The Borderlands

This is a generous 8 many because its low budget and particularly for some reason it just hit the spot for me. I'm a veteran horror movie buff and started watching this 'found footage' style movie with a meh, another one. It isn't actually found footage but more a footage style in that due to the Vatican team experiencing some grizzly occurrences previously the Vatican wants everything filmed as part of new regulations. Hence we have characters with camera headsets on and fixed static cameras in places. All the shots are then taken from these points of view so we do experience some viewing as what the characters see but it's a tool not 'found footage' so shaky cam does not go over the top. Its a bit of a slow burner but sucked me in unexpectedly within minutes. There's something quite natural about the lead characters and its so far removed from the majority of US generic stuff that I was totally intrigued instantly. This movie also did something very rare - it creeped me out. Everything is quite subtle even the humour and religious and life philosophy is touched upon in what seems like normal interactive banter. It had me guessing all the way through and surprised me with its ending, which I was even able to trace back many subtle references to throughout the movie. I actually laughed as it is very rare I'm surprised by a movies ending. If you want pizzaz and action and gore this is not for you I've never actually read HP Lovecraft but I think this is something somewhat in that vein. A kinda creepy slow burning mystery would suit the description and there is not one single young attractive woman who can't run straight without falling over in it.

A superior found footage horror movie that is heavy on atmosphere rather than scares, and is all the more unsettling for it. A team of Vatican investigators is sent to the British countryside following reports of paranormal activity at a remote church. They encounter hostile locals who set fire to sheep as events start to take a darker turn, and they discover far too late that something much more sinister and ancient has been awakened.

I gotta say, The Borderlands is actually very funny in places, they took a great risk tying together humour and scares but for some bizarre reason, it certainly works.

I fully enjoyed both elements of the film, and it's acted really, really well (and filmed the same). The tale follows some investigators sent by the Vatican to check out a claim by a local priest of a possession in an old church. One of the investigators isn't a religious man however, just a tech guy there to do all the video stuff etc. Hes the funny one, and I kinda felt the humour amplified the scares when they came. When it gets to a screaming sheep set on fire (yes really) it is quite shocking as it's unexpected. And from there it swings from light hearted banter (never forced) to heavy shocks. I enjoyed it, and thought I wouldn't. Definitely worth a watch.

A small team of investigators head off to a typical English village to find out what's been going on in the church. Apparently The Vatican are the ones asking the questions, which is questionable in that it all seems very Anglican. Still, nice to know that the His Holiness is willing to allocate resources to the C of E ; clearly the manifestion of Evil is a universal issue.

It's really the familar 'Most Haunted' style set up, but with some new angles, particularly with the technology. And there's the sceptic guy/veteran guy double act, which is played with good humour and minimal exposition. Later on explanations are offered as characters' suggestions and therefore explorable, not the clumsily implausible to be found in lesser works.

The supernatural occupiers, rather than wanting to communicate, seem to be mostly interested in throwing stuff around. Spooky but grainy visuals which don't tread on the toes of your imagination abound.

The script is witty and interesting. In a particularly good scene where one character is reading from a dusty old witness journal the material is exceptionally well conceived and poetic. These few moments are worth your full attention. If you like that sort of thing.

I also enjoyed the photography - scenes from the front of a speeding car down a narrow lane put the viewer right in the middle of the action - again, something which someone appears to have taken care over.

What I found most surprising was the quality of the acting. In most cases films in this bracket only have the budget for one decent actor, so to find two or three among the tombstones was a bonus.

It's a pretty much a sausagefest, the only exception I spotted a background girl who went to the aid of a boy in cameo. Unusual these days. But this just means the screaming is lower pitch.

The plot unfolds in a measured way while the action accelerates; the final scenes are a bit of an endurance test, especially if like me you have a bit of a phobia. It is testimony to the excellent execution that I became very uncomfortable and internally urged them to call a retreat, because the way back was evaporating. That such a location exists is in itself a kind of horror.

Fans of low budget goreless Brit fodder will have this gem in their collection.

I hope to see lots more like this from Elliot Goldner.

Churches are said to be among the most haunted places on earth. There's something about the most holiest of edifices that is said to house the supernatural more than any other. "The Borderlands" is a take on this phenomenon in documentary-like footage. Paranormal investigators are sent to a rural church where an unexplainable incident occurred which was caught on camera. At first not much occurs with some of the group wanting to pack it in and leave. But shortly after events transpire to alter their perceptions leading to a downward spiral that sends everyone and everything crashing down into one infernal and bloody hell. The film keeps the frights raw and spare heightening the sense of realism with moving objects, disappearing apparitions, loud crashes, unholy sounds and eerie silences that permeate the sense of dread and fear. Credit to the actors with their flawless natural acting as they show how man is when faced with the unknown and highlighting the shallow and unpleasant nature of human interaction in the present. As with these kinds of film's the pace is slow-going made worse with a disappointing ending. While no classic "The Borderlands" is a good watch to get some of those thrills and chills up and going on cold rainy nights.