Plainclothes

I was completely blown away by Plainclothes in 2025. I'm a movie lover who enjoys great storytelling, and this did it all for me. The journey of Lucas, an undercover cop torn between emotional duty and police duty, was beautiful and incredibly acted. The setting was comfortably in the 90s, if that makes sense, and directorial choices and style were nice too with amazing restraint. The best part is how the movie navigated the complexities of identity, morality, and human connection with no overt agenda. Plainclothes gave me a lot to think about in terms of where we have been and where we still are. Anyone looking for emotional storytelling and meaningful cinema needs to see this film. Remarkably unforgettable.

I've read that this movie was kind of expensive to make but man...it doesn't show at all. I think the actors are doing their best with a pretty basic script, but the production is just bad.

It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..

Watched at the 2025 Sundance Film Festival.

The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.

The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.

Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.

I went into this film blind and did not know what to expect .Found Great acting and and an amazing capture of the stress, anxiety and fear one felt in the late 90's being a closeted gay man; told with flashbacks of home movie clips appropriate for each time period from the 70's 80's and 90's. It really highlights the trauma done to men who experience this. The panic sequences were really well done I hope younger audiences can appreciate that it wasn't as easy back then.

I felt what the characters felt, i've been there. I was stunned that a film can make me remember those feelings. Fear, panic, compassion and tears means a job well done.

Wow. I seriously enjoyed this film. Loved the way it was shot; grainy and authentic. The director really evoked the time and place so well. The acting was all round knock out (I can see why it won Sundance ensemble award), but particular credit to Tom Blyth - an actor I am not familiar with. He hooked me in from the 1st second and never let go until the last line of the film. Maybe he just reminded me of myself in the 90's; expectant, excited, hopeful, disappointed, frustrated all wrapped up in one confusing mess. There are not many films that I watch more than once (ok, I've seen Aliens more times than I can count) but I hope to revisit this one at some point in the future.