Tokyo Tribe

Insane rap musical about warring gangs in Tokyo. This grows to be a lot of fun, but I had to get over a lot of annoyances before I could get into it. First and foremost, I had to get into the music itself. It's certainly not great hip-hop, and, at first, I found it kind of lame. As the film progressed, I don't know if the music got better or I just accepted it as it was, but I started to kind of like it. Second, the plot is a huge mess. I certainly wouldn't recommend you go it hoping for a clear plot, because you're not going to get one. It's just kind of your standard yakuza turf war stuff, with a good gang and a bad gang and a bunch of other, lesser gangs. Then there's something with a runaway princess or something that never quite gels into a coherent story. What you will find is a ton of cool bits scattered throughout, augmented by weird and wild costume and production design. The action is also very good. Sono continues to be a flawed director, but he's clearly one of the most interesting people working today.

The costumes/movie set are quite breathtaking and songs are very catchy. Another eccentric movie by Sion even if it doesn't break any grounds. It's probably hard to watch again as the plot is extremely superficial and never takes itself seriously. Never knew Rap was a thing in Japan until I googled some of the actors from the movie that are actually real artists irl.

Even more offbeat and outlandish than 'Why Don't You Play in Hell?', this follow-up feature from Sion Sono is a rap musical about feuding gangs, set in contemporary Japan. While unquestionably a bizarre mesh of genres, the project works magnificently thanks to the energy and imagination that Sono brings to every frame. The sets and costumes are a wonder to behold with heavy doses of neon lights, human statue furniture, walls made of red balloons... there is even a gun with a mobile phone built into it and a van with chandeliers attached to the side mirrors! The minimal special effects and spirited choreography are pretty good too and while the violence is nowhere near as brutal or memorable as in 'Play in Hell', it is an experience all the same. Attempting to nut out of finer details of the plot is a little tricky here. There are a heap of key characters, very few of whom are developed in any depth, and side plots including a missing daughter and a mystical quest delivered via hologram crop up without ever being properly resolved. Never to mind, what can be deciphered here is enticing on its own and the film includes some neat messages too regarding how easy it is to pitch gangs against one another and the very petty reasons that some men have for starting (turf or other) wars. There is a fair bit of dark comedy in the mix too and the overall movie is so outrageous and willfully uncanny that its entertainment value is hard to deny as long as one is prepared to forgo the tropes of traditional narratives and indulge in something a little more 'out there'.

Actually watching this I can't imagine anyone being serious ... I was surprised at how much "Rap" was in it (even though some of the actors actually weren't that good with their MC skills) - you can and should call this a musical. Obviously, if rap music isn't your thing, you should not even think about watching this.

Anyone else open to a mad world, go ahead and have fun. And you can have fun. There are so many crazy and wicked ideas in this, you'll have quite a lot to talk about with friends or generally on the internet. There were a couple of moments that seemed unnecessary (misogynistic), but other than that, this is really just a fun little movie, that almost made me stand up at the end singing along - Tokyo Tribe

Shion Sono can, in the case of Love Exposure, make a 4 hour movie feel like a 2 hour movie and in the case of Tokyo Tribe make a two hour movie feel like a four hour movie. A strange showdown in Tokyo between warring crews is a freaking absurd mix between the Warriors, 1970's yakuza flicks, and an entire history of hip hop videos. The beats are tight, the visuals mind-blowing, the whole thing is like a crazy hallucination that is actually closer to way the real world operates than we admit. The set it is filmed on is obviously fake like the rain that hits it, the acting is absurd, the plot simple, but executed however the hell he wants. What is Shion Sono trying to say??? I think everyone that watches Tokyo Tribe at one point has to ask the question they know they shouldn't. I see, hear, and feel this movie. It does drag at times, since they're defiantly rapping almost every line of dialogue. Something about this film makes it the most progressive, subversive, pure cinema yet to be made on such a large scale. It's inaccessible, but mindless. It's mindful and welcoming. Crazy, insane, but completely lucid the entire time. I think it's genius. I think this guy Shion Sono is a genius. Should I admit that again? Oh I guess I already did on his last film.