Freedom at Midnight

It's an absolutely brilliant political thriller that gives an impartial view of the politics, leadership & circumstances that led to the partition.

The strongest points of the series are its brilliant writing, beautiful production design, cinematography, background score & some strong performances from Asif Zakaria, Rajendra Chawla & Rajesh Kumar.

On the flip side, my issues with the series is the casting of Gandhi & Nehru. Though, the actors have done well to play these parts, they are physically not at all similar to them and are also not able to bring all the facets of their persona properly.

Also, it is puzzling & sad to note the absence of leaders like Ambedkar, Savarkar & Bose in the series since they were also actively involved & were prominent figures in India's independence & partition. The series should have atleast briefly touched upon their roles as well.

Overall, a balanced, well researched & brilliant series in today's world where fake one sided political narratives are created on social media to fool people.

At the stroke of midnight on August 14, 1947, India gained freedom from over 200 years of British colonial rule. While the birth of a free India should have been a moment of celebration, it was overshadowed by the darkness of Partition. Nikkhil Advani's Freedom At Midnight, a latest web series on SonyLIV, which takes its title and story from Larry Collins and Dominique Lapierre's seminal book, offers a powerful glimpse into the trials, tragedies, and turmoil of that fateful period.

The series begins in 1946 with a persistent Mahatma Gandhi declaring, "Hindustan ka batwara hone se pehle, mere shareer ka batwara hoga (Before the Partition of India, my body will be divided)." It soon moves over to offer a painful account of India's Partition and the violent birth of Independent India. Religious conflicts, border wars, and political sacrifices unfold with each episode, like dramatic scenes in a grand pageant.

The dialogues and performances strike emotional chords quite effectively. Take, for example, lines like "Aam aadmi vo badlaav laa sakta hai jo sarkaar saalon mein nahi laa sakti" (The common man can bring about change that the government couldn't in years) or "Ye log Hindu hone se pehle bhi Punjabi ya Bengali hain" (These people are Punjabi or Bengali before they are Hindu).

The central characters in the show include Lord Mountbatten, the great-grandson of Queen Victoria, who constantly haggles with Jawaharlal Nehru, the leader of the Congress party, torn between his principles and his party's ideals; Mohammed Ali Jinnah, the fanatical leader of the Muslim League, who sees only two options: "Ya toh Hindustan batega ya barbaad hoga" (Either Hindustan will be divided, or it will be destroyed); and MK Gandhi, who ultimately gives up his dream of a united India, over the terms of how an independent India will move forward.

Siddhant Gupta, who was well admired in Prime Video's Jubilee, once again proves his acting prowess as he steps into the role of India's first Prime Minister, Jawaharlal Nehru. But the standout performance comes from Arif Zakaria as Mohammed Ali Jinnah. He is utterly convincing as the resolute leader of the Muslim League, whose singular vision was the creation of Pakistan. Chirag Vohra as Gandhi and Rajendra Chawla as Sardar Vallabhbhai Patel also deliver strong performances. The supporting cast further elevates the series, adding an extra layer of depth to the story.

Nikkhil Advani closes the show just before the horrors of the Partition unfold on India's land, accompanied by the song "Vaishnav jan to tene kahiye je, peer paraayi jaani re" (A good human being is the one who knows the pain of others). It's a haunting note that leaves you wishing political leaders, from any period - past or present - could truly feel the pain of the people they serve.

Not only is it competently crafted and acted, it also tells a story replete with known and unknown nuggets of information that are processed with skill and sensitivity. It has no grandstanding, and no hectoring and hollering of the sort that mainstream Bollywood is prone to.

The show gives history its due, meticulously piecing together the fragments that went into the making of an essential and wondrous, if inevitably imperfect, whole.

I was waiting for this series release since I saw the trailer. The trailer was enough to create an excitement for the series. The series intro is a masterpiece in its self, the music creates an different environment, it feels patriotic. Over all performance of the actors was remarkable, among them I loved the performance of 'Arif Zakaria' as Mohammad Ail jinnah. He played the role very wisely and precisely which I loved the most. About the story, I loved the story telling is so good. There is so much in the series which tells about the separation history of India. There is so much English used in the series which makes it little difficult to understand for normal audience, but there are subtitles available to understand. The series also does what it says in its tagline, "The history you may not know, The history you should know". And at the last but not the list, the director 'Nikhil Advani' did a great direction overall the series. I would like to thank the team of 'Freedom at Midnight' to give such a treat to us by showing us the history that we all should know as being an Indian.

Freedom at Midnight on Sony Liv reinvigorates the story of India's Independence and partition with fresh energy. Anchored by stellar performances-Mountbatten, Edwina, Attlee, and Jinnah-it balances historical depth with sharp, modern storytelling. Gandhi and Nehru may seem miscast initially but evolve into compelling portrayals.

Focusing on key events like the Muslim League's Direct Action Plan, Congress-Muslim League tussles, 1937 provincial elections, the series skips exhaustive timelines in favor of precision. Highlights include Gandhi's Indigo Satyagraha, where his quiet resolve awes a young Nehru, the layered tension between Jinnah and Nehru, the contrasts between Nehru and Vallabhbhai among others.

With top-tier production-authentic sets, flawless costumes, and pitch-perfect casting-the series sets a new standard for period dramas. Understated performances by Edwina Mountbatten and VP Menon leave a mark, while Louis Mountbatten brings charisma and sophistication. Tight screenplay and sharp dialogues create a thriller-like momentum moving towards partition.

Director Nikhil Advani expertly handles sensitive themes with nuance and objectivity, avoiding glorification or clichés. Freedom at Midnight is a must-watch for its balanced narrative, stunning execution, and fresh take on history.

This Era Youth Needs to Understand the Real History and I will give freedom at midnight 10/10 as this is eye-opener for the youth. INDIA National Congress Have always thought of both Hindu Muslim in india The kind of radical thinking going in country needed this eye-opener The Bond of Jawahar Lal Nehru Andd Sadar Vallabh Bhai Patel Is So Beautiful Brotherly friend

The Way Sadar Vallabh Bhai Patel Respected Gandhi Ji

Jinnah's Thought and The Direct Action Day Plan the brutality happened in india and how Only congress party stood for them shows the unity thought of INDIAN NATION CONGRESS......