Emma, divorziata da poco, vive un'avventura vorticosa con il proprietario di un albergo, Niko, sull'isola paradisiaca di Cipro. Dopo scoprire che Niko le ha rubato i risparmi di una vita, ch... Leggi tuttoEmma, divorziata da poco, vive un'avventura vorticosa con il proprietario di un albergo, Niko, sull'isola paradisiaca di Cipro. Dopo scoprire che Niko le ha rubato i risparmi di una vita, chiede l'aiuto del suo ex per recuperare i soldi.Emma, divorziata da poco, vive un'avventura vorticosa con il proprietario di un albergo, Niko, sull'isola paradisiaca di Cipro. Dopo scoprire che Niko le ha rubato i risparmi di una vita, chiede l'aiuto del suo ex per recuperare i soldi.
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Seriously you need subtitles because I could not understand a word that came from the annoying brat daughter characters mouth. It was some kind of mermaid gobbledygook squealing language. It didn't help that the daughter was also an annoying and selfish character, only interested in mummys divorce money for her salon. The story and script was so amateurish that it made the actors look bad and this can't be so because there are some well known and experienced actors in this series. Are we really to believe that chunky, matronly unfit Emma can knock guns out of fit males hands and run from them? So many holes in the story and editing that one would think a school kid wrote the script. Lazy script but I'm quite sure everyone had a great holiday abroad enjoying the sun. Watch it without rolling your eyes if you can.
Whoever wrote this pile of garbage needs to go back to Comprehensive School and complete her CSEs. How on earth could such established actors could allow themselves to be dragged in to such an implausible plot, banal script and amateur dramatics direction. There were more holes in the plot than in Blackburn, Lancashire. The " clever twists" were not clever and were ridiculously predictable. Most importantly, how could Channel 5 be stupid enough to present it? I can only assume that the scriptwriter was the author's mother who is married to the commissioning editor. If it's so easy to get on screen I'm going to submit all my novels.
I watched until the 3rd episode then that was it, enough is enough. How that blond women ever gets parts is beyond me, she cannot act and when she tries it's painful to watch, totally over acts at each juncture.
Neil Morresy is as bad, he must be the same as the blond woman, they must know someone in the high places in TV as there are millions of other actors whom can actually act.
The story is pathetic and it will have you shouting at the screen.
TV is so low quality now, there is literally nothing of any quality to watch.
The same actors and presents dominate every channel with no new talent being allowed in.
Neil Morresy is as bad, he must be the same as the blond woman, they must know someone in the high places in TV as there are millions of other actors whom can actually act.
The story is pathetic and it will have you shouting at the screen.
TV is so low quality now, there is literally nothing of any quality to watch.
The same actors and presents dominate every channel with no new talent being allowed in.
We started watching this because at first it looked interesting.
Steadily it descends to the level of 'El Dorado' (if you remember that) mixed with a particularly bad 'mills and boon' novel.
The acting is largely appalling and the characters wooden cardboard caricatures.
The plot holes are so many and varied you could drive a car through them.
The series generally has all the authenticity of a painted on sun tan.
But, it's saving grace, is it is so bad, it becomes comical. We ended up having to watch it to the end just to see the terrible acting and absurd script to the bitter laughable end.
Like others I have questioned - how did this get made ? It beggars belief
2/10 and that 2 is for comedy.
Steadily it descends to the level of 'El Dorado' (if you remember that) mixed with a particularly bad 'mills and boon' novel.
The acting is largely appalling and the characters wooden cardboard caricatures.
The plot holes are so many and varied you could drive a car through them.
The series generally has all the authenticity of a painted on sun tan.
But, it's saving grace, is it is so bad, it becomes comical. We ended up having to watch it to the end just to see the terrible acting and absurd script to the bitter laughable end.
Like others I have questioned - how did this get made ? It beggars belief
2/10 and that 2 is for comedy.
Channel 5 are throwing money at original drama productions and I suppose that's to be encouraged but once you've watched this you might reconsider.
Despite the premise of Love Rat being 'Men bad women daft' we gave it a go on my5 (ten years licence free this year thank you) with the intention of binge watching the series. It became clear early on that we wouldn't be doing that. The pacing was unrealistically fast C5 got four episodes out of this (more than enough) but Netflix would have got ten. The dialogue was awful and so unnatural its only purpose was to justify the next bit. None of the cast were good enough to save this. Amateur is the best way to describe it.
Love Rate quickly became a comedy for us and that continued part way into the second episode. We'd worked out the ending before Emma left for Cyprus while unpacking her kitchen boxes in the dark. The ridiculousness beat the humour and we decided to end it so we missed out on e3 and went for e4, the big finale. The suspense. We were right not to expect much. It was a chore to watch and every time we thought it couldn't get any worse, it did.
Despite its unintentional qualities Love Rat was about the worst show I remember watching. Channel 5 is rightly at the bottom of the pile in terms of quality TV but the overall quality of UK TV is on the slide and we find ourselves watching foreign language shows on Walter Presents on catch up on 4. The French, Germans and Italians are all producing TV that is far better.
Despite the premise of Love Rat being 'Men bad women daft' we gave it a go on my5 (ten years licence free this year thank you) with the intention of binge watching the series. It became clear early on that we wouldn't be doing that. The pacing was unrealistically fast C5 got four episodes out of this (more than enough) but Netflix would have got ten. The dialogue was awful and so unnatural its only purpose was to justify the next bit. None of the cast were good enough to save this. Amateur is the best way to describe it.
Love Rate quickly became a comedy for us and that continued part way into the second episode. We'd worked out the ending before Emma left for Cyprus while unpacking her kitchen boxes in the dark. The ridiculousness beat the humour and we decided to end it so we missed out on e3 and went for e4, the big finale. The suspense. We were right not to expect much. It was a chore to watch and every time we thought it couldn't get any worse, it did.
Despite its unintentional qualities Love Rat was about the worst show I remember watching. Channel 5 is rightly at the bottom of the pile in terms of quality TV but the overall quality of UK TV is on the slide and we find ourselves watching foreign language shows on Walter Presents on catch up on 4. The French, Germans and Italians are all producing TV that is far better.
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