VALUTAZIONE IMDb
5,1/10
11.913
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe head of a high school reunion committee tries to get the most popular guy in school to attend their class' upcoming 20-year reunion.The head of a high school reunion committee tries to get the most popular guy in school to attend their class' upcoming 20-year reunion.The head of a high school reunion committee tries to get the most popular guy in school to attend their class' upcoming 20-year reunion.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Nicole Barré
- Holly James
- (as Nicole Barre)
Recensioni in evidenza
It is really hard to know quite what to make of this movie. I am inclined to think it's a hair away from being a masterpiece or just trash.
I usually don't pay too much attention to which actors are or aren't in something, or rather usually I prefer to not recognize any actors, but the presence of Jack Black in here gives it a certain credibility, and his impeccable comic timing makes this that much more palatable.
A very dark story about how much of our identity hinges on who were were as youths and how our lives go down hill from there. The plot demands that you believe that a class reunion could be that much of a big deal. It throws its own hands up at one point and tries to hand wave a plot hole by making it an oversight by the main character but it's still just a plot hole.
Things take a very awkward turn half way through in a way I did not see coming. It's an intentionally discomforting movie where things can get quite excruciating. It's a tricky balancing act, not going over board with that kind of thing and overall this movie, despite its intelligent armoury of characterisation and nuance, doesn't quite pull its ambitious story off. Having said that I'm very glad this movie found its audience there were people who could get out of this movie the very particular thing it had to give.
It rather smugly ends thinking it's resolved all it characters problems but it hasn't.
I usually don't pay too much attention to which actors are or aren't in something, or rather usually I prefer to not recognize any actors, but the presence of Jack Black in here gives it a certain credibility, and his impeccable comic timing makes this that much more palatable.
A very dark story about how much of our identity hinges on who were were as youths and how our lives go down hill from there. The plot demands that you believe that a class reunion could be that much of a big deal. It throws its own hands up at one point and tries to hand wave a plot hole by making it an oversight by the main character but it's still just a plot hole.
Things take a very awkward turn half way through in a way I did not see coming. It's an intentionally discomforting movie where things can get quite excruciating. It's a tricky balancing act, not going over board with that kind of thing and overall this movie, despite its intelligent armoury of characterisation and nuance, doesn't quite pull its ambitious story off. Having said that I'm very glad this movie found its audience there were people who could get out of this movie the very particular thing it had to give.
It rather smugly ends thinking it's resolved all it characters problems but it hasn't.
The problem with this film is that by now I'm kind of exhausted, straight up tired of watching Jack Black playing a character who spins so much lies, it becomes a tangled web he's woven situation, tired of watching Jack Black's character claiming to be somebody he's not. It was great in "School Of Rock" but then another round in "Gulliver's Travels" and now this. That said, nobody could do this type of lying better than Jack Black.
THE D TRAIN, from writing/directing team Jarrad Paul and Andrew Mogel, stars Jack Black as a high school reunion committee self appointed leader named Dan Landsman who the audience could figure out instantly, didn't have a great high school experience. He has trouble trying to get his old classmates to come to the reunion and even his own committee thinks he's a loser. When all of a sudden, he watches a commercial featuring one of his graduating classmates, Oliver Lawless, played by the heartthrob James Marsden. Dan (Jack Black) concocts a plan to go to Los Angeles to convince Oliver (Marsden) to attend their reunion so that he could score cool points with the others. But not ever goes smoothly as planned, Dan comes up with a fake deal to try and get his boss to fund his travel but his boss (Jeffrey Tambor) is so eager and excited about the prospect, he decides to tag along.
