Kottukkaali

Kottukali many of you say is an art film, nah it's not. If you literally creating art, u mean nothing, it's more like an experimental movie. Journey of an characters, you should have release the movie in a Ott or as a short film, not a theatrical material. Coz if you creating an slow burn story buildup for around 1.15 hrs, you should give a impact climax for audience not a open ending, seriously bruh what the heck was that?, The only good factor was "soori" guy literally walk away from his comedian shade and entering and breathing hell of a fire as an main actor, just kudos to "soori". Anna ben? Yeah she's okay more of an shuttle performance, side characters or all of them are raw natural.

You all know movie was just that, but at the end u need to think i need more of that, movie should be an unique and masterpiece but they missed the main factor.

True story telling of a very existing social issue in southern and in many parts of India.

Another gutsy attempt by the director.

Lots of symbolism.

Girl trying to change her mind and the guy did too.

Fored marriages are still common and the entitlement and control shown by men is very existent.

This movie shows this sensitive topic in a simple way with great sense of reality and southern based realistic satirical humor.

All the actors - at times hard to tell they are acting rather in a real trip to get the girl sanitized of her demon- Love.

Thank you Team.

Tamil movies are touching great heights.

This movie is one example.

A rooted cinematic experience and a metaphorical masterpiece with profound storytelling.. Kottukaali explores various social issues such as caste, superstition, tradition and focuses on a journey rather than a traditional narrative arc.

It follows the characters Meena and Pandi, played by Anna Ben and Soori, respectively, as their families travel to a shrine, confronting various interpersonal and societal challenges along the way.

Kottukaali does a commendable job in its ability to convey deep emotions with minimal dialogue, capturing the characters' internal struggles through nuanced expressions and interactions.

Kottukkaali (2024): A Poignant Look at Patriarchy with a Powerful Performance from Soori

"Kottukkaali" is a Tamil film that tackles complex themes of patriarchy and gender inequality within the framework of a simple family drama. While the storyline may not be filled with twists and turns, the film's impact resonates deeply due to its nuanced storytelling and a powerful performance from Soori.

Soori delivers a career-defining performance as Paandi, a man deeply entrenched in patriarchal beliefs. His portrayal is both nuanced and captivating, showcasing the internal conflicts of a character grappling with societal pressures and his own rigid mindset.

The film's cinematography is beautiful, capturing the rural landscapes of Tamil Nadu with stunning visuals. The pacing is deliberate, allowing for a gradual unfolding of the characters' emotional journeys and the underlying tensions within the family.

While "Kottukkaali" may not offer easy answers or a conventional resolution, it leaves a lasting impact with its unflinching portrayal of social realities and its celebration of the human spirit's resilience in the face of adversity. This is a film that will stay with you long after the credits roll, prompting reflection and sparking conversations about the deep-rooted issues it addresses.

However, the film's deliberate pace and lack of dramatic twists may not appeal to all viewers. Some may find the narrative slow and lacking in excitement. While the film's message is powerful, its impact may be diluted for those seeking a more conventional cinematic experience.

Let's start with Soori's whirlwind of a performance, then transition to Anna Ben's big breakout. Wonderful right? Sure, why not? Let's give them the solace of performance. Now, I'll take a dramatic pause before beginning (the director certainly took a few). What on earth did I watch? Whether or not Meena was possessed, Vinothraj certainly was. With shades of Sathyajit Ray, Vinothraj promises a Pather Panchali-esque viewing experience minus the Pather Panchali.

You read that right. A lack of sympathy, heartfelt emotion, dialogue, and god forbid Vinothraj adds a soundtrack. While the themes and symbolism hit the spot from an artistic view, such a film would be best kept in an exhibition, or better yet, a museum. Promising nothing apart from a subtle twist, a few gripping scenes, and some impeccable cinematography, the film lacks substance. Of course, it'll be raved on by pseudo-cinephiles in the hopes of putting on a cultured facade, but personally, I can see through the shallow attempt at garnering praise.

Too many overhead shots of Soori simply walking, or other characters doing absolutely nothing. One must ask themselves, have the principles of Chekov's gun vanished from modern era filmmaking?

The symbols are fine, the film, however, is not.