WolfCop

...from writer-director Lowell Dean. Small-town sheriff's deputy Lou Garou (Leo Fafard) is a drunk and a loser, but after he gets kidnapped and subjected to an occult ritual by a band of masked cultists, he finds himself transforming into a super-strong werewolf. He uses his new-found beast power to fight crime, but the cultists aren't done with him yet.

A sort-of parody of high-concept 80's cop movies, this doesn't quite have the resources or the script to go as far as it needed to work. Not enough time is spent with the uniformed werewolf on patrol, instead devoting too much time to secondary characters and the cult's ulterior motives. At times it seems the movie starts to take itself too seriously, but then they devote a lengthy scene to the werewolf using an auto body shop to customize his police car with big metal "W" emblems and other such silliness. The cast of mostly unknowns is good, and despite its deficiencies this is better than most of the movies of similar budget level.

This film is much better than it has any right to be. Made with a modest budget but a loving touch, WolfCop knows to embrace its cheesiness and that of its drive-in schlock predecessors and play to its strengths without taking itself too seriously. Whenever it falls flat, it feels more endearing than broken, which I suppose is due to the makers actually caring about what they were filming, and I'll take a lovingly crafted low-budget slopfest over an a-list blockbuster that wasn't given a single rat's behind by it's authors.

With that being said, there isn't really anything that stands out as exceptionally good. Although the fun had while filming is apparent and the enthusiasm of the effects department (if such can be said to have existed here) shines through, nothing can be graded more than "pretty good, considering". On the flip side of things, I couldn't find anything really horrible here either, as WolfCop is adept at covering its tracks (pun intended).

Booming with b-movie grit and outrageously strange choices of plot elements, WolfCop is a must watch for fans of "so bad it's good" – films and those interested in amateur films. Other viewers might need to take this movie with a grain of salt. And quite some alcohol.

The film is a low budget campy completely non serious Canadian movie about a cop turned into a werewolf so that his blood can be harvested by shape shifters. It reminded me of Trolls 2, with the same kind of non existent acting, yet strong impact. Nilbog sounds worse than Flowerew, anyway, doesn't it?

There is little point in talking about the plot, as there is none. The script itself leaves much to be desired. So why did I feel like I had fun watching it, despite its many flaws? Probably because it was clear that the film did not take itself seriously. There are many ways one can try to sell the idea of a werewolf cop other than a hairy beast dressed in police uniform and driving a pimped police cruiser with a big W on it. The gore itself, even if a lot, looks more like "Woo hoo, we did gore in our film and it looks kind of real!". Instead of scary, it makes you root for the success of the movie.

Bottom line: really B, in all respects, and probably enjoyable to a select few. However, I am among this shape shifting elite, running the world from the shadows and liking stuff like this :)

An alcoholic cop wakes up one morning feeling a little different. His senses are stronger, dogs like him and when the full moon hits, he turns into a killer werewolf. A killer werewolf with a sense of duty to uphold. He becomes the WolfCop.

A low budget Canadian horror comedy flick in the style of Hobo With A Shotgun. While Hobo was decent, I felt a little underwhelmed with it. It was a little too serious for a low budget grindhouse flick that was suppose to emulate the 70's and 80's of cheesy horror. WolfCop seems like the type of film that would fill those needs and for the most part it does. With a modest budget of a million dollars, Lowell Dean manages to make the film look and feel like it belongs with those 70's and 80's flicks you'd find at the bottom of a dollar bin at Wal-Mart. If the film was too crisp and smooth, it wouldn't fit the atmosphere.

Dean tries his best to blend horror and comedy, a lot of the jokes fall flat, but there is just enough in there to make it entertaining. The execution was never going to be able to match the concept. I wanted more of the WolfCop on duty, foiling one robbery and crashing one drug op wasn't enough for me.

The monster effects are decent and there is a bit of comical gore to be had. I couldn't help but laugh at the faceless screaming man. For those wondering if a WolfCop can have sex with a human...he sure can. In a late night Baby Blue 2 on CityTV kind of way.

The theatre wasn't packed, but the audience who was in attendance seemed to enjoy themselves. This film does not take itself seriously, which is a good thing. I hope the film manages to find a cult following and if the ending of the film holds true, we will see a sequel sometime soon. Until then, enjoy the "it's so bad, it's good" nature of WolfCop.

WOLFCOP is a straightforward B-flick about a cop who turns into a werewolf. There's no more to it or less to it than that. It's very much in the spirit of the MACHETE films, albeit with a lower budget, in that it goes for a whole retro/non-serious vibe and just about gets by on goodwill alone.

The low budget is often apparent during this production, so the scriptwriter goes for a jokey tone throughout to make things easier to watch. The acting isn't very good, but the quality of the special effects is a real surprise; they actually turn out to be very good indeed, with some excruciating werewolf transformations that work well. The titular fiend looks rather cheesy but then that's the point.

Otherwise, the film is chock-full of grindhouse-style violence and some jumbled plotting. It's an amiable time-waster although those looking for genuine originality or insight will be disappointed; WOLFCOP is a film that offers nothing new for fans and instead is happy to go through the usual and expected motions.