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IMDbPro

Lolla: The Story of Lollapalooza

  • Mini serie TV
  • 2024–
  • 1h 30min
VALUTAZIONE IMDb
7,4/10
429
LA TUA VALUTAZIONE
Lolla: The Story of Lollapalooza (2024)
In the summer of '91, the Lollapalooza music festival was born. What started as a farewell tour for the band Jane's Addiction, rose from the underground to launch a cultural movement and change music forever.
Riproduci trailer1:50
2 video
74 foto
Un documentario

Nell'estate del '91, nacque il festival musicale Lollapalooza. Quello che era iniziato come un tour di addio per la band Jane's Addiction, è passato dall'underground per lanciare un moviment... Leggi tuttoNell'estate del '91, nacque il festival musicale Lollapalooza. Quello che era iniziato come un tour di addio per la band Jane's Addiction, è passato dall'underground per lanciare un movimento culturale.Nell'estate del '91, nacque il festival musicale Lollapalooza. Quello che era iniziato come un tour di addio per la band Jane's Addiction, è passato dall'underground per lanciare un movimento culturale.

  • Star
    • Perry Farrell
    • Jessica Hopper
    • Marc Geiger
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    429
    LA TUA VALUTAZIONE
    • Star
      • Perry Farrell
      • Jessica Hopper
      • Marc Geiger
    • 7Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Episodi3

    Sfoglia gli episodi
    InizioI più votati1 stagione2024

    Video2

    Official Trailer
    Trailer 1:50
    Official Trailer
    Lolla: The Story of Lollapalooza
    Trailer 1:50
    Lolla: The Story of Lollapalooza
    Lolla: The Story of Lollapalooza
    Trailer 1:50
    Lolla: The Story of Lollapalooza

    Foto73

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    + 68
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    Interpreti principali31

    Modifica
    Perry Farrell
    Perry Farrell
    • Self - Co-Founder, Lollapalooza
    • 2024
    Jessica Hopper
    Jessica Hopper
    • Self - Music Journalist
    • 2024
    Marc Geiger
    Marc Geiger
    • Self - Co-Founder, Lollapalooza
    • 2024
    Flea
    Flea
    • Self - Red Hot Chili Peppers
    • 2024
    Stuart Ross
    Stuart Ross
    • Self - Tour Director, Lollapalooza '91-'97
    • 2024
    John Rubeli
    John Rubeli
    • Self - Second Stage Booker, Lollapalooza '93-'95
    • 2024
    Don Muller
    Don Muller
    • Self - Co-Founder, Lollapalooza
    • 2024
    Donita Sparks
    Donita Sparks
    • Self - L7
    • 2024
    Matt Pinfield
    Matt Pinfield
    • Self - MTV Host
    • 2024
    Tom Morello
    Tom Morello
    • Self - Rage Against the Machine
    • 2024
    Vernon Reid
    Vernon Reid
    • Self - Living Colour
    • 2024
    Ice-T
    Ice-T
    • Self - Body Count
    • 2024
    Heidi Robinson-Fitzgerald
    Heidi Robinson-Fitzgerald
    • Self - Chief Publicist, Lollapalooza '91-'92, '94-'95
    • 2024
    Ted Mico
    Ted Mico
    • Self - Tour Publicist, Lollapalooza '92-'93
    • 2024
    Maureen Herman
    Maureen Herman
    • Self - Babes In Toyland…
    • 2024
    Lars Ulrich
    Lars Ulrich
    • Self - Metallica
    • 2024
    Tim Donnelly
    Tim Donnelly
    • Self - Surfrider Representative
    • 2024
    Trent Reznor
    Trent Reznor
    • Self - Nine Inch Nails
    • 2024
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti7

    7,4429
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    10

    Recensioni in evidenza

    9mansour-7

    Terrific documentary, interesting though...

