Fleming: Essere James Bond

Rarely TV serials adopt the idea of 'Art-house' production, and this is one of them. Another gem from the BBC production. Story of the creator of 007 who himself is a legend in thus arena, perhaps one of the most influential one. At first glance I thought it contains style over substance but in time everything worked out just fine ! This is not just another espionage story of WWII, rather the script mingled the personal and professional life of Fleming brilliantly. Dominic Cooper was an excellent choice, he can play the hard-boiled spoiled brat quite fascinatingly, we all have seen it in 'The Devil's Double'. Lara Pulver was naturally brilliant in the seductive dominatrix role as usual. Only if they could let the 'blond Muriel' stay a bit longer !

Its not easy to bring-up the story of someone with so many 'issues' meticulously, but they tried and didn't fail ! Its no hardcore action flick like 007, rather vintage flavoured of WWII, the set decoration was quite believable. And most of all, this series is 'Hot', and hot means 'Haught' ! Waiting for the final instalment !

From the very beginning, we're gently nudged towards the idea that the inspiration to Ian Fleming for James Bond was... Fleming himself. As fictional as that may be, and there are reasons to appreciate it for the entertainment value at least, young Fleming's routine gets old really really fast. The boozing, womanizing, good-for-nothing, but ultimately lovable scoundrel has been portrayed in many a production before. Nothing bad about Dominic Cooper's performance, and he does radiate a certain charm, but really... there's only so much dickish behavior one's charm can excuse.

Ultimately, I got bored by Fleming's antics and the repeated, sanitized sex scenes. The central plot never grasped me and frankly, I ended up not caring particularly much for any of the characters - least of all the titular one.

It's not a bad product per se. But not a very good one either.

A four-part mini-series about James Bond author Ian Fleming. Based on true events how his work during WW2 formed the basis for his later novels. Booze, beautiful women, money, casino's, secret missions, ... its all in this mini-series. In a sense it is truely his life during WW2, which resulted in the inspiration for his later Bond novels.

This mini-series also shows how the "30 Assault Unit" was Fleming's initiative, like the famous way in which the Germans were fooled in believing the Allied Forces would invade Greece instead of Sicily. This by using a dead body that was rigged with false intelligence.

It also shows the complex relationship that Fleming had with women, including his own mother. We also get an idea how Fleming came to know his later wife Ann O'Neill.

Excellent acting and stunning scenes make this mini-series a very attractive watch. It really gives the viewer an idea how high-society London was during the 1940's war years.

Overall, this show scores 7.5/10, thereby just making it an IMDb rating of 8 stars.

Ian Fleming (Dominic Cooper) is a disappointing playboy with a wealthy and well connected family. His brother is the shining star of his mother. He has a great love Muriel Wright (Annabelle Wallis), and a love affair with the married Ann O'Neill (Lara Pulver). His boss is Real Admiral John Godfrey (Samuel West), and assistant Second Officer Monday (Anna Chancellor).

Those who complain about the authenticity really miss the point of the series. His actual career is probably lost forever to time and state secrets. This is a marrying of Ian Fleming and James Bond. Quite frankly, I don't know why nobody has made feature movies about a semi-fictionalized Ian Fleming before. It's a great way to do a Bond movie while skirting the copyright. And you can use Fleming's name right up top maybe even 'The Man who would be Bond'.

This one does it as well as it can be done on TV. The action could be bigger. Dominic Cooper is a bratty playboy writer who turns into a brilliant intelligence officer struggling against the system. All the James Bond ideas are there intermingled with the real Ian Fleming. That's the charming part of this series.

I find it fascinating that much of the criticism in other reviews is based on the idea that James Bond wasn't based on Fleming. A fictional character by its very nature has its roots in more than one place. I've no idea how Fleming's war exploits compare to the novels, but it's quite clear that James Bond's personal behaviors, tastes, preferences, and prejudices are based on Fleming's. His wife made direct reference to this in the series opening and these similarities are well documented in analysis of the novels. Fleming wasn't Bond, nor were any of the others that have been posited as his inspiration. Bond is an amalgam of many, and Fleming himself was certainly one of them.