Teri Baaton Mein Aisa Uljha Jiya

Teri Baaton Mein Aisa Ulza Jiya is one such movie, which literally depicts an impossible love story in a beautiful effective manner. Truly speaking, the film was a pleasant surprise. One thing I dislike about the movie is that the screenplay in the movie lacks continuity and fails to maintain the momentum established in the first half, the dialogues are well written but not all the jokes land effectively. Still I thoroughly enjoy this movie.

Kriti Sanon impresses with her portrayal of SIFRA, Kriti and Shahid look fresh and cute. The best performance of the work after mm. She is the hero of the film. Shahid Kapoor shines as always. The movie is worth watching once.

Teri Baaton Mein Aisa Uljha Jiya attempts to blend romance, science fiction, and family drama into one package, but unfortunately, it falls short of delivering an engaging narrative. The screenplay lacks consistency and fails to maintain the momentum established in the first half. The dialogues are well-worded, but not all jokes land effectively, leaving the audience occasionally chuckling but often checking their watches.

The film's first half shines with the blossoming romance between Aryan and SIFRA, portrayed with charm by Shahid Kapoor and Kriti Sanon. Their chemistry is palpable, and viewers are drawn into their love story. The film takes a nosedive in the second half as it veers into predictable family drama. While there are moments of humor sprinkled throughout, much of the second half feels tedious. The climax feels abrupt and lacks the emotional payoff that viewers might expect. The promise of a sequel falls flat as the film struggles to rectify its shortcomings.

Kriti Sanon impresses with her portrayal of SIFRA, capturing the nuances of a robot with admirable skill. From the tender moments of romance to the emotional beats of the family drama, Shahid Kapoor delivers a commendable performance throughout the film. Dharmendra, though with limited screen time, adds a touch of charm, while Dimple Kapadia leaves a mark as expected. Ashish Verma and other supporting actors provide able support to the lead actors.

The music, particularly Laal Peeli Akhiyaan and the Title Track injects energy into the film with their foot-tapping beats and well-choreographed sequences. Akhiyaan Gulaab and Tum Se add a lovely touch to the soundtrack, enhancing the film's romantic elements.

Direction 2.5/5 Acting 3/5 Music 3/5 Story 2/5 Screenplay 2/5.

A Soul Satisfiying Film.

I have no complaints with the movie it was completely entertaining with somewhat ignorable loopholes which is not a big deal if you want to get entertained.

The story looked like the subplot of Enthiran where a robot develops feelings for a human , but here it is the opposite of it where our lead falls in love with a robot with artificial feelings and the chaos happens in his life is what the story looks like.

The music was a great vibe in theatres if you missed it you missed a pretty good experience and tum se deserves great applause.

The direction was good but it would be better if he explored more areas about the complexities caused between a human - robot love relationships.

Shahid Kapoor in his fun zone and Kriti sanon looked like an angel and she did her work well.

You could stare at her in the whole movie and your paisa gets vasool.

The screenplay was great i felt no yawns incoming.

............ SPOILER............. Finally hoping the second parts digs deeper about the conflicts faced between the relationship and how the relationship is further explored.

(would you chose a perfect being with no inner feelings or an imperfect being with inner feelings )

Well the trailer was really good and was excited to see the movie!

First Half starts decent with story building up they tried their best to not keep it boring but shahid looked faked while dimple was ok with her acting! The comedy starts just before interval which is nicely written and genuine laughter punches are made! Kriti looks fabulous and her acting is the best out off all the actors in the movie! Second half again dives down with very slow screenplay, Sanon character is way less utilized it would be laughter riot if there would be more scene of robots having human experiences which they missed out! The laughter again starts in climax and it's the best part of movie in terms of screenplay and dialogues! The movie was convincing and is a great one time watch.

Teri Baaton Mein Aisa Uljha Jiya (2024) : Movie Review :

Shahid Kapoor and Kriti Sanon have been paired together for the first time in Amit Joshi and Aradhana Sah's robotic romantic comedy "Teri Baaton Mein Aisa Uljha Jiya" (TBMAUJ). Sorry, did I forget to add "family drama" to the genre? Or sci-fi? I don't even know why I put comedy there. It's a very "Uljhi Hui film" if we have to discuss its genre, or maybe we'll have a roundtable discussion with experts soon. TBMAUJ actually comes up with a solid idea to at least think about it, but then we have to recollect some memories from Shankar's groundbreaking Indian sci-fi Magnum Opus, "Endhiran" (2010), to remember that this human x robot love story is 14 years old now. However, TBMAUJ adds some family dose to it but falls flat with brainstorming stuff. The control panel was not in smart hands, and the motherboard really needed a lot of repair. The engineer should have used high-IQ RAM and an advanced Gen Processor to assemble his AI robot and should have asked the robot to review it first before making it available to the public. We would have gotten a better-working product then... But alas, we have to carry on with a malfunctioning machine. I don't really understand how the stamp called "family entertainer" is used today. A family entertainer is supposed to have a bed scene (trimmed) and at least 10 kisses in today's time. Or is it just the tag for the promotional approach? Time has really changed, man.

