Aggiungi una trama nella tua linguaSet backstage at a major boxing event, a young boxer is plunged into a tumultuous journey from the dressing room to her ring walk in a night of deceit, betrayal, and life-altering decisions.Set backstage at a major boxing event, a young boxer is plunged into a tumultuous journey from the dressing room to her ring walk in a night of deceit, betrayal, and life-altering decisions.Set backstage at a major boxing event, a young boxer is plunged into a tumultuous journey from the dressing room to her ring walk in a night of deceit, betrayal, and life-altering decisions.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 7 candidature totali
Chrissie Cronin
- Vicki
- (as Christiane Reicke)
John Connors
- The Guru
- (voce)
Recensioni in evidenza
We have all seen poorly made boxing films where the action is spoiled by unconvincing fight scenes. This is not one of those movies.
A boxing themed film where you never once see the ring? Never see the combatants following the Queensbury rules? Shouldn't work. Absolutely does work. Beautifully
The story is the double dealing backstage antics and rivalry of many different threads and not the fights themselves. And it is far, far more interesting because of this.
There's humour a plenty from O'Riordan and cast, drama and high stakes. But there is also sensitivity and real gut wrenching emotion from Berkeley and Cronin in particular, wonderfully driven by O'Riordan.
Not what you expect. But all the better because of this.
Well done in all aspects.
A boxing themed film where you never once see the ring? Never see the combatants following the Queensbury rules? Shouldn't work. Absolutely does work. Beautifully
The story is the double dealing backstage antics and rivalry of many different threads and not the fights themselves. And it is far, far more interesting because of this.
There's humour a plenty from O'Riordan and cast, drama and high stakes. But there is also sensitivity and real gut wrenching emotion from Berkeley and Cronin in particular, wonderfully driven by O'Riordan.
Not what you expect. But all the better because of this.
Well done in all aspects.
Great independent Irish cinema with no agendas, just great storytelling and great characters on a roller coaster of adrenaline. I loved the characters, they felt real and relatable. The plot and sub-plot interweved perfectly and the comedy and drama balance was perfect. Well done to all involved.
When you consider the rubbish that Hollywood is churning out with massive budgets and then when you see what talented passionate people can produce with tiny budgets without the interference of studios and agendas it's clear that allowing directors and producers to be their authentic selves and tell stories they believe in leads to far superior work. It's a pity the industry is so upside down like this, but its refreshing to know that great cinema still exists. Highly recommend.
When you consider the rubbish that Hollywood is churning out with massive budgets and then when you see what talented passionate people can produce with tiny budgets without the interference of studios and agendas it's clear that allowing directors and producers to be their authentic selves and tell stories they believe in leads to far superior work. It's a pity the industry is so upside down like this, but its refreshing to know that great cinema still exists. Highly recommend.
I was incredibly impressed with Swing Bout. I am always very supportive of independent film making, especially Irish film. However Swing Bout really stands out as something special and has set the bar extremely high for Irish filmmaking going forward. It's extremely exciting to see such a stacked cast of fresh and exciting emerging Irish talent such as Baz Black and Sinéad O'Riordan up on the big the big screen and they've got some fantastic material to work with here. There is an immaculate attention to detail in Swing Bout. The set, the score, the performances all come together perfectly to create an exiting momentum from start to finish. Not a single frame is wasted, I was thoroughly invested in the life's of all the characters and it all builds towards an exciting conclusion you will never see coming. Go out and experience Swing Bout on the big screen as soon as you can, you will not be disappointed.
I was lucky enough to see Swing Bout at a sold out full house at the Dublin International Film Festival. Simply put, the film is excellent. It lit a fire in me, a need to make another film. The passion of everyone involved eminates from the screen.
The writing and directing is sharp and energetic. The performances are captivating and nuanced. The production is extremely polished. Camera, lighting, sound, makeup, all the departments excel at their roles.
The story is universal, making it accessible to all, no matter your background or where you are from. I will be watching this film again and have no doubt the team behind it will continue to thrive and make more and more hits.
The writing and directing is sharp and energetic. The performances are captivating and nuanced. The production is extremely polished. Camera, lighting, sound, makeup, all the departments excel at their roles.
The story is universal, making it accessible to all, no matter your background or where you are from. I will be watching this film again and have no doubt the team behind it will continue to thrive and make more and more hits.
A constantly surprising independent film that can go to toe to toe in any ring with the big shots.
Buyoed by a set of captivating central performances, Swing Bout captures a seedy underbelly of corruption while keeping a clear focus on strong character development and finds a way to make a virtue of a tight budget while still feeling like a momentous fight night.
At times it seems like a roving documentary crew have managed to invade some grimy inner sanctum to lay bear the faults and failures of a system thay brutalises bodies while propping up suits in the background. Strongly recommended.
Buyoed by a set of captivating central performances, Swing Bout captures a seedy underbelly of corruption while keeping a clear focus on strong character development and finds a way to make a virtue of a tight budget while still feeling like a momentous fight night.
At times it seems like a roving documentary crew have managed to invade some grimy inner sanctum to lay bear the faults and failures of a system thay brutalises bodies while propping up suits in the background. Strongly recommended.
Lo sapevi?
- Colonne sonoreStanding Tall
Written by Antimo Kelly
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 3570 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
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