Ultima notte a Tremor

The cinematography, the locations and the score are something else. Good idea, but extremely drawn out. Episode 3 or 4 I figured out the baddie, was suspecting an episode earlier. I am a fan of Oriol previous work, they were all movies mind you, so would stick to a more contained format. Judy episode in particular was way too long and a hard watch, would get the point across in a 15 minute flashback but oh well. Well acted, well shot and again, I really liked the score which elevated the whole thing. Has all the usual tropes but I think they were handled effectively. It's really hard to fool me, which I don't like and when something genuinely takes me for a ride ( something like Behind her eyes, which was a pleasant surprise) I'm all for it. On that topic I even figured out his Invisible Guest twist, and was disappointed since it was recommended to me as a mindblowing twist, alas. This was not the case here, but the first few episodes kept me intrigued. All in all a solid watch, but too long.

The series was very thought provoking. I believe the writers attempted to take on determinism vs free will, the theory of one universe vs a multiverse, and second sight.

The protagonist takes on the role of an arbitrator of these current human conundrums. As a viewer (spectator) we enter the realm of this discussion as he attempts to reach a satisfactory personal outcome.

The realm being an electrified state of a human mind seeking to understand a glimpse of the multiverse (second sight). Where every choice a human makes generates a universe consistent with that choice. The visions (sight) not being limited by the narrow constraints of the "in the present first sight" of the electromagnetic spectrum.

In the multiverse where every choice (or one wrong note) propels us into unforeseen possibilities or a deterministic path? The protagonist's must journey through a branching realm piecing fragments of visions together like solving a puzzle. He must puzzle out the branching by discovering how the choices of the others determine his choices. He must work out lies, half truths, and the agenda of an unknown antagonists.

His/our understanding concludes that thoughtful deliberation of our choices will improve our universe.

I felt the protagonist and supporting actors that had a significant role were spot on in their characterizations. The production and performances deserves an Emmy nomination.

From the very first scene, I was drawn in by the mystery and the beautiful world created by Oriol Paulo. His choice of camera angles, haunting music, and hints of something dark set a chilling, gripping tone that made me want to keep watching. Paulo's masterful use of foreshadowing is like that of Hitchcock, Godard, or De Palma. He brings his own unique noir style, layered with tension and nuanced visual storytelling. In thid, he closely aligns with Guillermo del Toro, making scenes that are both visually stunning and deeply immersive. In this series pay attention to the many slight, but deliberate inconsistencies (how doors open, wet or dry hair, the changing weather and varied animal behaviors). I also love the pace, neither too fast or slow. As a fan of psychological thrillers, this series resonates perfectly, hitting every note with precision and artistry-keeping me eager for what lies ahead. If you liked The Changeling, you will also enjoy this series.

In my almost 60 years of age, I've never seen a male character in a movie or tv series so pathetic, so unmanly, so annoying, that I wished he was already dead by the second episode. He spends all 8 episodes crying like a little girl, because god only knows, he's the most tormented man alive. His mommy issues make his life so miserable, even when he has a beautiful woman who loves him, and whose life has been much worse than his but you don't see her complaining or crying all over the place. Yes, the ending has an interesting twist, but it takes too long to get there. Half way through the series you already wish for someone to put the protagonist out of his misery. He's just a poor excuse of a man, so weak and useless that is almost impossible to feel empathy for him. The series could have been great if it was told in half the episodes with a stronger lead character.

"Última noche en Tremor" starts strong and manages to draw you in with its atmosphere. It has that psychological thriller vibe that makes you question everything, and the setting is really well done. Javier Rey is great-he conveys the character's anguish without overdoing it.

What didn't fully convince me is that, at times, the series drags on a bit too much. Some scenes feel repetitive and could have been trimmed without affecting the story. Even so, it remains entertaining and has some interesting twists.

I liked the ending, though it's not one of those jaw-dropping conclusions. Overall, it's a solid thriller, well-directed, and engaging, but with a somewhat uneven pace. If you enjoy this type of story, it's worth watching.