Lucky Vicky McClure! As we join her in this 6-part Paramount psychological drama with vaguely supernatural overtones. She may be closing in on her 40th birthday but her Emma is now a successful lawyer and about to become partner in a big firm, lives in a big detached house in the country and is happily married to her dependable, easygoing husband and bringing up their two kids, an 18 year-old daughter and primary school-age son.
But her luck changes spectacularly when her free-spirited younger sister Phoebe, played by Leanne Best, re-enters her life to tell her their mother is dying in hospital. Mum has suffered for years from mental illness and was separated from her two daughters when they were very young. Seriously troubled, she's prone to writing out a series of seemingly random numbers and sleepwalking like an entranced Lady Macbeth. This culminates in a particular episode when she was stopped in the act of suffocating her youngest in her sleep until the infant Emma stopped her just in time.
As she's put into an institution, the mother tells Emma that she too has her "bad blood" and that it will out in time. Meanwhile, the two young girls are brought up in a care home where Emma too starts to write out the same numbers on the dormitory walls. There's a strange incident where it seems that the young Phoebe tries to drown her which leads to Emma being placed with another couple who have a daughter of their own...
Back in the present day, Emma now finds she's sleepwalking throughout and has returned to her numbers fixation at work. Just for good measure, her daughter Chloe is taking drugs and having her first serious affair and the young son is starting to withdraw into himself, exhibiting mood-swings and is obsessively filling his exercise book with drawings of a "bad lady". Distracted, Emma accidentally knocks down a nurse at the hospital where her mum's being kept. Then her mum dies under suspicious circumstances and everything really kicks off from there.
Wildly over the top in construction and conception, you have to suspend disbelief in this crazy drama and try not to think of "Fatal Attraction" or "Single White Female" as you go. The last episode in particular throws every clichéd situation into the pot, including that one where the heroine races back to her family home to save her family having notified the police, who of course finally turn up an eternity after she does and long after all the climactic action has played out and the big reveals going all the way back in time are made, requiring the viewer to accept plot-jumps and coincidences bigger than a fleet of buses before it calms down at the very end...or does it?
McClure leads the cast through this silly stuff and nonsense where to my mind they all do a great job keeping their faces straight as they engage with every implausible plot-point thrown in front of them. I particularly commend McClure and Best for accomplishing this task as they explain the significance of the numbers to the viewers. It was all I could do to do the same but in the end, I decided to stop nitpicking and just surrender myself to the sheer daftness of it all.
