Aggiungi una trama nella tua linguaTHE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victi... Leggi tuttoTHE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victims at random.THE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victims at random.
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Again I believe its noteworthy to point out that I can not remark upon the actual subject matter (other than it definitely being worthwhile of being told, in terms of human interest), but merely the mechanics and technical aspects of the film ITSELF - {which is wierd because this is only true in cases of documentary films}
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
This is probably the best documentary you will find on the Starkweather killings. Starkweather comes across, rightfully, as a unhinged evil monster yet, somehow, and we will never know why, acted out all this horror in some form of love bond with Fugate. And that is what has spawned so many movies, mostly bad, based on the duo.
The filmmakers have a ax to grind though. They want us to believe in Fugate's total innocence. They defeat this purpose in numerous ways. The film clips and pictures of Fugate during the time of her surrender and Starkweather's capture show a young girl with nothing but a cold, emotionless, blank face. There is zero indication that any of the absolute horrors had any effect on her in any way. In fact, she is wearing the expensive coat of the wealthy Lincoln wife that was brutally slain and bragging about how nice it is.
Fugate changes her personality the longer she is behind bars and the brutal realization that she may be there for life sinks in. The authorities saw this at the time.
The documentary does allow for some comments from non-believers in her innocence who feel she was in her element the whole time only giving up "when the jig was up" and that no one but Starkweather and Fugate really know what happened because they left no witnesses. A fair point.
Ultimately, the authorities in Nebraska in 2020 had the final word when they denied her pardon.
The filmmakers have a ax to grind though. They want us to believe in Fugate's total innocence. They defeat this purpose in numerous ways. The film clips and pictures of Fugate during the time of her surrender and Starkweather's capture show a young girl with nothing but a cold, emotionless, blank face. There is zero indication that any of the absolute horrors had any effect on her in any way. In fact, she is wearing the expensive coat of the wealthy Lincoln wife that was brutally slain and bragging about how nice it is.
Fugate changes her personality the longer she is behind bars and the brutal realization that she may be there for life sinks in. The authorities saw this at the time.
The documentary does allow for some comments from non-believers in her innocence who feel she was in her element the whole time only giving up "when the jig was up" and that no one but Starkweather and Fugate really know what happened because they left no witnesses. A fair point.
Ultimately, the authorities in Nebraska in 2020 had the final word when they denied her pardon.
Interesting docuseries about a case of which I wasn't aware (not a yank or a Springsteen fan thankfully), but that clearly has a hold on the American psyche.
As well as outlining the serious issues with how the case of the 12th (or 1st) victim and only survivor of the USA's first sociopathic spree killer of the TV news-age it contextaulises, both historically and culturally, those and future difficulties Caril has faced in gaining access to proper justice.
It also touches on the USA's obsession with glamourising guns, violence and misogynist men through pulp fiction, music, TV and movies, whilst sexualising,moralising and demonising the 'women' around them, even when those 'women' are children who've just turned fourteen.
It briefly alludes to the perilous and peculiar set-up of justice in the USA where law enforcement and prosecutors are elected rather than employed on merit, and therefore under pressure to get the results a baying mob of local constituents demand of them in a country that is uncivilised enough to still have the death penality in the C21th whilst pretending to be all sorts of permutations of 'Christian'.
BTW for UK audiences the cinematographer is Peter Hutchens (not Hitchens.... that was really confusing me....).
As well as outlining the serious issues with how the case of the 12th (or 1st) victim and only survivor of the USA's first sociopathic spree killer of the TV news-age it contextaulises, both historically and culturally, those and future difficulties Caril has faced in gaining access to proper justice.
It also touches on the USA's obsession with glamourising guns, violence and misogynist men through pulp fiction, music, TV and movies, whilst sexualising,moralising and demonising the 'women' around them, even when those 'women' are children who've just turned fourteen.
It briefly alludes to the perilous and peculiar set-up of justice in the USA where law enforcement and prosecutors are elected rather than employed on merit, and therefore under pressure to get the results a baying mob of local constituents demand of them in a country that is uncivilised enough to still have the death penality in the C21th whilst pretending to be all sorts of permutations of 'Christian'.
BTW for UK audiences the cinematographer is Peter Hutchens (not Hitchens.... that was really confusing me....).
I consider this so-called "documentary" to be nothing more than a "mockumentary" in that it is so biased towards the ridiculously named "12th Victim", namely Caril Ann Fugate, that it presents a wholly unbalanced view in attempting to persuade viewers that she was completely innocent of complicity in all the crimes of which she was convicted by a jury of her peers. Indeed, I would go so far as to suggest that the biased views put forward in this series are extremely dangerous in that they suggest that trials with convictions that took place so long ago where most, if not all, of the participants have passed away should be regarded as "unsafe" when "modern standards" are applied.
Some interesting footage from the events inter-spliced with questionable use of hypnosis, lip reading, current feminism and the usual amount of spinning events toward the outcome desired by the title.
Fair enough. As expected. It's not advertised as even handed.
The Starkweather rampage is a seminal story in Lincoln and Lancaster County Nebraska. No one who has lived there as have I for long stretches, has not known or heard eyewitness accounts of the terror that prevailed. Lincoln at the time was more like a small town with a city population. To say everyone knew everyone is only slight exaggeration.
Many citizens had personal ties to officers closely involved with Fugate during and after her return from Wyoming. Near all, if not all, believed her demeanor was belligerent and showed little remorse.
So, as intimated we'll never know. But let us recognize that key questions remain unanswered.
Fair enough. As expected. It's not advertised as even handed.
The Starkweather rampage is a seminal story in Lincoln and Lancaster County Nebraska. No one who has lived there as have I for long stretches, has not known or heard eyewitness accounts of the terror that prevailed. Lincoln at the time was more like a small town with a city population. To say everyone knew everyone is only slight exaggeration.
Many citizens had personal ties to officers closely involved with Fugate during and after her return from Wyoming. Near all, if not all, believed her demeanor was belligerent and showed little remorse.
So, as intimated we'll never know. But let us recognize that key questions remain unanswered.
Lo sapevi?
- QuizSpringsteen's chilling 1982 title song "Nebraska" is based on the true story of Starkweather and Fugate.
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By what name was The 12th Victim (2023) officially released in India in English?
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