Pee Mak

Pee mak Phrakanong was a movie that was surprisely good. The Director managed to have a nice mix of Comedy, Romance and Horror. It wasn't too much of anything.

I think you have to get adapted to the Thai humor. It is completely different compared western comedies, but I must admit that I can appreciate the Thai humor more than nowadays.

The movie didn't have way too much romance and the horror part was good. It wasn't the best horror or romance movie you'll probably have watched, but this three genre's are making it into a great movie. One of the better ones for me in 2013.

This is another movie that you will best enjoy if you know less of it. The more you know of the details and events in the movie, the less you will enjoy. So don't read reviews of those who gave the full story away. The comedy appears too rowdy or overdone to me, but most audience will like it. The horror part is well done too but I find the romance part the best, very touching. So it's like watching 3 nice movies of different genre for the price of one. I enjoyed those twists as the film goes along. Very intelligently done. The male lead, probably the best-looking actor today put away his good look and proved that he can act well. Don't miss the end credit parts where they show in a small screen. There are many scenes there that continues after the movie end. They may use it as a sequel since the movie was so successful in Thailand and most neighbouring countries. Don't miss it. I give it 9 because I watch the movie without knowing much.

I think the only other Thai movie I have seen before was the thrilling and haunting horror film "Shutter" (2004). After I watched "Pee Mak," I discovered that these two films were actually directed by the same man, Banjong Pisanthanakun. "Shutter" was his directorial debut, "Pee Mak" is his latest and biggest hit.

Mak came home from the battlefield with his four soldier friends, namely Puak (with the winged victory hairstyle), Ter (with the glasses), Shin (with the bun) and Aey (with the mustache). They were met by his beautiful wife Nak with their newborn baby boy. However, it did not take long for his four friends to notice something strange about Nak. This leads to a merry comedy of errors and terrors, Thai style.

Being in a foreign language and in set in the past, I am sure a lot of the nuances are lost in translation. However visual horror and slapstick comedy is universal. While "Pee Mak" is also a horror film, the more commercial and memorable aspect of this film is actually more of its comedy. The horror takes a back seat to the comedy here.

You just simple have to watch those hilarious sequences of the silly gang at the dinner table, playing charades, in the haunted house of the amusement park, the boat on the river and in the Buddhist temple with the monk! These scenes were laugh-out-loud funny beyond words!

A deglamorized Thai/German actor/model Mario Maurer(as Mak)and the four actors playing his friends indeed have great comic chemistry and timing together. They were such a delight playing cartoonish nincompoops and stupid idiots as they were terrorized by the ghostly presence around them.

Thai/Belgian actress/model Daveeka Hoorne also has her dramatic moments as Nak, as her character was mainly the straight man of this farce. I am sure she had a difficult time keeping a straight face in front of all that livid foolishness around her.

I am sure Filipino film fans will have a good time watching "Pee Mak". The inane comedy/horror genre is also very popular here. I am sure we can even think up of specific local comedians who can play these crazy roles. What "Pee Mak" adds is the Thai cultural setting that gives it that unique exotic and mystic feel that should not be missed. 7/10.

You've probably heard of or seen one of the many adaptations of the classic Thai ghost story "Mae Nak Phra Khanong" about a soldier who returns home from war to his wife and baby not knowing that both are in fact already dead. What then makes this version by co-writer/ director Banjong Pisunthanakun so special for it to become no less than the highest grossing movie ever in Thai cinema history?

Well for starters, it isn't a horror movie in the traditional sense of the genre. Whereas Nonzee Nimibutr's 1999 film "Nang Nak" stuck to the roots of the story, Pisunthanakun approaches the familiar folk tale with the same tongue-in-cheek attitude as his shorts in "4Bia" and "Phobia 2". Yes, it's a comedy-horror more than a straight-out horror, and the fact that we have labelled it a comedy first and a horror second should give you an idea which the film is more of.

Indeed, Pisunthanakun lets you know right from the start that he intends to entertain you, more than scare you. After a brief glance of the pregnant Nak (played by Thai-Belgian actress Davika Hoorne) doubling over in pain as blood trickles down her legs, the scene switches quickly to the inside of a tentage where a soldier is giving an impassioned speech to lament about the cost of war – except that he seems to be speaking in Shakespearean English in an attempt to add gravitas.

