Julie ha un segreto

Before saying anything I would like to show my admiration to Tessa who played Julie in the movie because if this was acting I would be exaggerating if I said she definitely deserves to be nominated to the oscars, and I am not .truly I never saw an actor who made you feel the character like that. If she wasn't acting and this is here normally I would say she needs to see a therapist. All the cast was amazing which again leeds me to the director who made the movie seem to be a documentary the scenes the acting everything and the best thing making the viewer imagine and think which makes you like or not part of the movie itself.

Saw his at the Ghent 2024 filmfestival. Many scenes show tennis training and related, but not to the extent of being annoying, not even for someone (like me) who is not in sports, any sports. The issues shown are contemporary, and we see many similar cases on TV and in newspapers, varying from rumored via openly alleged to legally proven. What we also clearly see here, is that we never get to know what precisely happened, how far it went and how long it lasted, mostly due to privacy concerns for the accused as well as the victims.

The latter is my problem with this movie. When the final credits appeared, I still did not know what the real problem was. The word "stop" is used very often by Jeremy (the accused trainer), repeatedly emphasizing that he stopped as soon as Julie said she wanted him to stop. Is it thus a case of sexual harassment?? Remarkable is that Julie reacted heftily when she learned that Jeremy got a position as trainer on a different location (we recognize this "move" tactic within the church and sexual abuse cases). She also asked her newly appointed trainer whether he was prepared to keep working with her in the case that Jeremy would be reinstated on his old job.

Another unresolved topic is why Julie kept silent and refused to participate in the talking sessions organized by officials, who are obliged to do "something". Did she not want to reveal her reasons why she kept silent and stayed out of the pending investigation?? Or is it a mixture of feeling guilty that she was late with asking Jeremy to stop?? I can only guess what her considerations were. (Maybe I missed something and was it clear for everyone else watching the same movie.)

All in all, interesting for tennis lovers and equally for others who are interested in the main "me too" theme of this movie. The intermixed tennis training scenes are not dominating, neither are they distracting from the main issues. We see Julie in many scenes and many moods, while succeeding in keeping us fascinated with the developments in the story throughout the running time. The other young actors involved did a good job as well.

This is not a good movie. It's a nice enough story though. But the script could have used some tweaking. It's as if they had a few scenes in mind and then just worked around those. It has a few good scenes (the one with the confrontation in the cafe comes to mind) but that's not enough to keep this thing afloat.

The actors are all on top of their game. Especially, the young semi tennis pro that plays Julie. She really does her best with the material she's given. But that is also not enough. There are just too many questions left unanswered: What actually happened between Julie and Jeremy?

Why does she keep quiet? One minute she has a problem with the new trainer, the next she will only be trained by him (I mean, What the actual F..?) So, story wise, this is just a big FAIL!

But here comes my biggest problem with this movie. This director just doesn't know how to shoot a film!! The framing is just of and wrong. Lighting is non existing. There were shadows everywhere. In one scene you can only make out two silhouettes talking to each other. He never cuts in a scene between different subjects. It's as if, they only had one camera available. Now maybe (and I'm just guessing here), he thinks this brings peace and calm to his movie. But to me, it was just annoying as hell. And if you do decide to not have any cuts in your movie, then make sure to stay in a master shot and let us (the audience) glance and look where we want/need to. No, this director decides for himself, we don't need this information. So, in a lot of scenes, we see people talking to other people whose head is (half) cut of or you just can make out half of their faces. What are they teaching in film school nowadays??!!

Also, was this movie shot on an Iphone??!! When I saw that Nicolas Karakatsanis was DOP on this, my mouth fell to the ground! He really phoned (pun intended) this one in. Sometimes, it was just unwatchable.

For me, all of this comes down to one of 2 things: Either this director doesn't master the basis of film making, or he just doesn't care.

Maybe he just wants to tell his stories. And that's fine. But film is a visual medium. And it just was mishandled here. And I, as a paying customer, want more.

This is truly a little masterpiece, executed to perfection. Cinematography, acting, editing, setting and the sparse use of music -all combine seamlessly. It feels effortless, revealing just how much love and effort went into it. There is a natural blend of Flemish and French unseen in Belgian cinema. But this is exactly how kids talk in the affluent communities around Brussels. And yes, don't they all struggle with German.

This film is so delicate that even the verb in the title throws it off balance. Simply 'Julie' would suffice. And yet, each bounce of the tennis ball feels like the dynamite straight out of Clouzot's 'Wages of Fear'.

The movie follows Julie, an up-and-coming tennis talent, as she navigates the complex emotions surrounding her relationship with her coach, who has suddenly been placed on non-active status after his previous prodigy's tragic suicide.

The opening scene beautifully sets the tone, with Julie practicing against an invisible opponent without a ball-an early metaphor for the invisible, internal battle she's fighting. This visual motif hints at her isolation and inner turmoil, drawing the viewer in with an eerie quietness. As soon as she receives a call informing her that her coach won't be there, you sense that something is off, and that feeling persists throughout the film.

One of the film's greatest strengths is its respect for the audience's intelligence. It gives us the time and silence to process what might have happened and fill in the blanks on our own, rather than spoon-feeding us every detail from A to Z. This approach heightens the tension, which remains loose for most of the film, in sharp contrast to the scenes where Julie comes into contact with her previous coach. Her mobile phone becomes a kind of Trojan horse, introducing dread into even her safest spaces, like her own bedroom. Although her parents create a safe environment and don't push her to open up, every time her phone is visible, it evokes a knot in the viewer's stomach.

The movie skillfully keeps its audience in suspense. It doesn't immediately reveal the details of what transpired between Julie and her coach, but the weight of the mystery is felt in every scene. Julie's refusal to speak about what happened, despite clear signs of trauma, speaks volumes, and the film handles this silence with both tension and sensitivity.

A beautiful arc emerges as the distance between Julie and her old coach grows. We see her smile more, and it's genuinely heartwarming to witness her gradual emotional recovery. It's especially impressive how the lead actress, at such a young age, conveys Julie's internal struggle without needing to spell it out. The nuances in her performance make her journey feel authentic.

As the movie progresses, it becomes clear that Julie Keeps Quiet isn't so much about what happened to her in the past, but rather about Julie slowly rediscovering herself after enduring trauma. This shift in focus is both subtle and powerful, allowing the film to deliver a more profound message about resilience and self-recovery.