Hide and Seek

Seen at the Edinburgh International Film Festival 2014. 'Hide and Seek' has a simple story: Leah, a young woman unsure of what she wants from life, inherits an isolated cottage in the country. She invites three other youngsters - a woman and two men - to move in with her on the understanding a different combination - female/male, female/female and male/male - will share what they call the 'marital bed' each night. In between bouts in the bed they while away the hours lazing in the garden or staging evening 'entertainments' (art class, a pretend camping trip, mock funeral etc).

And that's it, really; there's not much sign of a conventional storyline here, although the film does have a beginning, middle and end. Director Joanna Coates keeps the pace constant, if slow; and pulls off the difficult trick of making the sex scenes reasonably explicit but also rather discrete (a vigorous five-finger shuffle aside). (Incidentally, don't get the wrong idea - there aren't so many sex scenes, and they're all pretty brief - this isn't soft porn.) The four young leads - none of whom are drop-dead gorgeous, which adds to the realism of the piece, although none of them looks bad naked - cope well enough with their roles, although for me acting honours go to Hannah Arterton as the girl who breaks a romance of five years to join the group; she utilises a range of facial ticks which on another actor might have seemed too much like Acting - Arterton, however, makes them quite natural.

Oh dear! What a mess!

There's little storyline to the whole thing. Four twenty somethings drop out and do the fourth way kind of gig on a country farm. Think, let's make a little free love commune, without all the hippy paraphernalia. There's little back story to anyone and not much exposition in general. Quite honestly director and co-writer Joanna Coates doesn't appear to have done the hard yards on this project at all.

Lots of repetition of scenes; lying around the farm yard, pretentious little group concerts and plays (burning cardboard coffins?) and nightly musical beds. Some ex-boyfriend drops in for a bit and then leaves in a huff and it all ends up with an orgy, that drags on for a few minutes, where we don't see much, because it's filmed in such extreme close-up.

Way back in 1969 Paul Mazursky directed a (kind of) similar-themed movie called Bob & Carol & Ted & Alice. I never thought it was a particularly good film, though it was a resounding critical and commercial success. It had two big things going for it that Joanna Coates has completely ignored in her making of Hide & Seek. First it had some sort of story happening with its four main characters and second it had a sense of humour and didn't take itself too seriously.

The most interesting thing I can say about Hide and Seek is that Gemma Arterton's (one of my favourites) little sister Hannah, is one of the four "stars", all of whom had very little with which to work. One of them, Daniel Metz can take a certain portion of the blame for that too, as he co-wrote the very thin script with Coates.

The synopsis of this film is that four vulnerable young adults flee London to start an unconventional life in the country and find their very own Utopia. They have not all met before either so this has all the hallmarks of being interesting. Now I can't say any more than that without revealing parts of the plot – needless to say this has a few issues which I will deal with next – but please do not read if you do not want any reveals.

Plot Spoilers ahead

The film explores how they decide to explore this alternative lifestyle and this is basically by having acting and improv workshops as a prelude to a free for all in the bedrooms. They have rules too to underscore that there, effectively, will be no rules. They are also dyed in the wool upper middle class as nothing practical is covered at all. The food seems to magically appear – but they do have a rota for the terribly leaden part of life that is the cooking.

There is a spark of interest when an outsider comes a calling and the apple cart looks like it may be upset, but this is a 'bridge' for a tune that is basically all more of the same.

Now this has received mixed critics reviews – some are very favourable indeed but user reviews tend to be less applauding and I am leaning towards those. There is a lot of nudity here too and simulated sex as well as 'self pleasuring'. If that is meant to be indicative of Utopia – all well and good – but cinematically and even artistically it is as new an idea as having a 'twist' in a thriller – unless of course you are doing 'art house porn'. And we all know that means it is just porn with more subtle lighting and untidy pubic hair.

So all in all a bit of a miss – I did watch the whole thing but was left non plussed by the experience. I could still see a lot to merit here – cinematography for example – and the acting was very good indeed. However, as an ensemble piece it barely passes muster so only go for it if you really are a massive fan of the auteur art house scene and a good bottle of wine to aid your viewing digestion.

Let's take a look at the positive. This is or could be perceived as a master class in acting. The movie itself seems to be free of restrictions (and clothes for that matter) and you should be aware of the nudity. There is no visible penetration by the way, but you do have male self pleasuring (explicit and vivid).

Having stated that (in Germany the movie still got the 16+ rating), that should not play a role for or against the movie. The characters have issues which become even more apparent during a visit from the "outside". Their circle is clear and somewhat stagnant, this outside influence kind of gives the movie a bit of a new edge, but nothing that is sustained. We get back to the old "craziness". Which may be the point of the movie, but does not make it more attractive or viewers more excited to watch it (if you'll excuse the pun)

I saw this film at the Film Fest Ghent 2014, where it was part of the section Global Cinema. To state my lack of appreciation upfront: I cannot find anything positive in this movie. The outset is not clear, and does not become clearer later on. Only those who have read the synopsis before, have a bit of a clue what it is all about. The evening games and their underlying rules remain unclear as well. Even more unclear is the purpose of the (home made) coffin that is set alight, a ritual that we see in the beginning with a repeat later on. Only one scene was interesting, viz. when a 5th person arrived (an ex-boyfriend). Much to his regret his ex-partner announced that she was much happier than ever before. Alas, the potential drama faltered and he left shortly after.

I only understand half of the title. The word Hide seems a reference to being away from "normal" civilization. Nevertheless, I'm surprised about the amount of "bourgeois" stuff they obviously had available in that remote cottage, for example given the Christmas related attributes which they showed in much more variety than I ever had. Further, the word Seek is completely lost on me, be it that it may refer to finding a new future in living your life. This second part of the title promises that there is a message, a conclusion or even a morale, but I found neither.

The 4 actors (plus 1 for a short time) did their best, and worked believable through their respective roles. Neither got the opportunity to reveal much of their background and expectations. And neither is there any drama on the table, except (see above) in one isolated case (which failed). They cannot show their strengths on those fields, but I don't think that is their fault altogether. In the final Q&A the question was raised how much of the action was improvised and what was rehearsed. Apart from that it was a bit of both, I did not hear a clear answer. So what is left to admire?? I observe only pretenses that this film will provoke thoughts about your own life as it is (but it failed miserably for me). Possibly I'm not the appropriate target group??