VALUTAZIONE IMDb
6,5/10
27.854
LA TUA VALUTAZIONE
Ruota attorno a un gruppo di amici che si riuniscono per una cena e finiscono per rivelarsi segreti l'uno dell'altro.Ruota attorno a un gruppo di amici che si riuniscono per una cena e finiscono per rivelarsi segreti l'uno dell'altro.Ruota attorno a un gruppo di amici che si riuniscono per una cena e finiscono per rivelarsi segreti l'uno dell'altro.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 9 candidature totali
Recensioni in evidenza
A Spanish movie Perfect Strangers has been remade in multiple languages, and now comes another remake in Hindi. With zero expectations, Stree 2 released on same day and already knowing the story, I skipped this one in theaters. Having watched it now, I can say I made the right choice.
A group of close friends meets for a wedding and decides to play a game: they must surrender their mobile phones, unlocked, on the table for the night. Any messages, emails, or calls they receive must be read out loud, revealing a Pandora's box of everyone's secrets.
The novelty of the story is lost, as it's such a well-known premise. What remains is the execution. Credit to the makers for attempting to Indianize the content and make it more relatable, but there are many loopholes that can't be overlooked. Strangely, in this version, everyone seems to have an extramarital affair, and the makers couldn't think of any other secret to make things interesting.
Akshay Kumar leads this ensemble cast. He fits the role and delivers a convincing performance. Amusingly, the filmmakers keep reminding us that Akshay is playing his age, offering random justifications to ensure no one questions it. Vaani Kapoor, as his wife, is decent. Taapsee Pannu gets the most interesting character, and she delivers for the most part. Ammy Virk, Aditya Seal, and Pragya Jaiswal are strictly okay, while Fardeen Khan struggles the most, barely managing to perform, reminding us that a famous surname can help revive a career.
The songs are below average and only add to the runtime. The climax is highly clichéd and underwhelming. The group of supposed friends lacks chemistry, making it hard to connect with them. Visually, the film is appealing with its gloss and glamour. The movie touches on important themes like sexual acceptance, but that's as far as it goes. In the end, it feels like the Hindi saying "Raat gayi, baat gayi" - no one seems to care about what transpired by the time the film ends.
Overall, it's a below-average movie with a beautiful cast and good production design. There are a few funny dialogues to make you chuckle, and since it's on OTT with a short runtime, it can be watched on a lazy afternoon.
#pranureviews #KhelKhelMein #KhelKhelMeinReview.
A group of close friends meets for a wedding and decides to play a game: they must surrender their mobile phones, unlocked, on the table for the night. Any messages, emails, or calls they receive must be read out loud, revealing a Pandora's box of everyone's secrets.
The novelty of the story is lost, as it's such a well-known premise. What remains is the execution. Credit to the makers for attempting to Indianize the content and make it more relatable, but there are many loopholes that can't be overlooked. Strangely, in this version, everyone seems to have an extramarital affair, and the makers couldn't think of any other secret to make things interesting.
Akshay Kumar leads this ensemble cast. He fits the role and delivers a convincing performance. Amusingly, the filmmakers keep reminding us that Akshay is playing his age, offering random justifications to ensure no one questions it. Vaani Kapoor, as his wife, is decent. Taapsee Pannu gets the most interesting character, and she delivers for the most part. Ammy Virk, Aditya Seal, and Pragya Jaiswal are strictly okay, while Fardeen Khan struggles the most, barely managing to perform, reminding us that a famous surname can help revive a career.
The songs are below average and only add to the runtime. The climax is highly clichéd and underwhelming. The group of supposed friends lacks chemistry, making it hard to connect with them. Visually, the film is appealing with its gloss and glamour. The movie touches on important themes like sexual acceptance, but that's as far as it goes. In the end, it feels like the Hindi saying "Raat gayi, baat gayi" - no one seems to care about what transpired by the time the film ends.
Overall, it's a below-average movie with a beautiful cast and good production design. There are a few funny dialogues to make you chuckle, and since it's on OTT with a short runtime, it can be watched on a lazy afternoon.
#pranureviews #KhelKhelMein #KhelKhelMeinReview.
The film is a desi adaptation of the 2016 Italian film *Perfetti Sconosciuti*. Shoutout to director and writer Mudassar Aziz for keeping the proceedings light while exploring themes maturely. The events of the film unfold over a single night, as seven friends party while attending a wedding. The film's important message is that "What goes on within a marriage is never known to any outsider, no matter how much of a third wheel one may be." The story effectively proves this point.
Khel Khel Mein is a light-hearted comedy that effectively blends humor and drama. The film revolves around a group of friends who decide to play a game of truth or dare, leading to a series of hilarious and chaotic situations.
Akshay Kumar delivers a standout performance as the mischievous and unpredictable Rajeev. His chemistry with the rest of the cast, including Taapsee Pannu, Ammy Virk, and Fardeen Khan, is palpable and adds to the film's entertainment value. The supporting cast also contributes significantly to the film's humor and charm.
