La sala professori

I am teacher. I saw this admirable film only from this perspective, admiring its high realism, recognizing ordinary, almost every day crisis, understanding the power , bigger and bigger , decade by decade, of students , their cruelty - not different by the characters of William Golding in The Lord of Flies.

I real loved the performance of Leonie Benesch. I appreciated the fair crafted tension. And the end , I believe, is pure great.

The story - chains of a clash. A terrible one because it is between values, truths, the victim being the honesty, noble intentions, the spirit of dedication and justice of a young teacher, devouted, maybe in too high measure, to her job.

The young actors are just fantastic.

At the end, the hope than the Oscar for Best International Feature Film goes to Das Lehrerzimmer.

Modern German cinema haven't been on my radar as while there are a few good German flicks coming around time to time, I haven't been fully wowed by them for some time. I had no idea what to expect going into this movie but this movie was frustrating but in a good way.

It's an interesting character study that explores themes of racial profiling, unauthorized searches, and the school system. Throughout, the camerawork use of 4:3 lens felt purposeful to surround the settings and tone and the direction is pretty strong. The directing, setting, sound designs and pacing help to capture the uncomfortable and intense atmosphere that is being surrounded around the environment and within the characters and the movie does a really good work on capturing the essence.

The characters can be frustrating and unlikeable to an extent but instead of being unbearable, the portrayal of the unlikeable and frustrating characters felt purposeful because of the themes and writing concepts that were explored. Not often where movies are able to have many characters unlikeable, yet, managed to still be emotionally investing and engaging. All of the performances are amazing especially the lead performance from Leonie Benesch as Benesch is absolutely amazing. Even the child actors are great as well.

Many of the social dynamics were well-explored within the simple setting, the pacing is great, and there are some good dialogue moments that genuinely helps to build the intense situations and realism it portrays. There are a few issues I had with the movie which is that I felt certain dialogue moments from the child performances felt a little too fake or staged and there are certain choices I thought could have been approached differently.

Overall, a fascinating and frustrating movie.

I am a high school teacher, and this movie made me reflect on the educator's place in school. The film takes me to Plato's Republic, where it presents the dilemma "it is better to be than to appear virtuous." The protagonist leads us to moments of anguish with her quest for justice, honesty, and virtue in an environment governed by conflicting and often cruel moral issues. Actress Leonie Benesch's performance is confident, brilliantly conveying the emotions experienced by the character. For now, I consider "Das Lehrerzimmer" a real contender to win the award for Best Foreign Film in 2024; it's my choice.

Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.

The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.

First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.

The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.

The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.

Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?

And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.

You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers

Prepare for school. Watch it. Be frustrated.

Greetings again from the darkness. The intensity and stress of everyday life and of everyday people are on full display in this film from writer-director Iler Catak and co-writer Johannes Duncker. They have brilliantly crafted a terrific suspense thriller from the most unexpected setting and group of characters ... a junior high school and the faculty and students.

Teacher Carla Nowak (Leone Benesch, THE WHITE RIBBON, "Babylon Berlin") is new to the school, originally hailing from Poland. She's the type of teacher who motivates students by having them think creatively and from different perspectives. We can immediately tell she's as idealistic as she is passionate about her profession. When one of her students is accused of stealing money, she's at odds with school principal Dr Bohm (Anne-Kathrin Gummich) on the interrogation of students, as well as the conference with the accused student's parents.

It turns out there is quite an epidemic of theft and dishonesty at the school, and it extends to the titular teachers' lounge where Carla herself witnesses an occurrence. Carla decides to set a trap using her laptop's camera and her unattended wallet. When the camera 'catches' the sleeve of an unusual blouse print, Carla confronts the 'obvious' culprit, school administrator Ms. Kuhn (Eva Lobau), who adamantly denies the accusation. Further complicating matters, Carla shows the video to Dr Bohm, who promptly suspends Ms. Kuhn, who also happens to be the mother of Carla's favorite student, Oskar (Leonard Stettnisch).

Carla's best intentions seem to backfire at every turn. She believes in right and wrong, and also in forgiveness and second chances (especially for kids). Her anxiety heightens at each misstep, whether by her, the administration, or students. Soon, even Oskar is lashing out and threatening her, despite Carla's attempt to shield him. Many find Carla's use of the laptop camera more offensive than the actual theft, and the student newspaper journalists seize on this opportunity to incite rebellion and independence.

Much of what we witness on screen is the result of actions taken out of our sightline - we are left to make assumptions right alongside Carla. Film Editor Gesa Jager deserves special recognition for keeping us just a bit off balance. Emptying the teacher's coffee fund, cheating on a test, defying the truth ... all of these (and more) actions are used by filmmaker Catak in delivering a snapshot of a society where we no longer trust one another. Morality, integrity, misplaced concern, racism, classism ... these all play a role here in delivering the message. Leone Benesch is exceptional in the lead role, and Eva Lobau goes full throttle in her attempts to show she was wronged. It's a Rubik's Cube that serves up our final message, as well as providing some hope that good intentions do sometimes pay off. Yesterday, it was announced that the film has been Oscar nominated for Best International Feature Film. A well-deserved honor.

Opens in theaters on January 26, 2024.