VALUTAZIONE IMDb
5,4/10
1632
LA TUA VALUTAZIONE
Un detective della polizia, costretto su una sedia a rotelle dopo essere stato ferito, guida con determinazione la sua squadra d'élite nella risoluzione dei casi più complessi, dimostrando c... Leggi tuttoUn detective della polizia, costretto su una sedia a rotelle dopo essere stato ferito, guida con determinazione la sua squadra d'élite nella risoluzione dei casi più complessi, dimostrando che la sua disabilità non è un limite.Un detective della polizia, costretto su una sedia a rotelle dopo essere stato ferito, guida con determinazione la sua squadra d'élite nella risoluzione dei casi più complessi, dimostrando che la sua disabilità non è un limite.
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Blair Underwood is a great actor and he takes on the challenge to remake an old TV character Robert Ironside. He's a cop who got shot but stayed on duty in the field.
He's an action sexy hero supercop on wheels. A lot of it is too over the top without being smart. It's just too much to see him time after time taking the bad guys down. At some point his disability should be a disability. I understand the wish to make disable as just another opportunity, but I would respect the show more if they do it more realistically.
It's a dark moody show. It might be too dark and moody. No matter what the case may be, it never got past episode 3 before being canceled. It had horrible viewership.
He's an action sexy hero supercop on wheels. A lot of it is too over the top without being smart. It's just too much to see him time after time taking the bad guys down. At some point his disability should be a disability. I understand the wish to make disable as just another opportunity, but I would respect the show more if they do it more realistically.
It's a dark moody show. It might be too dark and moody. No matter what the case may be, it never got past episode 3 before being canceled. It had horrible viewership.
Just watched a couple of episodes - I have to say that the original Ironsidewas way better.
It was clever without relying on the fine looks of the actors. The original Ironside was cool and held my interest to the end of each episode, this updated version just does not...at all. I think the producers were attempting to do 'gritty', fast-paced and pretty - all at the same time. I was bored and literally switched off a number of times. I only recommend this to people who primarily watch TV to see actors with good looks. Otherwise this is a poor knock-off version of the original. Blair Underwood is far too good looking, too toned and too suave to play this role.
It was clever without relying on the fine looks of the actors. The original Ironside was cool and held my interest to the end of each episode, this updated version just does not...at all. I think the producers were attempting to do 'gritty', fast-paced and pretty - all at the same time. I was bored and literally switched off a number of times. I only recommend this to people who primarily watch TV to see actors with good looks. Otherwise this is a poor knock-off version of the original. Blair Underwood is far too good looking, too toned and too suave to play this role.
Another example of why remakes of good old TV series can be bad. Blair Underwood is no Raymond Burr and will never be. The original Ironside had this typical 60's-70's flavor that you hardly see in series today as well as some great guest stars but also some great actions and intensity. this one is just another remake in order to relaunch something that was big in the past. The script of the episode is poor and the plots are poor too. Watch the original Ironside if you want to see the real thing. For many fans worldwide Raymond Burr immortalized Ironside. Blair Underwood simply doesn't fit the bill at all, same for the other characters of the show, they aren't the original ones. This TV series deserve one out of ten because it lacks originality and is a big disrespect to the original Ironside series
If you're a television historian, or just have a good memory of popular programming, you might know the name "Ironside." The role was originally played by long time star of "Perry Mason," actor Raymond Burr, who played the title role, Robert T. Ironside, a veteran police officer who got paralyzed on the job when a sniper shot his lower spine and made him a paraplegic. That original series was set in San Francisco and ran from 1967 to 1975. Most notable was the series theme music, composed by the great Quincy Jones.
If nothing else, the original "Ironside" did a lot to focus on better accessibility for society, something that was severely needed and was a positive for everyone... for example, having sidewalk curbs that dip down to meet the street at corners where crosswalks are, of course benefitted those in wheelchairs, but also helped people who were pushing baby carriages or carts with laundry or groceries. When we improve life for those that need that help the most, we are improving life for all.
In 2013, the character of Robert T. Ironside was reimagined as a NYPD cop, and the role was taken by Blair Underwood. Interestingly, when the original series began, Raymond Burr was about 50 years old. But 50 in 1967 years is totally different from 50 in 2013, as Mr. Underwood was also about the same age as Mr. Burr was when his series debuted.
Underwood's version of Ironside was an act first, base your actions on your gut feeling and let the chips fall where they may kind of cop. He wasn't above pressuring suspects, even brutalizing them at times, if that's what it took to get the results needed to solve the case. Of course, this didn't sit well with Ironside's boss, Captain Ed Rollins, played by Kenneth Choi. PR nightmares, bad press, questionable police tactics and borderline civil rights offenses were left for Captain Rollins to mop up as Ironside's crusade to clean up the streets relentlessly continued.
One controversy the show faced was the fact that an able-bodied actor was playing the role. This was a time when Hollywood was finally beginning to focus on giving parts to people who were appropriate for the character, and why wouldn't or couldn't an actual differently abled actor be cast? The answer was that the show featured flashbacks to Ironside's past, before he was shot, and those scenes had the character ambulatory, as a matter of course.
Ironside's hand picked team included Virgil (Pablo Schreiber), Nate (Jake Picking) and Holly (Spencer Grammer) who were all busy with research on cases, to acquire the intel needed to find the bad guys, but also doing the necessary leg work with Ironside out in the field to track and capture these suspects and bring them to justice.
