Garudan

I went to this movie randomly and I was shocked to see this movie. A great acting by SasiKumar, Soori and Unni, interesting screenplay by the director.

Sasikumar, Soori and Unni acted perfectly driven the character and made us to the edge of the seat in the interval block. This story revolves around two friends and who protect the temple and friendship.

Soori - He gave the best and elevates the character he played.

Sasikumar - Played the character that he never played.

Unni - He played another important role which supports the story.

You will seriously enjoy and talk about this movie and fully satisfied with the movie. #Rock #Soori #Sasikumar #Unni.

This film ambitiously tackles three significant issues that affect the human experience in the countryside, presenting them in a raw and unfiltered manner. However, it falls short in key areas of storytelling, editing, and screenplay, which are crucial for a compelling narrative.

The strength of the story and the actors' performances are engaging, with each actor striving to deliver their best. Yet, the film often breaks immersion, pointing out its own highlights rather than letting the viewer discover them organically. This is somewhat forgivable considering the involvement of upcoming actors, where certain faults can be overlooked.

Despite its shortcomings, the film manages to be an average watch. The fulfillment one seeks from a complete cinematic experience is not fully realized here. The potential is evident, but the execution does not rise to meet it.

A corrupt minister eyes for grabbing an unclaimed land dedicated to a temple. He plans to steal the original land documents kept at a bank's safe locker. Meanwhile Inspector Muthuvel is tasked to gather all the information about Karuna, Aadhi and Karuna's loyalist Sokkan, as these three are the main hurdle for the minister. The main root cause for all problems - land, money and women. These causes rift between Karuna and Aadhi whereas Sokkan getting caught in between. His loyalty comes at a hefty price as the rift leads to betrayal and murder. How Sokkan rushes karma over the real culprits while protecting the victims, forms rest of the story.

This rural based story involving a temple's land being a main dispute has a decent premise but the screenplay falters big time. The attempt at narrating this story's conflict through land, money and woman suffers heavily from generic writing right from the beginning. We have a bunch of template baddies and to make it worse, the good ones too are one toned. Aadhi is righteous with anger issues, Karuna is the heir from once a rich family and Sokkan is loyal in an unbearable way. The pace is uneven throughout and the director resorts to unnecessary violence. The half baked love story doesn't help either. In the attempt to glorify Soori as Sokkan and Sasikumar as Aadhi, the scenes remain outdated.

RATED 8/10 Language: Tamil Source: Nil RECOMMENDED

The movie is extraordinary in the first half and the interval block is so thrilling to close as "Naadodigal" one interval block.... The character and story development was fantastic.

Liked the lead trio characters most and Soori's silence and "non-stop" dialogs to reveal the truths are ultimate.

The second half also good, but the freshness in the first half was missing.

Too much of violence also little bit minus. And the after credit scene is 80's cinema cliche.

The overall screenplay and cast makes the movie as a worth watch in big screen.

Garudan: An Imaginable performance of Soori.

The one line of 'Garuda' is on a person who is caught between fairness and loyalty and what he ultimately chooses, after a chain of events that pits lifelong friends against each other in a tale of betrayal and vengeance written and directed by RS Durai Senthilkumar, based on an interesting and intriguing story by Vetrimaran

Minister R. V. Udayakumar eyeballing a lucrative land owned by Temple in a village, where Sasikumar and Unni Mukundan who are close friends since childhood are living, and Soori, a faithful servant to Unni Mukundan's family who is an orphan who rescued years ago, plays a significant role in both families, overseeing their matters assiduously.

As the Minister's henchman tempts Unni Mukundan with a deal to deceive Sasi Kumari and to surrender the temple documents for an abnormal monetary benefit, persuaded by his wife's desires, agrees, eliciting a heartbreaking chain of events. Unni manipulates Soori's loyalty, installing him as the new trustee to assist in the document theft. Sasi Kumar, unclear of Unni Mukundan's betrayal, meets a brutal end, witnessed by Soori, caught between allegiance to Unni and a sense of justice, Soori lands at a tough decision, leading to an intense showdown.

Garuden maintains a fast pace, the film effectively portrays the close bond between the three main characters, intensifying the impact of the betrayal. Soori stands out with his conflicting emotions, portrayed in a way that goes against his natural loyalty. Additionally, he is unable to lie in front of his master, leading to humorous moments of stream-of-consciousness rambling.

It will be interesting to see what happens next in a film that capitalizes on the thrill. The intermission scene where everything gets thrown away is guaranteed the best theatre experience of the year with Soori's never ever before screen presence with extreme violence and splashing blood, with screaming, strangulation and cutting of hands.

The plot, galloped on betrayal, the film's use of graphic violence and bloodshed, while enhancing its intensity, feels excessive and slightly diminished their impact. Soori, Sasikumar, and Unni Mukundan share equal screen time, Sasikumar delivers his usual flair with a worthy performance. Unni Mukundan new comer from Kerala, impresses with his earnest portrayal seamlessly delves into the character's psyche. However, it's Soori, as an actor, has previously done mostly comedy roles as hero's sidekick, in this film Soori shines, with muddy vibes of the brickfield, transitioning from a loyal servant to a principled fighter, offering the film's emotional core. He delivers an outstanding performance, continuing his successful streak of serious role in Viduthalai, audience is at the edge of seat, they can see only Sokkan the character of Soori throughout the film, and Soori's miracle transformation from Comedy character to a serious and emotional rural action flick, it proves how a capable director can mould an actor to the desired character. Hats off to Director and Soori.

Yuvan Shankar Raja's background music is impressive to uplift the film, the Director RS Durai Senthilkumar has weaved Garudan to appeal the audience to see Soori with a totally different mannerism and body language. The climax builds up with a high-speed chase, culminating in a dramatic confrontation that will leave audiences on the edge of their seats.

Overall, Garudan is a rollercoaster of emotions that will stay with viewers for long time with Soori's life time performance.

Review by M. Siraj.