Scrublands

The story where an outsider turns up in a remote Australian town and delves into dark goings on is a well-worn one, at least in Australian series that make it to the UK. By contrast, I don't think I've ever seen a series set in Brisbane, Melbourne, Adelaide or Perth. In 'Scrublands', our version of this plot follows a journalist investigating a priest (and alleged paedophile), who had turned his gun on his parishoners a year previously. It's competently put together, in spite a late plot twist that isn't fully developed and seems unecessary. But it never really manages to transcend the formula; and the real villain of the piece is signalled from a long way off.

I was hesitant to watch initially as I thought it would be more of the same same.

However it was actually refreshing to see some new quality Australian content. Full of twists, great character development and packs a great punch in 4 small episodes. As typical with Aussie series there is 5-10 micro moments that are super cheesy and woeful cgi, but the great story and acting more than makes up for these minor blemishes.

Definitely worth the 2-3 hours to watch and even if you are not a fan of Luke Arnold (Black Sails, INXS) there is still plenty of great smaller characters that blend together in this tale.

I didn't read the book so had no preconceptions of how the story should unfold. From others descriptions, that's an advantage but I feel those going on about this sound a little boring because nowdays, most have left this review already as it's too long to read through. It took till the 2nd episode to really get some momentum and just got better as it went. There are lots of backstories that could have been fleshed out but that would have filled 4 more episodes and maybe there wasn't the budget for that. This is a pity, as there was fertile ground here. I thoroughly enjoyed it as a ripping yarn that had a universal flavour rather than the often ocker slant of Aussie dramas. Look forward to season 2 filmed in Augusta in my home state of Western Australia!

This Australian series open in a remote town in Victoria. We see Byron Swift, a priest, talking to his congregants outside his church. He goes inside, returns holding a rifle and shoots five men before being killed by the local policeman. One year later journalist Martin Scarsden heads to town; he has been tasked with writing a 'puff piece' about how the townspeople are coping a year on. The story was that the priest went on the rampage after child abuse allegations were made against him so Martin is more than a little surprised when plenty of people defend his character... perhaps there is more to the story than was initially reported.

I thought this was a really good little series. At four episodes it didn't outstay its welcome but similarly didn't feel rushed. The opening scenes immediately grabs ones attention and further revelations keep one gripped. The use of flashbacks throughout the series shows key details of what happened and means Byron Swift becomes a fully fleshed out character rather than a mysterious figure only seen in the prologue. The location is impressive; it may be very open but there is a claustrophobic feel due to its isolation. The cast does a fine job; most obviously Luke Arnold, Bella Heathcote and Jay Ryan as Martin, Mandy, a woman who knew Byron well, and Byron. The conclusion is solid; being neither too obvious nor too surprising. Overall an impressive mystery that I'd recommend to fans of the genre.

I you like Mystery Road you will probably like this as well. It has the same style, but not quite such an outback feel, and I preferred Luke in this one to Jay (Mystery Road) as the central character.

Despite the shocking opening, it was pretty clear that there was more to it and that the event was calculated and not random.

A year later, a journo Luke hits town looking for a follow up human interest story, but starts to unpeel an onion skin of lies and deception relating to the event.

Follows investigative journalist Martin Scarsden as he has to uncover the truth of the case of killing of five parishioners by a charismatic and dedicated young priest.

Despite his apparent popularity, I find Robert Taylor a very dour actor.

This is a contemporary drama and contains language and/or attitudes that some viewers, particularly those of a more mature generation, the Silent Majority, will find offensive.

There are frequent profanity bombs and the F word is peppered throughout. One C word.