Some of us liked our high school experience, but for the majority, people would probably say that they're glad to be out of there, life starts in college after all. Jack Black's character represents anybody who wishes they could press the reboot button on their adolescence. His character is not only insecure but feels like nothing else, not even his own son is as important as his pursuit of coolness among his peers. Whereas James Marsden's character profoundly represents people's misconception about show business. People often associate it with glamor, fame and fortune, and to a certain extent, that may be true, but many of the people traveling to L.A. and try their luck, only end up doing small gigs and waiting tables while waiting for their big break at the same time; a big break that may never happen. So these are two very sad individuals who lie to themselves and lie to the people around them. I have to give kudos to Jack Black and James Marsden because there is one particular sequence that you wouldn't see coming, some of you would probably, but it goes to show how professional Black and Marsden are, what they're willing to do and how far they're willing to go for the sake of the story. And that particular scene sets off a chain of events that lead to the climax and self realization. But again, seeing Jack Black in this type of role, is nothing new, but I guess this is his niche, his field of expertise. Overall, I think THE D TRAIN is a dark comedy that doesn't necessarily slap you in the face and tell you to snap out of it, that it was just high school for heaven's sakes, but it does have its own silly way of unburdening yourself from all the lies.
Read more at Ramascreen.Com
THE D TRAIN, from writing/directing team Jarrad Paul and Andrew Mogel, stars Jack Black as a high school reunion committee self appointed leader named Dan Landsman who the audience could figure out instantly, didn't have a great high school experience. He has trouble trying to get his old classmates to come to the reunion and even his own committee thinks he's a loser. When all of a sudden, he watches a commercial featuring one of his graduating classmates, Oliver Lawless, played by the heartthrob James Marsden. Dan (Jack Black) concocts a plan to go to Los Angeles to convince Oliver (Marsden) to attend their reunion so that he could score cool points with the others. But not ever goes smoothly as planned, Dan comes up with a fake deal to try and get his boss to fund his travel but his boss (Jeffrey Tambor) is so eager and excited about the prospect, he decides to tag along.
Some of us liked our high school experience, but for the majority, people would probably say that they're glad to be out of there, life starts in college after all. Jack Black's character represents anybody who wishes they could press the reboot button on their adolescence. His character is not only insecure but feels like nothing else, not even his own son is as important as his pursuit of coolness among his peers. Whereas James Marsden's character profoundly represents people's misconception about show business. People often associate it with glamor, fame and fortune, and to a certain extent, that may be true, but many of the people traveling to L.A. and try their luck, only end up doing small gigs and waiting tables while waiting for their big break at the same time; a big break that may never happen. So these are two very sad individuals who lie to themselves and lie to the people around them. I have to give kudos to Jack Black and James Marsden because there is one particular sequence that you wouldn't see coming, some of you would probably, but it goes to show how professional Black and Marsden are, what they're willing to do and how far they're willing to go for the sake of the story. And that particular scene sets off a chain of events that lead to the climax and self realization. But again, seeing Jack Black in this type of role, is nothing new, but I guess this is his niche, his field of expertise. Overall, I think THE D TRAIN is a dark comedy that doesn't necessarily slap you in the face and tell you to snap out of it, that it was just high school for heaven's sakes, but it does have its own silly way of unburdening yourself from all the lies.
Read more at Ramascreen.Com
3 and under are reserved for movies in which the acting is garbage. the acting in this movie is good.
the movie is the problem.
jack black has chops, but they're wasted in this movie. mr. marsden also sells it. the acting isn't what's wrong with this movie. what's wrong is: what? why did we, the audience, just watch this? it was everywhere, all over the place, and had no landing. it just sort of was.
in a few weeks someone will be talking to me about the movie about that guy at the reunion where he got buttf*cked, and i'll say: "Idunno man. Idunno what you're talking about." Then he'll mention Jack Black, and I'll say, "Oh, I think there was a Netflix thing that sucked where he was a salesman of some kind, and that dude from the transgender show who is really popular was his boss." we'll both agree that that's the movie we both saw, then we'll go back to our desks.
the end.
that's where this ends.
the movie is the problem.
