Saindhav

With no arrogance at all, I felt that the director took lot of liberty for nothing. He thought he could deliver core emotional drama packed with action by doing too easy to guess plot and lot of repeated dialogues for no reason. It felt instead of focusing on drama it went more about world building. And to be honest its boring. None of the locations look real. And most importantly all the actors did fine job but on the over the top plot. It's so reckless of the writer, director and producer for extent. They could have bring much better product having all the star cast and crew. A big yawn at the end of the day.

"Saindhav," featuring Victory Venkatesh and directed by Sailesh, presents itself as an above-average cinematic experience. Venkatesh's performance adds a layer of depth to the film, elevating it from mediocrity. Sailesh's direction brings a fresh perspective, but the execution falls short of creating a truly exceptional movie.

One of the noticeable aspects is the lackluster music. The soundtrack fails to leave a lasting impression, lacking the memorable tunes that often accompany successful films. While the visuals and storytelling attempt to compensate for this, a more robust musical score could have added emotional resonance to key scenes.

Despite its shortcomings, "Saindhav" manages to find its footing as a decent film for the 2024 Sankranti season. The storyline, though not groundbreaking, weaves together elements that engage the audience. Venkatesh's portrayal of his character adds credibility to the narrative, making it a worthwhile watch for fans of the actor.

The film benefits from its timely release, tapping into the festive spirit of Sankranti. The cultural backdrop and festive atmosphere contribute to the overall appeal, providing a wholesome entertainment option for audiences during the holiday season.

In conclusion, "Saindhav" is a movie that falls into the above-average category, with Victory Venkatesh's commendable performance being a highlight. While the music may not leave a lasting impression, the film manages to hold its own, offering a decent cinematic experience, particularly suited for the 2024 Sankranti period.

Seriously, what a downfall of Sailesh Kolanu From HIT: The First Case to Saindhav! Saindhav is a cliched movie with cliched characters, cliched treatment, and cliched storytelling in a cliched setup.

I remember coming out of HIT: The Second Case's premier show with bit of a disappointment. But, now in comparison with Saindhav, it seems like an absolute masterpiece.

I don't know why all these young directors make the same mistake of making these outdated scripts when working with the senior actors. I get it that these senior actors have large fan bases, etc., but, you need to understand that these large fan bases have brains too. They dont want outdated content especially when paying premium to get the tickets for the whole family and making an effort to move to the theatres.

I hope and wish Sailesh will comeback with an absolute gem like HIT Chapter 1.

A good attempt at blending action and emotion, but the execution could have been better! Venkatesh and Nawaz give good performances but the rest of the cast don't have much to offer. The action scenes are amazing and the cinematography is nice. There were a couple of emotional blocks that deliver, but due to no proper character development, it doesn't create a big impact. The background music by Santosh Narayanan is underwhelming. A better background score could have taken the movie a couple of notches higher. The climax gives a high with good performance from Venkatesh. Overall the movie is a decent watch but not as good as expected!

Though the idea of Saindhav is good and has a lot of potential, the director couldn't come up with an interesting narrative. The screenplay is flat for the most part. The world-building isn't done well, and the first half an hour is slow and unexciting. Fights were too violent.

Saindhav has a bunch of great actors, but none of them make any impact due to the way their characterizations are written. Andrea Jeremiah, Shraddha Srinath, Ruhani Sharma, Jisshu Sengupta, Arya, Mukesh Rishi, and Jayaprakash deserved much better roles. There are logical errors in the story as well.

For any action film, the background score is very vital in enhancing the impact. Unfortunately, the background score provided by Santosh Narayanan is pretty bad and hardly adds any value to the film. In fact, the impact of neatly designed action blocks was brought down with the background score. In a few important moments, it was almost non-existent.