VALUTAZIONE IMDb
7,1/10
14.923
LA TUA VALUTAZIONE
Attraverso un sentiero nascosto un cavaliere solitario raggiunge un piccolo paese sulle Alpi. Nessuno sa da dove venga lo sconosciuto, né cosa voglia lì. Ma tutti sanno che non vogliono che ... Leggi tuttoAttraverso un sentiero nascosto un cavaliere solitario raggiunge un piccolo paese sulle Alpi. Nessuno sa da dove venga lo sconosciuto, né cosa voglia lì. Ma tutti sanno che non vogliono che rimanga.Attraverso un sentiero nascosto un cavaliere solitario raggiunge un piccolo paese sulle Alpi. Nessuno sa da dove venga lo sconosciuto, né cosa voglia lì. Ma tutti sanno che non vogliono che rimanga.
- Regia
- Sceneggiatura
- Star
- Premi
- 30 vittorie e 5 candidature totali
Helmuth Häusler
- Hubert Brenner
- (as Helmuth A. Hausler)
Johannes Nikolussi
- Rudolf Brenner
- (as Johann Nikolussi)
Josef Griesser
- Wirt
- (as Pepi Griesser)
Recensioni in evidenza
10samthupp
There isn't much to say about this movie. I was pretty thrilled to hear that Das Finstere Tal was chosen to be among the Oscar candidates. So I simply had to give it a shot, after all it's an Austrian movie. So what I've come to find is that, as you watch the film, it gets more and more awe-inspiring. Sam Riley's performance is simply impeccable. The cinematography stunningly created, the shots simply gorgeous and even the soundtrack is genuinely amazing. Andreas Prohaska has created something I haven't seen in a while. Bottom line, I'd highly recommend the movie to everyone interested in something refreshingly original, an alps-western (even if I never thought this genre would even exist).
This Movie is exceptional German/Austrian Movie. Never saw a Western in this Setting. Sometimes it reminds me of The Great Silence from 1968. But there is something that destroys this incredible Film. The Songs of the Soundtrack are extremely rubbish. What was in Prochaskas Mind, when he choose these Songs? Sad. Great Atmosphere and fine acting, destroyed by a Soundtrack. However, I hope this is the beginning of a new Revival for the European Western. But this time they don't try to pretend that the stories are happening in the US. I can imagine a Western in the Black Forest, or in the flat, wide region of northern Germany, or a polish one.
To begin with, one should emphasize how great the cinematography was in this movie. Filled with the beautiful imagery of the Alps and an isolated town covered in snow along with the unique Western-Alp type of harsh reality, it truly amazes and captivates the viewer by the heart. The plot was smooth and gripping. Sam Riley, with all his western-style cowboy boots and spurs, was absolutely great in the movie, and he did his best at delivering a very solid performance of a very 'cool' stranger. For me he was a bit too cool, his character could surely be more interactive and talkative but nevertheless it was indubitably more than satisfying. He says that not talking to much, owing to the fact that his German is not that perfect, adds to the coolness of his Eastwood type of cowboy. I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists. Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.
Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison. It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces (congratulations, good casting and make-up here). In fact, the reduced colour palette gets a bit grating after a while; during the whole winter sequence (about 90% of the movie) there's not a single spot of green on the screen; everything is black, blueish-white and sepia tones. Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast! And we never see a blue sky. I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.
Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.
Besides the dull palette, there were also some questionable (read: ridiculous) choices for music/soundtrack. And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere. Otherwise, I can recommend this to anyone who likes a tight western. In Germany/Austria's world of streamlined TV-coproductions, this is a nice exception with its uncompromising look and story and the use of local idioms and dialect.
Despite the flat character development that some critics have talked about (and I agree with, with the exception of the female lead), I found this compelling viewing. It has a fantastic opening, which pulled me in, but what I found fascinating was the relentless feeling that it was all taking place in a truly dark place; where normal happy life had been extinguished. The story itself is dark enough, but the effect is to a large part the result of the choices made in the cinematography, with the acting of some of the cast also helping. Finally the location adds too, to the sense of a closed, remote world, full of evil... Real human evil, not some horror type fantasy!
Lo sapevi?
- QuizOfficial submission of Austria to the best foreign language film category of the 87th Academy Awards 2015.
- BlooperWhen Greider shoots one of the Brenner brothers, it's obvious that he's wearing a boot with plastic injection tread.
- ConnessioniFeatured in La noche de...: La noche de... El valle oscuro (2018)
- Colonne sonoreSinner Man
Traditional
Arrangement/Interpretation: Clara Luzia & Katharina Priemar
Performed by Clara Luzia
Recording & mix: Philipp Nikodem-Eichenhardt
Allegrofilm
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Dark Valley
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.350.000 € (previsto)
- Lordo in tutto il mondo
- 2.390.284 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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