Just as quickly, his buddy Puak (Pongsatorn Jongwilak), whose hair is styled like a pair of wings above his head, chastises him for speaking in an accentuated manner. As the camera pans around to reveal the rest of the people in the room, you know better than to take the entire scene seriously. Besides Puak, there is Ter (Nattapong Chartpong), Aye (Kantapat Permpoonpatcharasuk), and Shin (Wiwat Kongrasri), all of whom form the quartet who brought the laughs in Pisunthanakun's earlier "4Bia" and "Phobia 2" shorts.

And then there is Pee Mak (Mario Mauer), who is brought into the room screaming in pain but who has really merely sprained his ankle. One deliberately overdramatic battle scene later, Pee Mak and his buddies are headed back to the former's home village of Phra Khanong for him to be reunited with his family. There, entranced by Nak's beauty, Puak convinces the rest of them to accept Pee Mak's hospitality and stay in the empty house across the river from theirs.

Shin is the first to suspect something is amiss when the entire village avoids Pee Mak like the plague when he goes to the market the next morning. Only the lady owner of the liquor store gives some hint why – Nak has been dead for some time and her spirit has been haunting the village since. Though the rest of his buddies dismiss his suspicions initially, Ter begins to realise that there might be some truth to Shin's accusations when he chances upon a body buried in the forest with Nak's wedding ring around its finger while taking a dump.

Pisunthanakun and his fellow screenwriters, Chantavit Dhanasevi and Nontra Kumwong, have great fun in the first half of the movie with Shin and Ter's attempts to convince Aye and Puak of Nak's ghostly nature and then with their combined efforts to let Pee Mak see the truth. In particular, their game of charades as well as their subsequent decision to kidnap Pee Mak when he and Nak are inside a "haunted house" at the village fair is utterly hilarious, qualifying as two of the most inspired comedic sequences we've seen this year.

Just as deftly, the second half of the movie further plays with audience expectations of just how dead or alive the rest of the characters are – we all know Nak is probably a ghost, but what about Pee Mak or for that matter the rest of his friends? Equally memorable as the two aforementioned scenes is that of the six of them on a long-tail boat in the middle of the river, the urgency of keeping the boat afloat due to excess weight and determining just who among them is or are ghosts combining for a hysterical but also a hysterically funny time.

Though purists might object to the creative liberties that Pisunthanakun has taken with the tale, he returns to its touching core during the climax set inside a Buddhist temple. Yes, if it isn't yet apparent, the tale of Mae Nak is also meant to be a moving fable about undying love, and Pisunthanakun goes for a melodramatic but still heartfelt conclusion that reiterates the message at the heart of every retelling. Oh but of course, he does reject its tragic overtones, ending off with a postscript that is guaranteed to leave you with a big smile.

Such a revisionist take requires that his cast be absolutely clear about what each scene is meant to accomplish, no small feat considering how Pisunthanakun alternates from comedy to horror to romance within the very same scene. Thankfully, he has four actors with such great timing that you won't sense any jarring change in tone; instead, you'll probably be so enraptured by their seemingly effortless chemistry. Yes, Mauer and Hoorne might play the titular characters, but it is these four goofballs that make the proceedings such an unbridled delight.

There's little wonder, when watching 'Pee Mak', why the movie has surpassed even the most modest of expectations to become the top- grossing hit in its home country. Rather than yet another straight-up telling of the tale, this is a surprisingly lively and inspired interpretation that makes no apologies for being deliberately anachronistic and downright irreverent, with pop-culture references from David Blaine to Ang Lee to Spiderman and even 300. Like we said, this is not your run-of-the-mill Thai horror, but a laugh-out-loud crowdpleaser that is surely one of the most entertaining Thai movies we've seen in a long time.

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This was a really cute, somewhat romantic, comedy horror. The story was solid and that is a big thing for me. I liked all the actors and felt they played their parts well. It had little special effects but what were used were ok. My biggest complaints were that I had to read the subtitles, which diverts my eyes from the screen, and I had a hard time getting past their teeth. I guess that is a bit petty but it just bothered me. Having said what I did about the subtitles, let me add that this is the type of movie that makes watching foreign films worth the effort. I'll recommend this to my friends. Hope others will give it a chance. It is worth the watch. (Loved the credits!!)