Teri Baaton Mein Aisa Uljha Jiya is about a robotic engineer named Aryan (Shahid Kapoor), who represents every genuine guy in our society. I can relate to him, as he has all the qualities of a decent man and is looking for a long-term love or wife rather than a time-pass GF or forced marriage. Since he is too much into robots, he is called by his aunt to America, and there he falls in love with SIFRA (Kriti Sanon). After having sex with her, he learns a shocking truth about her. Yes, SIFRA is not a human; she is a robot. That's the biggest joke in the entire movie. I mean, the man had sex, smooching and all, and didn't recognise a robot. Technology, boss.. Tomorrow, or soon, we will see a man have sex with a man and not recognise that he is not a woman. Blame either your manhood or brain for that. Anyways, the dumpf°° story still goes ahead with Aaryan falling in love with SIFRA despite knowing that things are not possible. The impossible task becomes even more impossible and illogical when he decides to marry her and introduces her to his peculiar family members, who are so smart that they can get an engineer's thumb impression on marriage papers, not his signature, thinking that the judge, or for that matter, anyone, would think that a man with an engineering degree is not educated enough to do a signature on papers. The same man would be called "simply brilliant" by a woman who is the owner of "E Robotics," the best robotics production company in the world. I know that the family audiences in India are not that smart, so they can easily overlook these logical things.

Somebody please write a letter to the writers and ask them what was going on here. Amit and Aradhana, seriously? A robotic engineer must be aware of every danger and threat of a machine, and here the same man is unaware of this basic thing. I would have called the script 10% logical even if he were a normal guy instead of an engineer, but now even that 10% chance is turned into a minus. Forget him, but one of his engineer friends is also quite okay with it, and don't even mention that aunt, man. It's terrible to think that three brainstorming AI engineers actually behaved like kids in the entire movie. One funny question everyone is asking nowadays is: How did a man have sex with a robot and not even realise it? That's a smackdown! How? Feelings, emotions, skin, body temperature-everything can be created by AI, I agree, but what about the whole sex process? I don't want to go "DEEP" into it, but I hope you get my point. The family drama was too cheesy and predictable. How can a man think of marrying a robot? I mean, he must have thought that after the marriage, he could leave her at home and go to the office without any fear of others knowing about her. It's so problematic and so predictable that I can tell you the sequel's story now. Things were stuck at one place for an hour or so. Nothing was moving towards "the end." Finally, it happened, only to leave you with another never-ending scrap of "to be continued.." Why!!!??

Shahid Kapoor is back to the romantic boy image, but something is terribly wrong with his script choices nowadays. This man deserves better scripts and better roles that match his acting skills. There is some forced quirkiness and humour in his character here that takes him away from what we call a "safe one." Kriti Sanon looks damn beautiful, but again, it's not that "Mimi" kind of zone. That comes once a blue moon, so we shouldn't really expect that kind of "acting" from so-so films, I guess. Still, watch out for her in the climax scene when she goes wild like hell, even though the writing is too bad there. Dimple Kapadia makes a forgettable appearance that nobody would like to remember. There is something wrong with her character right from the first scene, but with each scene, it just keeps getting worse. Dharmendra can be used for a great comic role in any family drama, but I don't know why people just keep him for a showcase and give him mediocre roles. Rakesh Bedi, Rajesh Kumar, Anubha Fatehpuria, Raashul Tandon, and others spend some time here and there to fill the screen space without spoiling the frames. Watch out for a "Bawaal" surprise cameo at the end.

Teri Baaton Mein Aisa Uljha Jiya has a good music album. "Akhiyan Gulaab" has such fresh romantic vibes, and moreover, Shahid's moves with sexy Kriti. That's some visual treat. "Laal Peeli Akhiyaan" is another good one from the album, but there are some flaws in the second half of it in the movie version. "Tum Se" doesn't leave any impact. The lyrics are fine, with a good balance of traditional rhymes and modern-day words. TBMAUJ has some good one-liners, but nothing impressive. Some dialogues look too bad and forced. Laxman Utekar's cinematography is fine, and Manish Prashan's editing is okay okay. The second half could have been trimmed, especially the last 20-25 minutes when nothing was moving ahead in the storyline. An idea for a film like TBMAUJ needed a lot of brainstorming, which Amit Joshi and Aradhana Sah clearly lack. It's an illogical script with no brain. There was some heart and some emotions, but not enough to restore the film's database to a "safe" folder. It seems that "Baaton Baaton mein film hi film ulajh gayi."

RATING - 4/10*