Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.
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- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
Wow. I seriously enjoyed this film. Loved the way it was shot; grainy and authentic. The director really evoked the time and place so well. The acting was all round knock out (I can see why it won Sundance ensemble award), but particular credit to Tom Blyth - an actor I am not familiar with. He hooked me in from the 1st second and never let go until the last line of the film. Maybe he just reminded me of myself in the 90's; expectant, excited, hopeful, disappointed, frustrated all wrapped up in one confusing mess. There are not many films that I watch more than once (ok, I've seen Aliens more times than I can count) but I hope to revisit this one at some point in the future.
Watched at the 2025 Sundance Film Festival.
The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.
The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.
Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.
The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.
The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.
Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.
It's 2025 and why are gay themed films still examining men coming out, in this case, when it appears to be set a few decades back. This story has been done over and over again, for decades, and while this is an excellent film, it would be great if film makers moved on to some other facet of gay life.
What saves this film is that it's fairly well written and the performances are outstanding. Tom Blythe is exceptional in the lead role and the entire film's plot is grounded in reality, even if it's a sad reality.
What brings the movie down is the decision, I assume, to film this as if it were actually filmed decades ago on the worst camcorder ever. The movie looks cheaply made and there are too many ugly video effects added. The editing and many quick cuts don't help. With as many fine actors that there are in this I doubt the decision to film this with horrible cinematography was one of budget , but of choice. It was a bad idea. It takes away from the film and overall the film is very moving and has a real message.
What saves this film is that it's fairly well written and the performances are outstanding. Tom Blythe is exceptional in the lead role and the entire film's plot is grounded in reality, even if it's a sad reality.
What brings the movie down is the decision, I assume, to film this as if it were actually filmed decades ago on the worst camcorder ever. The movie looks cheaply made and there are too many ugly video effects added. The editing and many quick cuts don't help. With as many fine actors that there are in this I doubt the decision to film this with horrible cinematography was one of budget , but of choice. It was a bad idea. It takes away from the film and overall the film is very moving and has a real message.
I went into this film blind and did not know what to expect .Found Great acting and and an amazing capture of the stress, anxiety and fear one felt in the late 90's being a closeted gay man; told with flashbacks of home movie clips appropriate for each time period from the 70's 80's and 90's. It really highlights the trauma done to men who experience this. The panic sequences were really well done I hope younger audiences can appreciate that it wasn't as easy back then.
I felt what the characters felt, i've been there. I was stunned that a film can make me remember those feelings. Fear, panic, compassion and tears means a job well done.
I felt what the characters felt, i've been there. I was stunned that a film can make me remember those feelings. Fear, panic, compassion and tears means a job well done.
I was completely blown away by Plainclothes in 2025. I'm a movie lover who enjoys great storytelling, and this did it all for me. The journey of Lucas, an undercover cop torn between emotional duty and police duty, was beautiful and incredibly acted. The setting was comfortably in the 90s, if that makes sense, and directorial choices and style were nice too with amazing restraint. The best part is how the movie navigated the complexities of identity, morality, and human connection with no overt agenda. Plainclothes gave me a lot to think about in terms of where we have been and where we still are. Anyone looking for emotional storytelling and meaningful cinema needs to see this film. Remarkably unforgettable.
Lo sapevi?
- QuizDirector Carmen Emmi considered having Russell Tovey play Andrew a dream come true, since he's a huge fan of the HBO series Looking (2014) and wasn't sure if he would be interested in the role.
- Colonne sonoreAdagio for a Funeral
Written by Ryan Lofty
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Dettagli
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
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