The problem was that this version of "Ironside," didn't do much to advance the needs of the disabled, the way the original series managed, and often the actions and elements of the plots all but ignored the issues that Ironside faced when it came to his limitations. Underwood's Ironside came off as brash, borderline obsessive and willing to cross the line to get the job done, and that may have offended some viewers of the series.
New York played a part because of the media, the crime, the history of policing in The City and the demands on the members of the force were magnified through the lens of one who had to deal with a problem most cops did not have.
The greatest criticism the show had was that the lead character wasn't presented as a reasonable and reputable police officer, often "going rogue" or reacting rather than thinking. The show also received low marks for its handling of Ironside's disability and how it wasn't always a realistic portrayal of someone with that challenge.
In the end, this remake could never replace the original, but is an interesting curio on the list of rebooted shows that were changed drastically from their source material.
If nothing else, the original "Ironside" did a lot to focus on better accessibility for society, something that was severely needed and was a positive for everyone... for example, having sidewalk curbs that dip down to meet the street at corners where crosswalks are, of course benefitted those in wheelchairs, but also helped people who were pushing baby carriages or carts with laundry or groceries. When we improve life for those that need that help the most, we are improving life for all.
In 2013, the character of Robert T. Ironside was reimagined as a NYPD cop, and the role was taken by Blair Underwood. Interestingly, when the original series began, Raymond Burr was about 50 years old. But 50 in 1967 years is totally different from 50 in 2013, as Mr. Underwood was also about the same age as Mr. Burr was when his series debuted.
Underwood's version of Ironside was an act first, base your actions on your gut feeling and let the chips fall where they may kind of cop. He wasn't above pressuring suspects, even brutalizing them at times, if that's what it took to get the results needed to solve the case. Of course, this didn't sit well with Ironside's boss, Captain Ed Rollins, played by Kenneth Choi. PR nightmares, bad press, questionable police tactics and borderline civil rights offenses were left for Captain Rollins to mop up as Ironside's crusade to clean up the streets relentlessly continued.
One controversy the show faced was the fact that an able-bodied actor was playing the role. This was a time when Hollywood was finally beginning to focus on giving parts to people who were appropriate for the character, and why wouldn't or couldn't an actual differently abled actor be cast? The answer was that the show featured flashbacks to Ironside's past, before he was shot, and those scenes had the character ambulatory, as a matter of course.
Ironside's hand picked team included Virgil (Pablo Schreiber), Nate (Jake Picking) and Holly (Spencer Grammer) who were all busy with research on cases, to acquire the intel needed to find the bad guys, but also doing the necessary leg work with Ironside out in the field to track and capture these suspects and bring them to justice.
The problem was that this version of "Ironside," didn't do much to advance the needs of the disabled, the way the original series managed, and often the actions and elements of the plots all but ignored the issues that Ironside faced when it came to his limitations. Underwood's Ironside came off as brash, borderline obsessive and willing to cross the line to get the job done, and that may have offended some viewers of the series.
New York played a part because of the media, the crime, the history of policing in The City and the demands on the members of the force were magnified through the lens of one who had to deal with a problem most cops did not have.
The greatest criticism the show had was that the lead character wasn't presented as a reasonable and reputable police officer, often "going rogue" or reacting rather than thinking. The show also received low marks for its handling of Ironside's disability and how it wasn't always a realistic portrayal of someone with that challenge.
In the end, this remake could never replace the original, but is an interesting curio on the list of rebooted shows that were changed drastically from their source material.
A ridiculously mundane and boring piece of political correct re-boot that fails in every sense of the word. I can't imagine what the producers of this show were thinking.
In it's day Ironside was edgy and suspenseful. However simple it might appear to audiences of today, it was a engrossing TV show in it's proper time frame. Other shows have made successful transitions via reboot, Hawaii 50 being notable, but they remain true to the idea of their initial show. This reboot seems to rely on the tragedy of a politically correct theme to inspire audiences to feel the drama and depth that's quite lacking in the writing. It doesn't work.
Simply changing gender, color, nationality etc. doesn't make a reboot viable. In fact, it would seem that unless there's something genuinely interesting about a reboot, audiences find them insipid and often resent the newer version.
I would think some talking head somewhere in the creation chain would eventually figure this concept out. Put something of merit in the new version for people to enjoy or don't bother remaking something that people were once entertained by.
This show deserves cancellation.
In it's day Ironside was edgy and suspenseful. However simple it might appear to audiences of today, it was a engrossing TV show in it's proper time frame. Other shows have made successful transitions via reboot, Hawaii 50 being notable, but they remain true to the idea of their initial show. This reboot seems to rely on the tragedy of a politically correct theme to inspire audiences to feel the drama and depth that's quite lacking in the writing. It doesn't work.
Simply changing gender, color, nationality etc. doesn't make a reboot viable. In fact, it would seem that unless there's something genuinely interesting about a reboot, audiences find them insipid and often resent the newer version.
I would think some talking head somewhere in the creation chain would eventually figure this concept out. Put something of merit in the new version for people to enjoy or don't bother remaking something that people were once entertained by.
This show deserves cancellation.
Lo sapevi?
- QuizBased on the 1967 series of the same name.
- ConnessioniFeatured in The Wright Stuff: Episodio #19.50 (2014)
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