    I'm a late Gen-xer, junior high in the early 90's, but damn did that music move me! Nine Inch Nails, TOOL, Rage, Ice Cube, the entire Grunge era!! My god, how lucky I feel to have been a teen at that time... Fast forward to today, I'm not sure what this says about society or young folks now, but when the documentary starts to show the Lollapalooza lineups of recent years, I can't help but wonder if we had it rough, or do they have it too easy now? Because the stark difference in not only genres from today and 30 years ago, but the messages that are conveyed in the music have flipped 180. Before it was, well, literally rage against the machine. Now it's love songs(Miley Cyrus), shake your ass songs(Sza, Ice Spice) or straight up pop music/top 40 (Lady Gaga, Billie Eilish)... I'm not meaning to judge better or worse, I'm wondering why this type of music resonates with young people now? Has life become too easy? To me, it seems like young people should be MORE angry than we were, yet their art doesn't seem to reflect that.

    Also, there's seems to have been a shift in political alignment and musical taste. The younger folks I've met who are into more heavy, rock, Rage-type music now seem to lean more conservative, whereas the "activist" type, with liberal leaning seem to enjoy more of the pop, light, "fun" styles of music. 30 years ago, we were liberal but angry as f@*k. Hmm just my observation, especially watching the last episode of this mini-doc series. It really made me take notice, the stark difference.

    Also, whatever. Music is awesome, and wholly subjective, so whatever gets you going is great music to you.

    But, TOOL, NIN, Nirvana, Cypress Hill, Ice Cube forever, man! God I'm getting old.
    7geeboy-48854

    Well made doc but exposed Lolla for what it's become

    The saddest thing in the world is when something that actually stands for something and is trying to go against the mainstream, eventually gives in(Sells out) and tries to pretend its still about the same things it started with. How can you have T Mobile sponsor your show and not be a sell out? But this review is not trying to say the doc was bad since it was well done, but it really exposed the whole idea of Lolla and I don't think the people in the doc even realize that. As another review said, if you're headlining your show with musicians who wont grammys you're going in the wrong direction. Lady Gaga, Miles Cyrus? Seriously? Those two aren't "alternative" they are pop music in a nutshell. They should have just stopped after the first 7 years if they were sincere about their intent but money corrupts everything and everyone, including Perry Farrell.
    2jeromypoland

    Horrible band trying to convince you they were great!

    I stopped watching this after Flea, and Matt said that Jane's Addiction were game changers! Iggy Pop and the Pixies did it first and better. Jane's Addiction is a ok band that started a concert that celebrated bands with way more talent than they had. Perry Farrell does not deserve the celebrity he has received. I would love to watch a documentary about lollapalooza but not if it means suffering through a fool acting like he had any real substance to add to the music seen! We won't make great pets and he won't make great music! I do appreciate that this was a huge festival, but we need to understand that big doesn't equal quality. There is something to be said for a concert with an opener and a headliner. Keep it simple stupid!
    4bt698nhj

    Cannot hear it

    Where's the sound? Watching on Paramount Plus and the commercials are nice and loud but this documentary itself is extremely quiet. I have the sound on 100 and I can barely hear it. Horrible production.

    ABOUT MY REVIEWS:

    I do not include a synopsis of the film/show -- you can get that anywhere and that does not constitute a meaningful review -- but rather my thoughts and feelings on the film that hopefully will be informative to you in deciding whether to invest 90-180 minutes of your life on it.

    My scale: 1-5 decreasing degrees of "terrible", with 5 being "mediocre" 6- OK. Generally held my interest OR had reasonable cast and/or cinematography, might watch it again 7 - Good. My default rating for a movie I liked enough to watch again, but didn't rise to the upper echelons 8- Very good. Would watch again and recommend to others 9- Outstanding. Would watch over and over; top 10% of my ratings 10 - A classic. (Less than 2% receive this rating). For Lifetime Movies for Chicks (LMFC), drop the above scale by 3 notches. A 6 is excellent and 7 almost unattainable.
    1sosamontrevor

    Censorship Wins Again

    In the first episode they talk about this festival being a champion for all the youth and all these various very important causes. Including fighting back against censorship and ripping down the walls of racism. Then during the final performance Paramount decides self censor and they go ahead and censor Perry Pherell's "Don't Call Me" performance with Ice-T. Way to undercut the message you were building up for forty five minutes. So just to be clear.... censorship is bad up to the point until it could cost the corperation some money, then it's ok. Is that the message I was supposed to take away from this? Make it make sense please.

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      • 21 maggio 2024 (Stati Uniti)
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