co-directorial debut is a riotously funny, unexpectedly poignant ode to gaming, Shakespeare, the indestructible nature of art, and the benefits of befriending bazooka wielding extraterrestrials.

The film is at its best when incorporating text from the play with oddly appropriate gameplay.

Grand Theft Hamlet shows how incredible it is to see how a new medium of storytelling can shift what we know of a beloved work and put it into an entirely new context after centuries.

The infrastructure of the game leaves things wide open for human creativity to take it in directions that couldn’t be predicted and people foster connections without any superficial prejudices getting in the way as Crane and Oosterveen assemble a cast.