In Bloom

"In Bloom" is a first-rate coming-of-age drama from ex-Soviet Georgia, set in the capital, Tbilisi, in 1992, when the newly independent country is on the verge of coming apart. Russian-backed insurgents are fighting on the coast, bread is rationed, lawless customs from the bad old days —bride kidnapping, settling romantic rivalries with knives—are making a strong comeback.

The two leads, both first-time actresses, are amazing. Natia, already a beauty at 14, is being courted by two older guys—an unsavory tough, Kote, and the more appealing Lado. Before Lado goes off on an inopportune trip to Moscow, he gives Natia a revolver to protect herself. The stage seems to be set for an operatic climax until hard-headed Eka takes matters in hand.

The establishing scenes of squabbling families and menacing streets are quite well done, but it's the strong plot and the two lead actresses' sensitive performances that save this film from art-house miserabilism. Surprisingly, the real highlights are both musical numbers—Natia, Eka and their friends gather around the piano to sing a world-weary lovesong (something about "life is hard, and it will crush your dreams"), and Eka performs an amazing solo dance at a traditional wedding party. "In Bloom" is one of the better unheralded foreign films we've seen on Netflix lately.

Yes, indeed I just registered on IMDb so that I could write a review on this truly amazing movie. The movie is centered around two teenage girls making it through the war in Georgia (the country) from 1990's and their every day struggles at home, school and on the streets. The war is not on the front page though. It is in the background but it does not make the movie any less dramatic. Physical and sexual harassment, bullying, civil war, poverty, survival, struggle, depression, making it to the next day, swimming in the ocean of aggression while trying to retain some values and integrity, trying not to become one of them...It is more revealing and even shocking once you realize that the struggles these girls and their mothers and grandmothers had to fight more than 20 years ago are not necessarily over either in Georgia or elsewhere. Women still have to put up the 'pretty' masks once in public and smile and pretend to be happy even if they had been beaten up by their spouses a few hours earlier. Women have to act in order to please others - others being spouses, or parents, or friends, or the society as a whole. In short, the movie is highly recommended!

In Bloom is a must see movie about Georgia's recent past. This period has been covered time after time in many movies but none of them compares.

To start with the plot - it's very simple and depicts almost everyone's life in 90s Georgia. Yet it is so well transferred to the screen, I could not tear away. The movie shows every ugliness we have lived through and it was so authentic I could not get rid of a lump in my throat throughout whole film. Small Georgian quirks might be also interesting and funny to a foreign viewer.

Beautifully shot, with every detail taken into consideration. Tbilisi has changed so much in these 20 years and yet the film captured the 90s vibe perfectly.

None of the child actors are professionals but they are doing magnificent job. They are very real and relatable.

Overall it was a brilliant effort, which deserves to be recognized.

Nana Ekvtimishvili's "In Bloom" is the story of steadfast friendship, of familial strife, of young love and premature commitment, of jealousy and intended revenge, of economic hardship set in the backdrop of civil war and of a precocious maturity which surpasses the misfortune.

Fourteen year-old Eka (portrayed by the mesmerizing Lika Babluani), who resides in Tbilisi, labors in line with her neighbors to buy a couple loaves of the meagre stock of bread, at school with her boisterous classmates whom her teacher cannot seem to control, at home where her father is away, her mother seems detached and her sister patronizes her, and at times with her bosom friend, Natia, who makes a decision to escape her own strife which has dire consequences.

It is this adolescent bond, between Eka and Natia, about which the story principally revolves, the comfort and support they are able to give each other as the one or the other faces a drunken or screaming family member, tormenting peers, pressure from and violation by willful men and verbal abuse from nearly everyone. Eka is the stalwart, principled character who seems to be able to see beyond the chaos.

Exquisitely directed and acted, the viewer senses not one false note among any of the characters or their actions. Emotions are heightened and several times brought to a head, and they are so well played that the sense is that it all could have happened, exactly as portrayed.

In several scenes the camera stays on minor characters, shooting from behind or over a protagonist as she addresses them or engages in some action which holds their attention, to play out the scene through capturing the reactions of the minor cast instead of training eyes on the principal character herself: the supporting cast project their characters so impeccably, this occasional perspective works seamlessly.

On other occasions, scenes are not concluded, such as during the circumstance of a kidnapping or the consequences for the perpetrators of a mortal act or a meeting which closes the film. But the characters, all of them, and the scenes, in the short space of 100 minutes, are so finely developed by writer Ekvtimishvili and portrayed by the actors, that it is unnecessary, there is nothing wanting, the imagination easily completes the picture.

The able editing, post-processing and spare soundtrack all complement and amplify the superior direction. Stand-out cinematography, pace of the film and color grading are reminiscent of Romanian New Wave cinema, such as those of "The Death of Mr. Lazarescu," "The Way I Spent the End of the World," "California Dreamin'," or "12:08 East of Bucharest."

If a viewer were pressed to find fault, he might say that "In Bloom" relates a story which lacks transcendent or inspirational moments, grand epiphanies, heroic characters or poetic dialogue. But it is the totality of poignant story and evenly-skilled effort from those behind and in front of camera to convey that story which makes the indelible mark.

This viewer was reminded several nights back in starting a commercial film (a film in which everything is spelled out, for the densest audience, nothing left to interpretation) and in having completely forgotten a recent viewing of it: the vast majority of movies are forgettable. "In Bloom" stays with you.

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Rating: 7.5+/10 (rounded up for IMDb)

Viewing: DVD, distributed in the USA by Big World Pictures (widescreen presentation; English subtitles; Dolby Digital 2.0; trailer aside, no special features relevant to picture)

I don't believe I've ever seen a Georgian film before watching In Bloom, but it was a great place to start and I'll certainly be looking more into Georgian cinema.

Like many coming of age stories the film focuses on two young teenage girls, but unlike most typical American or European films, the background for this film involves a country that has recently overcome one violent coup and is in the middle of a civil war. Screenwriter and co-director Nana Ekvtimishvili handles these details with lovely subtlety never making them feel heavy handed or overt. The camera- work for the film is also a knock out. The cinematographer, Oleg Mutu, is the same one responsible for the Romanian masterpiece 4 Months, 3 Weeks, 2 Days, and he flawlessly employs the steady hand and long takes he used in that movie to great effect here. There is a beautiful 5 minute scene that is a one shot take of one of the girls dancing and it is the perfect meld of technical camera-work and physical performance.

I would be remiss of course not to mention the acting of the two lead girls who are simply fantastic. And while they are both strong actresses, it's Lika Babluani, in a much quieter performance, who is devastating. She has a face made for cinema and she can carry those long takes and fill them up with her presence without feeling laboured or strained.