Cell phones, in fact, become the instrument through which we see the true faces of the seven adults across the table, as they play a game of truth or dare. Each incoming text or call reveals the recipient's fear of the upcoming revelation, and the fallout offers a cathartic release that we don't often see in movies.
The film's biggest strength is its ability to keep the audience engaged with its fast-paced narrative and witty dialogues. The game of truth or dare serves as a catalyst for exploring the character's secrets, fears, and relationships. While the plot may seem predictable at times, the film's execution is enjoyable, thanks to the strong performances and well-timed comedic moments.
Beyond the humor, *Khel Khel Mein* also touches upon deeper themes of friendship, loyalty, and the importance of honesty. The film's message is delivered in a subtle and unobtrusive manner, making it a satisfying watch for both fans of comedy and those looking for something more substantial.
It's sad that many people in marriages today face infidelity from their partners in some way, whether it's emotional cheating, ogling at other people, or physical relationship with someone else. It's a sad reality for many people.
*Khel Khel Mein* is a fun and entertaining film that offers a good mix of humor and drama. While it may not be a groundbreaking cinematic experience, it's a good addition to the Bollywood comedy genre.
Khel Khel Mein is a light-hearted comedy that effectively blends humor and drama. The film revolves around a group of friends who decide to play a game of truth or dare, leading to a series of hilarious and chaotic situations.
Akshay Kumar delivers a standout performance as the mischievous and unpredictable Rajeev. His chemistry with the rest of the cast, including Taapsee Pannu, Ammy Virk, and Fardeen Khan, is palpable and adds to the film's entertainment value. The supporting cast also contributes significantly to the film's humor and charm.
Cell phones, in fact, become the instrument through which we see the true faces of the seven adults across the table, as they play a game of truth or dare. Each incoming text or call reveals the recipient's fear of the upcoming revelation, and the fallout offers a cathartic release that we don't often see in movies.
The film's biggest strength is its ability to keep the audience engaged with its fast-paced narrative and witty dialogues. The game of truth or dare serves as a catalyst for exploring the character's secrets, fears, and relationships. While the plot may seem predictable at times, the film's execution is enjoyable, thanks to the strong performances and well-timed comedic moments.
Beyond the humor, *Khel Khel Mein* also touches upon deeper themes of friendship, loyalty, and the importance of honesty. The film's message is delivered in a subtle and unobtrusive manner, making it a satisfying watch for both fans of comedy and those looking for something more substantial.
It's sad that many people in marriages today face infidelity from their partners in some way, whether it's emotional cheating, ogling at other people, or physical relationship with someone else. It's a sad reality for many people.
*Khel Khel Mein* is a fun and entertaining film that offers a good mix of humor and drama. While it may not be a groundbreaking cinematic experience, it's a good addition to the Bollywood comedy genre.
This movie struggles to find its identity, failing to be a comedy, a thriller, or even a character study. It's simply all over the place.
As a comedy, it falls flat, delivering hardly any laughs. The jokes are juvenile, and the humor is almost non-existent. The plot is painfully predictable-if I asked ChatGPT to write a script based on the trailer, it would likely produce something just as unoriginal and unfunny.
Akshay Kumar and Ammy Virk manage to squeeze out a few laughs in the 2+ hour runtime, but the rest of the cast seems lost. They fail to grasp the comedic tone, playing their roles without any real flair. Fardeen Khan, in particular, is out of his depth, exposing his limited acting range and feeling out of place throughout the film.
The movie also suffers from a lack of internal consistency. For example, Fardeen Khan's character is supposedly a School PT teacher, yet he shows up to a wedding in Jaipur driving an open Jeep Wrangler. It's details like this that further disconnect the audience from the story.
In the end, this film fails to deliver on any front, leaving viewers questioning what it was even trying to achieve.
As a comedy, it falls flat, delivering hardly any laughs. The jokes are juvenile, and the humor is almost non-existent. The plot is painfully predictable-if I asked ChatGPT to write a script based on the trailer, it would likely produce something just as unoriginal and unfunny.
Akshay Kumar and Ammy Virk manage to squeeze out a few laughs in the 2+ hour runtime, but the rest of the cast seems lost. They fail to grasp the comedic tone, playing their roles without any real flair. Fardeen Khan, in particular, is out of his depth, exposing his limited acting range and feeling out of place throughout the film.
The movie also suffers from a lack of internal consistency. For example, Fardeen Khan's character is supposedly a School PT teacher, yet he shows up to a wedding in Jaipur driving an open Jeep Wrangler. It's details like this that further disconnect the audience from the story.
In the end, this film fails to deliver on any front, leaving viewers questioning what it was even trying to achieve.
I went into Khel Khel Mein with zero expectations, especially since it didn't do well at the box office. But after watching it on Netflix, I was pleasantly surprised! This movie is solid entertainment from start to finish, and I thoroughly enjoyed it.
Fardeen Khan's comeback after so many years was a big surprise-he did a really good job. All the cast had their moments, but Akshay Kumar totally stole the show! His comic timing was perfect, and he really brought the film to life.
