Chhaava
- 2025
- 2h 41min
La vita di vita di Chhatrapati Sambhaji Maharaj, figlio di Chhatrapati Shivaji Maharaj.La vita di vita di Chhatrapati Sambhaji Maharaj, figlio di Chhatrapati Shivaji Maharaj.La vita di vita di Chhatrapati Sambhaji Maharaj, figlio di Chhatrapati Shivaji Maharaj.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Ankit Anil Sharmaa
- Santaji
- (as Ankit Anil Sharma)
Riepilogo
Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
Recensioni in evidenza
Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
First, let me clarify - I'm not undermining the efforts of the actors. Vicky Kaushal is an absolute delight to watch, and he truly looks the part. There's no doubt he has completely embodied the essence of the character - he feels like fire, water, earth, and air all at once. His portrayal is exactly what this role needed.
However, here's what didn't work for me:
- Dialogue & Screenplay Issues - For a good portion of the film, I barely felt there were any dialogues! It was mostly background music filling in the gaps, seemingly covering up weak writing. The first 120 minutes felt like a prolonged setup, leading to the torture sequence - which, while impactful, doesn't make up for the lack of depth in the earlier part of the movie.
Final Thoughts
Brilliant acting, but that's about it. I felt the same way after watching Sam Bahadur - where key moments of strategy and planning were rushed through a poorly placed song. Instead of truly experiencing the peak of the story, we're only shown it from a distance and told, "This is where we're going," but never actually taken there. That's Chhaava in a nutshell-visually striking, but ultimately unsatisfying.
However, here's what didn't work for me:
- Lack of Memorable Characters - Apart from Kavi Kalash (played brilliantly by Vineet Kumar Singh), there aren't any other standout characters. The film needed more people we could connect with and care about.
- Casting of Yesubai - Rashmika Mandanna might visually fit the role, but let's be honest-this character should have been played by a Marathi actress. The fact that the makers chose a non-Hindi (let alone non-Marathi) speaking actor suggests they prioritized mass appeal over authenticity and storytelling.
- Background Score - I didn't even realize A. R. Rahman composed the music until I heard his signature cooing mid-film. And honestly, that realization left me disappointed. The background score wasn't always impactful, and at times, it was so loud that it drowned out the dialogues.
- Guerilla Warfare Strategy? - When Sambhaji Maharaj discusses his guerrilla tactics against the Mughals, the scene feels more like exaggerated jingoism rather than actual strategic planning. Was there really no better historical documentation to flesh out this sequence with more authenticity? Instead, whatever the characters predict in that scene unfolds exactly over the next 40 minutes, making the whole sequence feel simplistic and underdeveloped.
- Dialogue & Screenplay Issues - For a good portion of the film, I barely felt there were any dialogues! It was mostly background music filling in the gaps, seemingly covering up weak writing. The first 120 minutes felt like a prolonged setup, leading to the torture sequence - which, while impactful, doesn't make up for the lack of depth in the earlier part of the movie.
Final Thoughts
Brilliant acting, but that's about it. I felt the same way after watching Sam Bahadur - where key moments of strategy and planning were rushed through a poorly placed song. Instead of truly experiencing the peak of the story, we're only shown it from a distance and told, "This is where we're going," but never actually taken there. That's Chhaava in a nutshell-visually striking, but ultimately unsatisfying.
The cinematography in this movie is nothing short of spectacular.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
Watched the big historical action release of Maddock CHAAVA directed by Laxman Utekar. The film stars Vicky Kaushal in the lead as Chatrapati Sambhaji and Akshaye Khanna as the ruthless Mughal emperor Aurangzeb and the film focusses on their clash.
Sambhaji as an important historical character of Maharashtra and there are various shades and different topics discussed and debated on him. However his battle with the Mughal army and torcher and finally execution under orders of hardliner Aurangzeb is discussed lot.
The film is supposed to be based on Shivaji Sawants popular novel Chaava and doesn't cover other aspects of Sambhaji's life,which we read in childhood in Amar Chitra Katha.
The film is a big budget actioner based on history and has lots of dramatic sequences. The film's treatment of the subject is very clear and characters are either pure white or pure black. The film though based on real incidents also involves lot of larger than life frames and fiction too. To be honest I felt the writers and makers haven't been able to make the film very gripping. The film starts well and then loses pace and then picks up and then loses and so on. There is lot of action but barring the final battle ,I found the other fights quite unreal with loads of VFX. There are some scenes which are impactful and especially Vikki vs Akshaye get maximum attention.
The film has huge hangover of Bajirao Mast Ani,Padmavati,Tanaji and Jodha Akbar but is not close to either of them in terms of impact and emotional feel. The pre climax of extreme violence and torcher though from history but was very uncomfortable to watch on big screen.
Of the performances Ashutosh Rana and Vineet Singh leave a mark. Rashmika I felt was totally out of place. Akshaye Khanna as the uni dimensional maniac monarch Aurangzeb was menacing. Though he doesn't have much dialogues but his look as the old Alamgir makes him the big bad villain. The film belongs to Vikki Kaushal who again pumps life in a real character after Sardar Udham Singh and Sam Bahadur. He has worked hard on the film and honestly it's his hard work which lifts the film of the negative points.
On the whole Chaava tries hard to be a patriotic historical actioner but works only in parts.
Sambhaji as an important historical character of Maharashtra and there are various shades and different topics discussed and debated on him. However his battle with the Mughal army and torcher and finally execution under orders of hardliner Aurangzeb is discussed lot.
The film is supposed to be based on Shivaji Sawants popular novel Chaava and doesn't cover other aspects of Sambhaji's life,which we read in childhood in Amar Chitra Katha.
The film is a big budget actioner based on history and has lots of dramatic sequences. The film's treatment of the subject is very clear and characters are either pure white or pure black. The film though based on real incidents also involves lot of larger than life frames and fiction too. To be honest I felt the writers and makers haven't been able to make the film very gripping. The film starts well and then loses pace and then picks up and then loses and so on. There is lot of action but barring the final battle ,I found the other fights quite unreal with loads of VFX. There are some scenes which are impactful and especially Vikki vs Akshaye get maximum attention.
The film has huge hangover of Bajirao Mast Ani,Padmavati,Tanaji and Jodha Akbar but is not close to either of them in terms of impact and emotional feel. The pre climax of extreme violence and torcher though from history but was very uncomfortable to watch on big screen.
Of the performances Ashutosh Rana and Vineet Singh leave a mark. Rashmika I felt was totally out of place. Akshaye Khanna as the uni dimensional maniac monarch Aurangzeb was menacing. Though he doesn't have much dialogues but his look as the old Alamgir makes him the big bad villain. The film belongs to Vikki Kaushal who again pumps life in a real character after Sardar Udham Singh and Sam Bahadur. He has worked hard on the film and honestly it's his hard work which lifts the film of the negative points.
On the whole Chaava tries hard to be a patriotic historical actioner but works only in parts.
At its core, Chhaava is not just about a warrior-it's about the idea of resilience, sacrifice, and legacy. It's about what it means to fight for something greater than oneself. The film leaves the audience not just with admiration for Sambhaji Maharaj but with a deep respect for the ideals he stood for. It is a rare historical film that manages to entertain, educate, and inspire all at once. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch. Whether you're a history enthusiast or just someone who loves a great story, this film is an absolute must-watch.
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Lo sapevi?
- QuizThe speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
- BlooperThe prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
- Citazioni
Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!
- Versioni alternativeThe film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 4.800.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.790.000 USD
- 16 feb 2025
- Lordo in tutto il mondo
- 8.219.603 USD
- Tempo di esecuzione
- 2h 41min(161 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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