Shōgun

When I first heard about Shogun I couldn't wait to see it because I absolutely loved the original. I then read the reviews and while the majority of them are really good they were still mixed enough that I thought I'd judge for myself? Well, I loved it. I loved it so much I'm already watching it all the way through again. I kept telling myself that there's no way they can keep every episode as entertaining as the last but they did. It just kept getting better and better. Like many have already said it's historically inaccurate. I can get past shows like that as long as it was entertaining enough and this definitely was.

This show is borderline perfect, it's weaves and bobs make so much sense that you are enthralled by its characters and stories. The shows music and cinematography is absolutely perfect. The existential questions that the protagonist asks to Mariko may seem odd at first but make up the fundamental philosophical difference between the western world and Japan. 'we live and we die' a quote from the show makes up this perfectly. The englishmans sharp critique of the Japanese and their way of life and eventual change of mind is the fundamental conflict in the mind of the protagonist. We are usually only given borderline racist or fetished version of feudal Japan in our movies and TV shows, this is a show which puts the Japanese characters front and centre and watches as the dance of death and power plays out with the foreigner playing the part of a catalyst or as Hiroyuki Sanada puts it a 'distraction'.

Set in Feudal Japan, this show is fiction but loosely based on a real story of an English Navigator who landed in Japan and integrated in the Japanese society and structure.

This show gave me real Game of Thrones vibes. With the exception of House of the Dragon, nothing has quite filled that void in the TV space for me (not in a world of swords, anyway). What it lacks in intense action or battle scenes (for now), it more than makes up for with incredible, dramatic performances from just about every actor in the cast. It's a show all about the story. The relationships between the characters.

A beautiful show with fantastic direction and storytelling.

Very clearly this is one of the best TV shows and a contender for top TV historical TV show.

The ambience, script, costumes, cinematography, they are so well designed that you would feel at home in XVII century Japan. This show is Art.

Clear careful treatment of culture, ideology and religion was taken into account, which highlights both the source material and its representation. Albeit not historically accurate, it is close to portraying the events enhanced for dramatic purposes. The mindset of historical figures depicted seems so realistic based on the ideologies of the period. The characters are flawed, realistic and not cartoonish. This show respects its audience just as much as the clan respects Tokugawa.

This is stunning television. The costumes, the sets, the historic period acting are all phenomenal. This show simply oozes dedication to detail and money. So with just two episodes in I can say that this will hook you almost immediately and for fans of Japan and its ancient culture it is almost a must-see.

Knowing the book the casting is near pitch-perfect or at least close enough to it. Maybe Lady Mariko doesn't look as I imagined her from the book but the actress still delivers a good performance and I am deeply appreciative of this show for making a worthy effort to depict the vast and intricate world of James Clavell's masterful historic novel.

However, maybe the book is too big to fit into the confined space of a TV series. For obvious reasons the showrunners had to rush through so much that is explained and described in detail in the book. In order to do the book justice it would have taken almost two seasons of television to show the story of John Blackthorne before he even reaches Osaka. Much of the underlying conflicts and the delicate web of diplomacy and intrigue the main characters have to navigate are cut short in the TV show. There also is a weird shift in perspective which strays from the book. Whereas the involvement of Portuguese foreigners in the politics of early 17th century Japan is treated as just another aspect in a mostly internal Japanese power struggle, the TV show almost sets the Portuguese up as the main antagonists of the show during its first two episodes. I hope the shows swings back to the Japan-centric story it is meant to be.

Bottom line: This is great television but I recommend reading the book eventually.