Bramayugam

Bramayugam starring Mammootty in the lead role. Also starring Arjun Ashokan and Siddharth Bharatan

Directed by Rahul Sadasivan.

*** A horror mystery set to convey the evil side of Rulership ***

Set in the period of the 17th Century where black magic, lust for power, control was in extreme, Bramayugam creates a world of the power vests in the hand of the evil & how the helpless society falls prey into this gamble of dominance.

As the whole movie set in Black and White, for me the impression was it was unambiguous of the dominance of the superior over the downtrodden.

Performance wise what we thought was completely different of the characterization of the megastar Mammootty. The thirst for acting has never ended and that's clearly being noticed in each frame of his. The cruelty of the character was very well absorbed by him and that's why he is the Kulapathy of the Malayalam Film Industry.

Another note worthy performance of Arjun Ashokan. The career graph of Arjun will escalate here onwards.. Siddharth Bharatan also gave a fitting performance.

The songs set back in the 17th century was pleasing. BGM added the horror mode.

Overall a purely experimental movie but with the good technical work and class performers Bramayugam sets a new benchmark for the upcoming horror jonor movies in Malayalam Film Industry.

A skilfully crafted & richly realised period horror patiently threading myth, folklore, power, greed, corruption & evil into an intriguing & fascinating premise, Bramayugam makes use of everything at its disposal to create its labyrinth-like world which entraps the viewers with its claustrophobic setting, and then pulls them in further by manipulating both time & memory to deliver a chthonic fever dream that's bizarre & unsettling. Packed with strong performances and expertly elevated by its crisp monochrome camerawork, the film garners our interest by keeping the mystery alive during the first half and only grows darker as story progresses & new revelations are made. The ending does overstay its welcome but the film highlighting the greater evil that's waiting outside for our characters makes the conclusion not only satisfying but also fitting.

One of the epic movies by Mammootty. The great actor Mammootty is like a wine that gets stronger with age. Everyone else, including Arjun Ashoka, has acted well. It can be said that Bharamayugam is definitely a must-watch movie. What sets Mammootty apart from other stars is the way he chooses movies. His finesse in story selection has been evident for some time now. It can be said that the director has made this movie for us in such a way that we even forget that we are watching the movie on a black-and-white screen. Watch this movie with the confidence of not being afraid. Because when the movie is over, others will understand the fear in your eyes.

Bramayugam. Mammootty proves he is a flabbergasting ogre in performance. Review by M. Siraj

Bramayugam, directed by Rahul Sadasivan, is a brilliant folklore horror thriller that explores power corruption and human greed, and Mammootty's standout performance versatile acting, and script selection make it a must-watch cinematic experience. In the 17th century, Devan (Arjun Asokan) runs away with his friend Kora in the thick forest, at night Kora is dragged away by Yakshi (Witch/Goblin) making him fall into a trap of enchantment as he enters into a nearby dilapidated Mana (mansion) to save his life from it. In the beginning he doesn't know the mansion belongs to Koduman Potti (Mammootty) who trapped him in the supernatural house of cruelty.

Movie is slow paced in the beginning and takes time to set up the plot, later goes fairly engaging with an extraordinary creepy and scary performance of Mammootty. Every scene goes elaborated with visuals and sound effects. The art work is excellent as the Mana (Mansion) and its surroundings are untidy, nature has reclaimed parts of it, with vegetation creeping up the walls and many roof tiles broken as the look itself screams, "visitors not allowed".

Mammootty excels as the role of a Villain in howling horror, as seeing his shadow comes the shudder that comes from seeing the shadow of Dracula, the horror effect he gives with his vision and voice while sitting majestically in a chair distorts the stomach of audience. Ogre

Hats off to Director Rahul Sathasivan for framing the story in Black and White with only 3 characters throughout the film, slowly narrates how Devan escaped from that Mana (Mansion) full of occult and ambiguities to become his prison. Mammootty has brought the character to life with his trademark voice, laughter with stained teeth and sitting posture, as well as the tone of the legend and nerve-wracking intimidating gaze. In some scenes, his voice, even his shadow, makes us convulsion to compensate for his presence. Cinematography is the backbone of the film, shot entirely in black and white, (Hats of the Director's courage) with a single ruined mansion (Mana) palace as the plot. Along with the lighting for black and white, his compact frames go hand in hand, transmitting horror and the supernatural in depth. In fact, every frame and angle of Mammootty replicates the voice of that Koduman potti character. Background music plays a pivotal role in the movie by transmitting to the audience many feelings of mystery, deceit, aggression and fear, vividly through a mixture of folk and Carnatic music giving boundary shots in horror scenes. Director's concentrated collage can be felt not only in the thrill scenes, but also in the scenes that show the mental state of the characters. Director Rahul Sadasivan made an absolutely terrific folklore horror with brilliant metaphorical layers on power corruption and human greed whereas Mammootty proves he is a flabbergasting ogre in performance.

There is a famous Dialogue by Mohan Lal in the Film "Manichitrathazh" as follows:

"Oru mano roga chikilsakanum sanjarichittillatha vazhikalil koodi gnan sanjarichu ennirukkum. (I may travel in any route which other Psychiatrist were not travelled) Oru branthanai pole. (As a mad man) Ente nakulanuvendi. (For my Nakulan) Avante bharyakku vendi. (For his wife) I am going to break all conventional concept of psychiatry".

Here Mammootty breaks all the conventional concept of a Hero. Even after 400 films in his credit, his quest for new roles, passion for acting never ends. Really, he is a mad man who had the courage to travel in different routes which other actors are not dare enough to try. He is least worried about his image, concentrating only for the Character he portrays.

Yes. Mammootty is a Mad Man.

Review by M. Siraj.

An Aithihyamaala style masterpiece!! Had so much of expectation for this movie and it broke that expectation and soared past sky level. It was with awe that I watched Mammooka's performance. Lord of the rings needed VFX but here just the sheer brilliance of Mammookka on his acting made it exemplary. Arjun Ashokans career best performance and Siddharth Bharathans subtly master class acting. The decision to make it into a black and white release was perfect as it added all the desired effect on its dark theme and horror. Every shots were amazing and that inception style rotating room was just kidu. This year looks to be a bright one for Malayalam Cinema.