Kneecap

Ireland's official submission for Best International Film. Sex, Drugs & Rap - and Revolution. Rich Peppiatt's cheeky movie is based on the true story of a trio of Northern Irish rappers collectively known as Kneecap. They distinguish themselves from other UK musicians by singing their lyrics in Irish. Unwittingly at first, they become a rebellious symbol in their land in West Belfast in the "post-war" period after The Troubles.

The movie stars the actual members of the group as themselves- Naoise Ó Cairealláin, Liam Óg Ó Hannaidh and JJ Ó Dochartaigh. Peppiatt's screenplay (with input from the band) is pretty loose story-wise by design. The Director uses mixed media and plays with the film form in enjoyable ways. The Kneecap members are natural performers which brings a scruffy authenticity while also being impudent and refreshingly self-mocking. There are professionals in the cast including Josie Ellis, Jessica Reynolds (as Liam's spiky British girlfriend) and a very good Michael Fassbender as Naoise's dad who was an Irish revolutionary.

What gives the movie its spark is that this all took place during a period when there was a movement to force the British government to recognize Irish as an official language of Northern Ireland. Kneecap's rude and crude lyrics took on a whole new meaning and importance. Merely singing those songs in public became an act of civil disobedience. The main story-line is strong enough that some of the more obvious "scripted" movie moments stick out as being unnecessary. Fortunately, the anarchic energy makes up for those missteps. KNEECAP is an out and out banger.

I saw this movie tonight as AMC's Screen Unseen mystery movie, so I knew less than nothing about what I was walking into. Whether you like rap or not, see this movie for the incredible cinematography. Ryan Kernaghan deserves awards for this movie. I've never thought to look up a cinematographer UNTIL seeing this movie. Spectacular.

The story itself is very powerful and makes you truly respect Irish people and their love for their country, while making a lot of laughs and not taking itself too seriously. It delivers a powerful message of the importance of heritage. If you're a proud Brit, might be best to sit this one out.

So, two best mates in Belfast have regular run-ins with the police. One is jailed overnight for claiming to speak only Irish (Gaelic) and requiring a translator to communicate with the police. These mates are low-level drug dealers who enthusiastically endorse their products based on personal experience. Eventually, they bring on a DJ and decide to form a hip hop trio called Kneecap (a reference to the IRA's habit of shooting drug dealers in the knees as punishment). Oh yeah, they decide that all their lyrics will be in Irish, hardly a shrewd business decision since only 1% of the population of Ireland (about 30,000 people) are regular Irish speakers.

From the outset, "Kneecap" offers a sustained level of manic energy, excitement and enthusiasm that courses through its crazy, chaotic, anarchic story in a way that's irresistibly intoxicating. Oh yeah, while liberties are taken - repeatedly, profanely - this is essentially a true story. The three key roles are played by the three members of the band, none of whom has any prior acting experience. Michael Fassbender ("Steve Jobs") also tags along.

What carries this project is the band's refreshing willingness to be brash, bold and bawdy, while displaying complete disregard for how their ideas, their lyrics or their story land with the audience. They rail about British colonialism (primary schools using the Irish language were not allowed until 1972; the first Irish secondary school opened in 1991). They advocate for Irish becoming an official language in Northern Ireland (finally happened in 2022). They unflinchingly offer graphic examples of police thuggery. During a press junket, one band member was asked whether he had any reservations about the level of drug use portrayed throughout the film. His response: "No drugs were harmed in the making of this movie." In short, this film is a hot mess offered with uncompromising directness.

Full disclosure, some story elements are fictionalized. For example, in the film the Radical Republicans Against Drugs threaten the boys because they are, you know, drug dealers. In real life, Republic Action Against Drugs was founded in 2008 and eventually merged with the Real Irish Republic Army in 2012.

As you've already figured, this is hardly a film for those with delicate sensibilities. For the hardy souls willing to submit to this onslaught of profanity, profundity and political incorrectness, it's exhilarating. Kudos to Rich Peppiatt, the British writer/director who helms this Irish manifesto without a hint of irony. Here's hoping Naoise Ó Cairealláin (aka Móglaí Bap), Liam Óg Ó Hannaidh (aka Mo Chara) and JJ Ó Dochartaigh (aka DJ Próvai) become household names - seriously.

"Kneecap" is certain to be the Irish entry for Best International Feature Film at the Oscars. Don't be surprised if it's a Best Picture Nominee.

I saw Kneecap today in one of the best multiplexes in the UK. Interestingly, the entire audience (all 10 of us) were in our sixties and seventies and there was total engagement and no-one left before the lights went up. I spoke to one group of about 5 and they were all in agreement about how strong the film was. I lived and travelled in NI and Eire (as was) during the early 80s so truly appreciated the quality of the script. The acting was exceptional and the dark humour was right up my street. I'm not a big hip-hop fan and you certainly don't need to be to appreciate the film, but I've always rated Eminem and Die Antwoord very highly, and it's clear to me that the the latter were clearly an influence on the sound and style of Kneecap as an outfit. I will get this on Blu ray in due course, but I think I will be the only person in the household who 'gets it'. Hopefully my children will get at least some of the cultural references and enjoy the kick-ass soundtrack. If you get the opportunity, do give it a go as this film illustrates just how well a piece of art can be created using a very limited budget and authentic actors. Based on a true story.

I went to the Cineworld Secret Screening last night which turned out to be "Kneecap". I'd seen the trailer, so was aware of the film, though I was wholly unaware that Kneecap are a real band, nor that the actors in it were playing themselves.

As one of a small number of Irish speakers in Belfast, JJ O Dochartaigh is called into a police meeting as an interpreter, where he meets Liam Og O Hannaidh who is pretending that he only speaks Irish to annoy Detective Ellis (Josie Walker). JJ sees a book of hip-hop lyrics, written in Irish, by Liam and his friend Naoise O Cairaellain. A music teacher, and in a relationship with an advocate for the Irish language, JJ sees the potential for using music to increase awareness. When the trio start to perform, they quickly gain a following, but the content of their lyrics makes them enemies in both the police, and with a dissident republican organisation that are against the promotion of drug use in the city.

"Kneecap" is quite the film to show to a group that aren't expecting it. Approximately a quarter of the audience in my screening left within the first 25 minutes, driven away by the explicit drug use, swearing and sex scenes as well as - let's face it - the most egregious problem for some people, subtitles. They missed a film I quite enjoyed (largely because of all those reasons I've just mentioned) but also because, despite the idea of people playing themselves in films being fraught with disaster (15:17 to Paris) the boys here actually do really well. So much so I couldn't believe that they were the actual guys and not full-time actors. There are professional actors in the other roles though, none more high profile than Michael Fassbender, who plays Naoise's father.

It's a genuinely funny film, that treats its subject matter with a light touch and tells a complete story. Comfortably the best of the musical biopics I've seen this year.