Within the vast landscape of Italian comedies, "Come può uno scoglio" stands out for its attempt to replicate the success of previous comedic formulas. Gennaro Nunziante, despite demonstrating some successful ideas, fails to reach the same level of impact. The film, starring Pio D'Antini and Amedeo Grieco, takes us on a journey through the experiences of Pio, a submissive lawyer who, after the death of his father, finds himself uncovering hidden secrets and rediscovering dormant passions, thanks to the arrival of Amedeo, a former convict who becomes his driver. Nunziante's narrative formula, akin to films featuring Checco Zalone, revolves around the gradual exploration of the protagonists' energy and the highlighting of their improper behaviors. However, while Amedeo shines through this formula, Pio is occasionally overshadowed. The film offers entertaining moments and successful ideas but fails to maintain a constant level of transgressiveness, alternating between brilliance and less inspired sequences. One of the film's strengths lies in its ability to subtly critique Italian society without being overly politicized. Through witty dialogues and comedic situations, the film addresses themes such as corruption and social indifference, offering an ironic yet not superficial look at contemporary Italian reality. However, "Come può uno scoglio" suffers from a certain imbalance between the main and secondary characters. Some characters could have benefited from more depth and development, remaining overshadowed by the protagonist couple. "Come può uno scoglio" is a straightforward and amusing comedy that manages to entertain the audience without aspirations to revolutionize the genre. Despite some flaws in its execution, the film offers a humorous reflection on Italian society, maintaining a light and accessible tone. In a word, Nunziante's film is like a cliff: solid, but limited in its potential to transform into something greater.
