Era solo un messaggio prima di Natale

Merritt Patterson is one of my favorite actors and I also like Trevor Donovan. My main complaint with this movie is the plot device of showing the characters lives only around successive Christmases. This device has been used several times, but it isn't as overused as many other premises.

The background for it all is a cornucopia of the usual stuff. Addie just broke up after a long term relationship. What little family she has is off jet setting for the holidays. Grandma decides to do some matchmaking. Both Addie and James will be leaving town soon after Christmas dinner. There were many other echoes of other Christmas movies, especially early on.

My problem is that there is too much jumping forward into next year and not enough spending time together and getting to know each other. Between Christmases their lives move on and we get brief recaps at the beginning of the next season. I thought it showed in the acting. Donovan and Patterson did a movie together last year and should have had great chemistry but I didn't really see it. It seemed like they were going through the motions to get on to the next Christmas.

Many Christmas movies have a cute kid that adds a spark and forms a bond with one of the leads. Paige did not play a big role in that sense. And two years after we first see her, she hasn't changed which isn't noticeable in an adult, but should be obvious in an early teen.

The movie is family friendly but might not have a lot to attract small children.

I continue to hope for great things from Great American Family, but it is not a good sign if two of their best veteran actors fail to deliver in one of the first premieres of the season.

Love the ex-pat actors from Hallmark (Trevor Donovan & Merritt Patterson) but these GAF movies are super low budget and desperately in need of better dialog with very limited scenery. Even the Xmas decorations look cheap compared to the competition of Xmas movies from Hallmark, UPTV, Lifetime, etc. I devour Xmas and romance movies so I'm a conosseur of this genre and frankly after the first 15-20 min, I fast forward to the end and didn't miss much with this film.

I'm a big fan of the lead actors and the plots of their past Hallmark movies were way more complex and watchable compared to this GAF release. I know many actors moved to GAF to get production credit but obviously they didn't get script approval. This movie felt more like a low budget community stage production with a quickly written script than what I've grown to expect from other seasonal releases.

This movie is supposed to span a period of 2 years, and 3 Christmases. But amazingly, none of the characters change in any way during this 2 year span. They wear the same clothes, I think Trevor has maybe 2 shirts during the whole movie, one of which looks very very cheap and poorly made. The character's hair, all of them, doesn't change one iota. A 11-12 year old girl, an age at which there are normally TONS of changes, does not change one little bit.

The restaurant scenes with the female lead and her father are exactly the same all 3-4 times. Same table, same background people, everything the same. Even though the several scenes take place over this 2 year period.

The movie itself is pretty boring. The actress playing the elderly mom would be more suited to play the grandmother, she has to be at least 75. She's fine, but unless Trevor is 50+, too old to play his mother.

Merritt Patterson is exactly the same in every role. Shiny happy face, no depth. Neither her nor Trevor are given much to work with here, just so so boooring, no chemistry at all. He is so wasted here.

GAF need to tone down their set decoration for these movies. It's always over the top and unrealistic. And doesn't anyone use other types of Christmas tree decorations? Why just large shiny balls everywhere? A women who loves Christmas and is 65+ in age would have a ton of more vintage looking stuff.

The idea is not bad, leading actors i usually find likeable and the supporting ones were all pleasant, but it's like the writer and director tried to keep it as primitive as possible. Nor was there a hint of chemistry between the leads. Till the last moment they were willing to give up on each other, then he decides her happiness means so much to him that he's willing to follow her to another country... (when it makes a lot of sense to stay in his new home now, near his mom they both love...)

To offer a half-baked product that has all the potential of being a satisfying and original story with good actors must be ...sad.

The basic motif to see it was, in my case, Trevor Donovan. And, indeed, he does a nice job . Good parts, forced final, fair portrait of Nana and some strange situations. But, more important, a pretty inspired start point , not too inspired used but , in good measure, acceptable.

I like it because I have not high expectations. A wrong phone number, the Christmas in Vermont of a New Yorker young lady, her boyfriends as autumn leaves and his father living between Australia of son and USA of daughter, family and a venerable couple at new chance of happiness and a burned turkey, a dog and a charming grandmother.

For a nice evening, good option.