jack black has chops, but they're wasted in this movie. mr. marsden also sells it. the acting isn't what's wrong with this movie. what's wrong is: what? why did we, the audience, just watch this? it was everywhere, all over the place, and had no landing. it just sort of was.
in a few weeks someone will be talking to me about the movie about that guy at the reunion where he got buttf*cked, and i'll say: "Idunno man. Idunno what you're talking about." Then he'll mention Jack Black, and I'll say, "Oh, I think there was a Netflix thing that sucked where he was a salesman of some kind, and that dude from the transgender show who is really popular was his boss." we'll both agree that that's the movie we both saw, then we'll go back to our desks.
the end.
that's where this ends.
This film tells the story of a man who enthusiastically organises a high school reunion, but unfortunately is not very popular. He becomes fixated on getting the most popular guy in high school to attend the high school reunion, but one lie after another, things get out of hand.
"The D Train" has an ambiguous title, and does not prepare me for the emotional drama that lie ahead. On the comedy side, the film is quite funny as Jack Black has to cover one lie with a bigger lie. His boss being technology illiterate is also quite funny.
I am very impressed by the dramatic side of this film, because jealousy is a hard emotion to portray on screen. The manifestations of a jealous heart is plain and well portrayed in here, making me care for Jack Black's character and his wife as well. James Marsden is very charming as the guy who is able to make anyone fall for him. He makes the story believable. I really enjoyed "The D Train", which is quite unexpected.
"The D Train" has an ambiguous title, and does not prepare me for the emotional drama that lie ahead. On the comedy side, the film is quite funny as Jack Black has to cover one lie with a bigger lie. His boss being technology illiterate is also quite funny.
I am very impressed by the dramatic side of this film, because jealousy is a hard emotion to portray on screen. The manifestations of a jealous heart is plain and well portrayed in here, making me care for Jack Black's character and his wife as well. James Marsden is very charming as the guy who is able to make anyone fall for him. He makes the story believable. I really enjoyed "The D Train", which is quite unexpected.
DrtBlvd a user here, has an interesting view on this movie and one personally think and can stand behind too. I hadn't read anything about this, neither had I seen the trailer. So I had no idea what this would be about. I actually thought based on the cover this would be something along the lines of "School of Rock". It couldn't be farther away if it tried (though I can't say for sure if it wasn't the intention anyway to be as far away from a comedy like that in the first place).
Jack Black has some of his usual shticks, but it's more than that. It has themes about self identity, about growing up and especially about being who you are and not seeking being someone you are not. In the end we are all heroes (in our own story). Maybe it takes a movie like this to realize it for some, maybe some find it redundant. Whatever the case, this is entertaining, but also raises some interesting thoughts and questions ... but yeah the ending was a bit rushed ...
Jack Black has some of his usual shticks, but it's more than that. It has themes about self identity, about growing up and especially about being who you are and not seeking being someone you are not. In the end we are all heroes (in our own story). Maybe it takes a movie like this to realize it for some, maybe some find it redundant. Whatever the case, this is entertaining, but also raises some interesting thoughts and questions ... but yeah the ending was a bit rushed ...
Lo sapevi?
- QuizIn 2013, Bill Hader was reportedly in talks to play the lead character during the film's early pre-production stage (when it was originally called Lawless).
- Colonne sonoreSo in Love
Written by Stephen Hague, Paul Humphreys (as Paul David Humphreys), Andy McCluskey (as Andrew McCluskey)
Performed by Orchestral Manoeuvres in the Dark
Published by EMI April Music Inc. on behalf of Charisma Music Publishing Co. Ltd. (ASCAP), White Noise Ltd. (PRS) / BMG VM Music Ltd. (PRS)
Courtesy of Virgin Records Ltd.
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- El expreso de los recuerdos
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 673.151 USD
- Fine settimana di apertura Stati Uniti e Canada
- 469.000 USD
- 10 mag 2015
- Lordo in tutto il mondo
- 774.780 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
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