Pedar Goardiula

The actors (Mehran Modiri, Mehdi Soltani, Siamak Safari, Setareh Eskandari, Hengameh Ghaziani, parivash Nazarieh, Mehdi Juleh) perform very well and the direction is also good, But I do not like the guardiola's(hamid Farrokhnejad) performance.

I suggest you watch this series.

It is one of the best performances of Mehran Modiri in this series, which gives the audience a good feeling in certain situations.

The most important feature of this series is its arrangement right in the story.

At the end of each episode, you feel the story go forward.

The drama is one of the advantages of this series.

It is one of the best series in Iran.

I found "pedar goardiola " to be a disappointing watch. The show had great potential with its intriguing premise but failed to deliver on many levels. The storyline was convoluted and hard to follow at times, with too many subplots that didn't add up to anything significant. The characters were underdeveloped and lacked depth, making it difficult to care for their struggles. The pacing was slow and uneven, with long stretches of boring scenes that dragged out the runtime unnecessarily. The acting was mediocre overall, with some performances feeling forced or over-the-the-top. The production values were also lackluster, with cheap-looking sets and costumes looking dated and unconvincing. Overall, "pedar goardiola " is a forgettable watch that fails to live up to its promise despite having an interesting concept.saeed nematloah just kidding about cinema .. this series is one the terrible show in history.

Mehran Modiri's performance in the role of Buick is brilliant. Perhaps the best performance in Iran's home TV series is comparable only to the performance of Modiri himself in the role of uncle Jahangir in Khatoon. The brotherhood of Buick and Siros, played by Modiri and Soltani, is very spectacular in this series. In the same way, Buick and Zari duos and their fight is unique. It can be said that Mehran Modiri is currently the best drama actor in Iran. Some people, because of jealousy or competition, or because they like Mehran Modiri to work only in comedy, ignore or slander Modiri's performance in a serious role, but the fact is that he is brilliant and genius both in comedy and in serious. See him and enjoy his art.

Pedar Goardiola, an Iranian TV series about poverty in Iran, is undoubtedly one of the worst productions in the history of Iranian television. The poorly written script, unconvincing acting, and shoddy direction have resulted in an insipid and tedious viewing experience.

One of the biggest issues with the show is its lack of authenticity when portraying the lives of those living in poverty in Iran. The show falls short of depicting the harsh realities of poverty and instead relies on stereotypes and clichés, making the characters come across as one-dimensional and unrealistic.

Furthermore, the poor quality of the acting performances adds insult to injury. The actors appear to be reading their lines rather than becoming fully immersed in their roles, making it hard for the audience to connect with the characters or feel any empathy towards them.

However, the most significant flaw in Pedar Goardiola is the incompetent directing. Scenes are poorly lit, the camera work is shaky and inconsistent, and the show lacks any hint of pacing or momentum, which makes it incredibly frustrating to watch.

All in all, Pedar Goardiola is a poorly executed attempt at raising awareness about poverty in Iran. The show is an insult to the audience's intelligence and an embarrassment to Iranian television. So, in conclusion, I do not recommend watching this series.

Series with many details, different from the usual series of these days in Iran. With diverse and active characters.

Good acting. Mehran Moderi's charisma helped him in this role and he presents one of his best performances. We have seen brilliant acting from Mehran Modiri, Hamid Farrokhnejad, Setereh Eskandari, Hengameh Ghaziani, Mehdi Soltani, Siamak Safari, Parivash Nazarieh and Amir Mehdi Joleh so far. Some interesting sequences have been very brilliant and attractive such as Buick and Guardiola's fight in the car; or Buick's anger at Zar; and also Buick being surrounded by prisoners, threatening and beating him, proving that not being beaten is not bravery, but not being afraid of being beaten is the real bravery.