Hawaii

I was first introduced to Marco Berger with "Plan B", still one of my favorite films. In both that film and "Hawaii" Mr. Berger has done some of the finest modern story-telling I've had the pleasure to experience.

These are definitely NOT American films - they are slow to develop, sparse on dialogue and largely visual in nature. Those qualities by themselves make these films creative and interesting. But it is the development of both the story and the characters that really bring the films to life.

The single item that makes a film work (in my estimation) is whether or not an audience can feel that a character has come to life in the film - has come alive, feels real to us. "Hawaii" does that every bit as effectively as "Plan B." It is an additional measure of quality (and a great treat) that a film have more to say to an audience on a second, third or fourth viewing. Both of these films do that handily.

It is of particular note in this film to watch the slow building of a relationship between these two men. And, as in "Plan B", their sexuality in some respects is incidental to the connection the men in both films form. There is a breadth and depth to these relationships that seems rare these days in film.

Can't recommend both "Plan B" and "Hawaii" enough. Outstanding films.

a beautiful film. for silence and words. for the tension and new values of ordinary gestures. for the definition of friendship who explores the nuances more than significance. for the special joy, high delicacy, science to use the detail in gentle manner. a film about a meeting after long time, the search to reconquest the years of youth and the root of present dialog. sure, it is not a surprise. Argentinian cinema has many special films but this case seems be real special. for the tension who has not only sexual level. for the wise manner to use each scene as seed of the other. for the spring air , using a form of innocence who becomes the bridge between characters. a film who is not bad to see. for a rare state of emotions.

¡Qué buena película! Although it's very slow and the "music" is a little distracting at times, especially during the extended beginning sequence, this is an excellent Spanish-language gay-themed movie from Argentina.

The camera and director linger on small details and gestures, and create a very credible atmosphere and true tension and drama despite very little dialog.

I enjoyed this movie so much that I almost immediately watched it again. Perhaps not for those who prefer fast-paced action movies, I found this movie to be very engaging, interesting and fulfilling.

Highly recommended.

Finally got to see Hawaii by one of my favorite filmmakers, Argentine Marco Berger. I was not disappointed, what a beautiful film full of tension, beautiful imagery and fantastic mood. Manuel Vignau, whom we've seen in Berger's film Plan B is mature in this film, exciting, intriguing. And balancing this portrayal is the also fantastic Mateo Chiarino. Both are just purely fantastic. The film is full of layers that are to be explored and understood for emotional context and in there is where you find the strength of this film which is full of silence, yet so much is being told. I personally love films like this and Mr. Berger is a master at showing and not telling, yet the small moments of conversation between the characters seem so full of importance and nuance you cannot help but to completely lose yourself in their story, this is a film that deserves a watch and maybe a couple more after that.

the past. and its possibility to be basis of present. a film about other as part of your definition. remarkable for its delicacy and touching nuances. for the precision of acting and for the exploitations of small, ordinary gestures. a film who impress. the cause - its smart mixture between vulnerability of the lead characters worlds. the atmosphere who reminds memories of viewer and a lot of hypothesis about story evolution. and for the balance of ages as land for memories. a seductive movie. for its details . for the tension. for the crumbs of childhood as pillar of ages. and, sure, for its end. a kind of gem. or, maybe, only a delicate picture from a summer.