WPC 56

I've just read on WPC 56 official Social networking page, that there's no more WPC56? Yet the 3rd series was the BEST by far?! Wow BBC heads, you are not keeping up!

The new WPC Annie Taylor is amazing! Why would the BBC take this off?

The programme has improved ten fold with the new WPC & the amazing new, thrilling story lines, it so deserves/ed an evening slot!

Seasons 1 & 2 were (although good) no where near as strong as season 3. and was like starting over a brand new programme. Claudia Jessie, a much stronger actor which impacted on the character's strength! SHAME ON YOU BBC for taking off this amazing show?! I bet you are keeping Doctors though? no offence, I see that Claudia Jessie got nominated best storyline in the soap awards in Doctors? might be a clue there BBC?

Unbelievable!

There are some real Drama gems hidden away on daytime TV and WPC56 is certainly one of them. Why it's not on (or at least repeated) at a later time I'll never know.

Well written and performed it tracks the career of one of the first female police officers back in the 50's.

The show certainly looks the part in terms of set and costumes and the one a day style of episode screening only makes the cliffhangers that little bit more gripping.

Maybe in their wisdom the BBC will recommission the show for a third series or even better show it in an early evening slot. It would not look out of place against some of the other,bigger name Dramas.

Right off the bat, the show's premise presents several creative venues to pursue. You have a woman officer in a male dominant profession, allowing premise for critique of workplace sexism, assault, gender discrimination, and oppression. You can also tie with racial and socioeconomic issues and create a golden show.

This is where the first season starts, showing a lot of promise. But it quickly turns to cliches of personal relationships for the women officer. It is sad to see such a good premise being wasted in form of a one-dimensional character who is defined by her love life and the men in her life. The second season onward, this show is no different from any other gender-normative writing. I wish the writers rethink why they wanted to make the show in the first place. Personal lives are interesting, but it shouldn't define the character alone. Her ambitions, passions, inner struggles all could be explored, but weren't. Perhaps get more women writers and producers.

The negative of the show is that much of it is predictable. The powerful men have to act macho and the woman is not respected as an equal. The woman has much better instincts as a copper than the men who've been on the police force for years. The worst of the coppers is, predictably, almost a 2-dimensional character, at least through the 2 seasons I've seen so far.

The positives include that there are some sensitive male characters who give Gina a chance. The supporting cast is excellent. The plots are interesting and appropriate to the times. And the attention to detail (sexism, racism, brutality, repressed sexuality, clothing, sets, hair styles, makeup, music, dialog) makes me almost believe it really is 1956 on the set.

Having lived through the 1950s (age 11 in 1956) I can attest that much of what we see on this show was very much like this. In many work places women were considered to be either eye-candy or efficient old maids who had no life outside of their employment, This continued well into the 60s until the women's movement had some clout. It would have been even more so for Gina who would have been about 10 years older than I was in 1956.

Gina's character has to be independent enough to take on a nontraditional job, tough enough to be a cop, yet still have a sensitive side. I think Jennie Jacques manages to pull it off well.

It's an excellent series, one that went out on BBC1 in the afternoons, presumably many missed it, I certainly did, and that's a shame. The same sort of vibe as Father Brown, we certainly have the smart Detective and the Sid character, but there is a lot more to this than just light entertainment.

It does a good job of presenting stories with attitudes prevalent at the time, so expect sexist and homophobic attitudes, made at a time when The BBC wasn't afraid to show these attitudes, not just pretend they didn't exist.

Very nicely made, look out for terrific clothes, sets and cars, in particular a sublime red and white Consul in series two's finale.

The series struggled to retain its cast members, changes were rife, but they always managed to get it spot on. Jennie Jacques is great, the standout for me is Charles De'Ath, the guy is superb as Fenton.

A shame it ended after three series, it's great though, 8/10.