The story was engaging and kept me hooked, but if I had to nitpick, I'd say the songs could've been better. They were just okay, nothing special. Still, that didn't take away from the overall fun experience of the film.
If you're looking for a light-hearted, entertaining watch, Khel Khel Mein is a great pick. I'm giving it 8 stars because it really exceeded my expectations!
Fardeen Khan's comeback after so many years was a big surprise-he did a really good job. All the cast had their moments, but Akshay Kumar totally stole the show! His comic timing was perfect, and he really brought the film to life.
The story was engaging and kept me hooked, but if I had to nitpick, I'd say the songs could've been better. They were just okay, nothing special. Still, that didn't take away from the overall fun experience of the film.
If you're looking for a light-hearted, entertaining watch, Khel Khel Mein is a great pick. I'm giving it 8 stars because it really exceeded my expectations!
First things first. According to Wikipedia, this is the TWENTY-FOURTH international remake of the Italian Perfetti sconosciuti (Perfect Strangers) - comfortably securing that film's status as the most remade one in history.
This fact is even more remarkable when considering that the Italian original is not some Mussolini-era relic, but a 2016 production - meaning that so far, it saw an average of 3 remakes every single year since release, even if all were in different countries. (And surprisingly, the USA has NOT yet been one of those.) To make things even MORE fun, India apparently already saw THREE films before this one which didn't fully remake Perfetti sconosciuti, but nevertheless had taken enough from it to be considered similar/outright rip-offs (Loudspeaker, 1001 Nunakal (Lies) and 12th Man, if you are counting.)
And yet, the XKCD comic about millions of people being born->coming of age->entering the internet every day without knowing what "everyone" before them thought was common knowledge is true. I had no knowledge of either the Italian original or all the other remakes it had until well after seeing the international screening of this film. Outside of this context, I would say it's a fairly good, perhaps even slightly underrated film. For one thing, the first and best song of the film, Hauli Hauli, is a banger, and I don't think either the original or the other direct remakes of it have anything which matches that.
Admittedly, the opening rather drags as everyone is en route to their relative's/friend's wedding and their conversations are mostly set-up that'll take a while to pay off. Once everyone is finally seated, though, the film both offers competent pacing and good performances and more importantly, it is a lot more mature than you might expect from the premise.
Now, I don't know how much of that maturity might be "borrowed" from the original (the way Speak No Evil remake had obviously taken it caustic mockery of modern status preconceptions from the original) and what had been invented by the screenwriters from scratch, but either way, it works and (to this outsider, at least) seems organic to modern Indian context rather than crudely grafted onto it.
And unlike too many other dramedies like it, the ending feels like the right combination of bittersweet, with the proper acknowledgement of how everyone had been changed by the experience. In all, a pretty good effort.
This fact is even more remarkable when considering that the Italian original is not some Mussolini-era relic, but a 2016 production - meaning that so far, it saw an average of 3 remakes every single year since release, even if all were in different countries. (And surprisingly, the USA has NOT yet been one of those.) To make things even MORE fun, India apparently already saw THREE films before this one which didn't fully remake Perfetti sconosciuti, but nevertheless had taken enough from it to be considered similar/outright rip-offs (Loudspeaker, 1001 Nunakal (Lies) and 12th Man, if you are counting.)
And yet, the XKCD comic about millions of people being born->coming of age->entering the internet every day without knowing what "everyone" before them thought was common knowledge is true. I had no knowledge of either the Italian original or all the other remakes it had until well after seeing the international screening of this film. Outside of this context, I would say it's a fairly good, perhaps even slightly underrated film. For one thing, the first and best song of the film, Hauli Hauli, is a banger, and I don't think either the original or the other direct remakes of it have anything which matches that.
Admittedly, the opening rather drags as everyone is en route to their relative's/friend's wedding and their conversations are mostly set-up that'll take a while to pay off. Once everyone is finally seated, though, the film both offers competent pacing and good performances and more importantly, it is a lot more mature than you might expect from the premise.
Now, I don't know how much of that maturity might be "borrowed" from the original (the way Speak No Evil remake had obviously taken it caustic mockery of modern status preconceptions from the original) and what had been invented by the screenwriters from scratch, but either way, it works and (to this outsider, at least) seems organic to modern Indian context rather than crudely grafted onto it.
And unlike too many other dramedies like it, the ending feels like the right combination of bittersweet, with the proper acknowledgement of how everyone had been changed by the experience. In all, a pretty good effort.
Lo sapevi?
- QuizIn the song Hauli Hauli, when Fardeen Khan makes the entry with Akshay Kumar, the title Heyy Baby is sung as part of the song, marking their reunion since their movie Heyy Baby in 2007.
- BlooperSo much noise happens, people threaten suicide but the guests of the wedding don't get disturbed.
- Versioni alternativeIn the UAE, the film was censored to alter the homosexuality of Fardeen Khan's character. Several key scenes in the film were also removed.
- ConnessioniReferences Shikar (1968)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 708.371 USD
- Tempo di esecuzione2 ore 15 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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