Ooku - Le stanze proibite

I wasn't sure what to expect from this anime, going in. I think I was hoping for an inverted history of Japan, where women have taken over, and all is right with the world, with a bit of erotica and "I told you so" thrown into the mix.

That's not what I got, though. Sure, it's about a world where women do and decide everything; but nothing is without its consequences. It's not all fun and games. In fact, I might even venture a politically incorrect opinion that it's worse.

Men are still men, with all their urges, needs and shortcomings. Women are still women, with all of their fallacies. It's just an upside down version of the world as we know it, and everything that that would realistically entail in a medieval setting.

There is a trigger warning to this anime - sexual violence. I was expecting it to be graphic, in true anime style. Nothing of the sort. And yet, violence abounds, in ways I never expected to see it. It spares no-one, regardless of gender. It's not the presence of violence, though, that is key. Is how people deal with it, react to it. What they choose to do afterwards. This violence serves an important plot purpose. It is a rite of passage for the characters and isn't there just for fan-servicing purposes.

This anime is so much more than it lets on at first glance. It takes real-life qualities of people and applies them in inverted-power-dynamic circumstances. It has been a while since I came across something so mind-bendinglly captivating on Netflix. I literally could not peel myself away. The story doesn't impart any superpowers to anyone, it doesn't create unrealistic relationships, or unrealistic characters. It does however show how people deal with extraordinary circumstances in a believable way. I can see myself in the characters' decisions. This could have very well been the top secret, completely justified reason for Japan's utter isolation policy back in the Edo period.

Japanese anime can be hit or miss for me. Sometimes the characters or themes don't work, but this wasn't the case in Ooku: The Inner Chambers. It's an interesting interpretation of female and male roles in one of the most traditional societies to be found on earth. Not only are you as the viewer given an interesting look at Japanese culture, which is always a treat when done right. You are given this view through the premise of an alternate society where female's rule by necessity and then by choice because of a strange disease that wipes out most of the men. Actual Japanese history is interspersed through this tale, so the saga feels very "real" and down to earth. I have never read the manga associated with this, and I doubt I ever will, but I truly enjoyed this anime as a fan and as a person who enjoys a good story. It's not overblown, and the themes and characters work so well in the story you find yourself just watching things play out. I hope there are more seasons because this is a well done anime and I hope to see more of it.

8/10.

The story is an alternate history anime. It's not meant to be an action or fighting anime. The story has a slice of life feel from the Edo Period. The content has more adult themes than other anime but the story needs these to build into the crisis being experienced. The Ooku being a real entity within the historic Edo Castle lends weight to the story, making the story closer to reality than other anime. Go into this not expecting anything other than alternate historical drama and you'll be pleasantly surprised. Wish there were a couple more episodes in the season but definitely more material for another season.

Ooku: The Inner Chambers has a very interesting premise: Edo devastated by a plague targeting only men, that inevitably brings about a reversal of roles for men and women. So the shogun is now a woman, and she is served by a 3000 men strong harem (Ooku being the name of the building where the male concubines live).

I thought that it was pretty interesting for those who are familiar with the history of Japan (Edo era), but one never really relates to the characters, so... However, just to put things right regarding a 1 star review posted some days ago, implying that having 800 concubines were never the case in East Asia: the real Ooku was home to 3000 concubines at its peak,and don't even get me started with China. The Ming Emperor, for instance, had at some point 9000 concubines (many of whom he never, ever saw).

A mysterious disease kills most of young males in feudal Japan. Women are forced to assume male work and the political rule of the empire. The male which are still alive sell their bodies for sexual intercourse or are used by their parents (usually the mother at the anime) for making money as a reproductive being. This last phenomena is explained by the desire of women of all social classes to get pregnant, because marriage and stable relationships are not possible anymore. As the society "protects" men from the disease, males become lazy, useless, weak and dependent.

Although the anime seems to have a feminist plot at the first glance, it can be read from another viewpoint. There is a balance between masculine and feminine "energy" in any society. When something disturb this balance, consequences are inevitable. At the anime, as men are lacking as workforce, women are fully capable of taking the job, but at a higher mental and physical cost. Be an independent and strong women do not resolve the loneliness of a life whithout a partner or family. Power, not gender rules the world, and the women in command (lady Kasuga) will force another women (lady Iemitsu) to suffer and be sexually ubused in order to keep political domination.

Comparing to the anime, in our real world, a "mysterious" disease is trying to kill the masculine spirit. As occurs in the anime, men are becoming lazy, weak, dependent and afraid. Our society is starting to feel the consequences of this.

In resume, the anime can be viewed as a reflexive story of the necessity of the harmonic balance between feminine and masculine. Man and woman need to work together for the development of humanity.